The Fabric Of Cities

The Fabric of Cities presents an interdisciplinary collection of articles on urbanism in ancient Mesopotamia, Israel, Greece and Rome, which focuses on the social dimension of cities' topographical features. The contributions of this book offer investigations of neighbourhoods, city gates, streets, temples and palaces drawing on textual and archaeological sources as well as art. The topics treated in this work encompass the diverse functions of public and marginal spaces in Mesopotamian cities and Rome, the role of agency in the development of Babylonian neighbourhoods, the relationship between public and private in Assyrian palaces, the connection between political strategies and temple building in Sumerian literary texts, and the communicative uses of language in Classical Greek texts to talk about urban space.

Bringing together ideas from the fields of sociology, economics, human geography, ethics, political and communications theory, this book deals with some key subjects in urban design: the multidimensional effects of the spatial form of cities, ways of appropriating urban space, and the different material factors involved in the emergence of social life. It puts forward an innovative conceptual framework to reconsider some fundamental features of city-making as a social process: the place of cities in encounters and communications, in the randomness of events and in the repetition of activities that characterise societies. In doing so, it provides fresh analytical tools and theoretical insights to help advance our understanding of the networks of causalities, contingencies and contexts involved in practices of city-making. In a systematic attempt to bring urban analysis and research from the social sciences together, the book is organised around three vital yet relatively neglected dimensions in the social and material shaping of cities: (i) Cities as systems of encounter: an approach to urban segregation as segregated networks; (ii) Cities as systems of communication: a view of shared spaces as a means to association and social experience; (iii) Cities as systems of material interaction: explorations on urban form as an effect of interactivity, and interactivity as an effect of form. Visit the author’s website at: http://socialfabric.city/

Bringing together ideas from the fields of sociology, economics, human geography, ethics, political and communications theory, this book deals with some key subjects in urban design: the multidimensional effects of the spatial form of cities, ways of appropriating urban space, and the different material factors involved in the emergence of social life. It puts forward an innovative conceptual framework to reconsider some fundamental features of city-making as a social process: the place of cities in encounters and communications, in the randomness of events and in the repetition of activities that characterise societies. In doing so, it provides fresh analytical tools and theoretical insights to help advance our understanding of the networks of causalities, contingencies and contexts involved in practices of city-making. In a systematic attempt to bring urban analysis and research from the social sciences together, the book is organised around three vital yet relatively neglected dimensions in the social and material shaping of cities: (i) Cities as systems of encounter: an approach to urban segregation as segregated networks; (ii) Cities as systems of communication: a view of shared spaces as a means to association and social experience; (iii) Cities as systems of material interaction: explorations on urban form as an effect of interactivity, and interactivity as an effect of form. Visit the author’s website at: http://socialfabric.city/

Cities are the product of a myriad of forces. Their forms and structures evolve over centuries and articulate the relationships between us, their citizens--how we live, work and connect. Although constantly changing, they are also remarkably fragile, particularly in these times of rapid expansion and consequent pressures for increased density. Cities need careful cultivation by all involved in making proposals for their growth, if new projects are to support the continuity of existing city fabric, reinforce the particular identity of place and provide new workable living environments. Through their urban design work in many cities, Allies and Morrison have participated in ongoing discussions around many current issues. This book combines insights about how cities work with observations on how development plans can help, or hinder, their further evolution. Written by people in the practice, it draws together the rich ideas, theories, precedents and explorations that have informed their work and illustrates them with case studies of individual projects. The Fabric of Place: Allies and Morrison reflects on work-in-progress, as continuing conversations between theory and realisation.

A study of water at the intersection of landscape and infrastructure in Paris, Berlin, Lagos, Mumbai, Los Angeles, and London. Water lies at the intersection of landscape and infrastructure, crossing between visible and invisible domains of urban space, in the tanks and buckets of the global South and the vast subterranean technological networks of the global North. In this book, Matthew Gandy considers the cultural and material significance of water through the experiences of six cities: Paris, Berlin, Lagos, Mumbai, Los Angeles, and London. Tracing the evolving relationships among modernity, nature, and the urban imagination, from different vantage points and through different periods, Gandy uses water as a lens through which to observe both the ambiguities and the limits of nature as conventionally understood. Gandy begins with the Parisian sewers of the nineteenth century, captured in the photographs of Nadar, and the reconstruction of subterranean Paris. He moves on to Weimar-era Berlin and its protection of public access to lakes for swimming, the culmination of efforts to reconnect the city with nature. He considers the threat of malaria in Lagos, where changing geopolitical circumstances led to large-scale swamp drainage in the 1940s. He shows how the dysfunctional water infrastructure of Mumbai offers a vivid expression of persistent social inequality in a postcolonial city. He explores the incongruous concrete landscapes of the Los Angeles River. Finally, Gandy uses the fictional scenario of a partially submerged London as the starting point for an investigation of the actual hydrological threats facing that city.

How does the city’s urban fabric relate to crime and fear, and how is that fabric affected by crime and fear? Does the urban environment affect one’s decision to commit an offence? Is there a victimisation-related inequality within cities? How do crime and fear interrelate to inequality and segregation in cities of developing countries? What are the challenges to planning cities which are both safe and sustainable? This book searches for answers to these questions in the nature of the city, particularly in the social interactions that take place in urban space distinctively guided by different land uses and people’s activities. In other words, the book deals with the urban fabric of crime and fear. The novelty of the book is to place safety and security issues on the urban scale by (1) showing links between urban structure, and crime and fear, (2) illustrating how different disciplines deal with urban vulnerability to (and fear of) crime (3) including concrete examples of issues and challenges found in European and North American cities, and, without being too extensive, also in cities of the Global South.

From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future.