The Faerie Way

The Faerie are not just little sprites with wings. They are an entire spiritual race of beings that exists on another level of reality, the Faerie realms. In The Faerie Way by Hugh Mynne you will not only find out the truth about these peaceful people, but also you will learn the practical techniques you need to visit them and obtain wisdom that can change your life. If the idea of journeying to a spiritual world sounds shamanic, it is because shamanism is at the core of the Faerie faith. The methods for traveling to their world involve altering your consciousness through relaxation, visualization, prayer, and knowledge. To the Faerie initiate, darkness and light, life and death, male and female are aspects of one totality ó and every tree, flower, and blade of grass sings with its own spirit. This book will help you look under the Faerie mounds and open you to the holiness of all life's cycles and chances, and the eternal beauty underlying all. For guidance on your path, you will read about four previous explorers of the Faerie realms, one of whom is George "A.E." Russell who not only wrote about the Faerie, but also painted pictures of them. The book includes five of his paintings, in full color, which have never been published before. The journey you can take is magical. Through contact with immensely powerful allies and animal helpers in the Faerie world you'll reunite with your Faerie "Co-Walker" to heal old wounds, overcome personal demons, and even help rebuild our shattered world. Start working with this book now.

A history of popular superstitions, tales, and magic in British literature. In The Fairy Way of Writing, Kevin Pask seeks to explain the origins and popularity of enchantment in Shakespeare’s plays. Writers John Dryden and Joseph Addison originated the phrase “fairy way of writing” to define the concept of an English creative imagination founded on a synthesis of high literary culture and the popular culture of tales and superstitions. Beginning with Chaucer, Johnson, Dryden, and Milton, Pask argues that the fairy way of writing not only sets the stage for the fairy tale, the Gothic novel, and children’s literature but also informs genres beyond the English canon, including painting, twentieth-century fantasy fiction, and French fairy tales. In addition to English writers and visual artists such as Pope, Blake, and Keats, who were directly engaged with Shakespearean fantasy, Pask also examines fairy tales, letters, and paintings by the French writers Madame d'Aulnoy, Charles Perrault, Madame de Sévigné, and the Swiss-born artist Johann Heinrich Füssli (Fuseli). The Fairy Way of Writing alters the traditional sense of English literary history and of Shakespeare’s singular place in it, insisting on the importance of often-overlooked literary and visual works. It recovers a distinctive aspect of English literary culture from across the entire early modern era and beyond, one that has been studied in the context of individual periods and writers but is only now explored in relation to the history of European nationalism and the creation of the modern literary system.

Tania has brought the long-lost Queen Titania back to Faerie from the Mortal World of modern London. But when they cross between the worlds, they find only devastation. The Sorcerer King of Lyonesse—ancient enemy of the Faerie Court—has been released from his amber prison. As the wicked sorcerer regains his power, King Oberon, Tania's father, is imprisoned and the Faerie Court is being destroyed. Tania and her true love, Edric, must travel the Realm to try to find and rescue King Oberon, who is their only hope for defeating the evil Sorcerer King. And Tania must prepare for battle . . . and to fight a war that she may not survive.

Tania is a princess of Faerie. And now she must return to the Mortal World. Once upon a time, Tania was an ordinary girl. But then she was swept into another world, where she was the long-lost princess of the elegant and magical court of Faerie, and only she could save the court from great peril. Now Tania—and her true love, Edric—will go back to the Mortal Realm to seek Queen Titania, lost hundreds of years ago while searching for Tania. Their return leads to struggles with Tania's much-loved mortal parents and friends as she and Edric try to conceal their secret. But much more serious dangers lurk: The sinister Lord Drake is not yet defeated, they are pursued by dark supernatural forces, and Tania's two worlds are about to collide in amazing and frightening ways she never could have anticipated.

The spirituality of a fey person may be quite anarchic and entirely private, having no basis in any organised religion. So it can be a secret spirituality that informs the fey type and this may be largely experiential. It has often been perceived as a threat by people who like ideas to be tied down and under control, and by the organisations that such people have created. Meanwhile, in much of today's world, fey people have been throughly marginalized. In this book, Rae Beth suggests ways in which we might understand Otherworldly realities without abandoning commonsense. Drawing upon her knowledge of traditional faerie lore, she shows how fey perceptions and psychic skills can serve and enhance life.Rae Beth draws on her knowledge of traditional faerie lore and shows how fey perceptions and psychic skills can serve and enhance life.She suggests ways in which we might understand Otherworldly realities without abandoning commonsense. Will be of interest to witches and those interested in the Other world.

What lies beyond the earthly world? Is there an invisible, ethereal realm inhabited by creatures that cannot be perceived by the human eye? What if fairy tales, myths, and lore hid the secret code needed to access our deepest human resources? And what if, by approaching the Faerie Dimension without prejudice or fear, we could find the secret key to reveal the treasures we are still unaware of, removing from our path any obstacle, overcoming any conflict, and fulfilling every desire? The Faerie Code is a guide and contains seven original tales that provide access to the Faerie Dimension and its gifts. It discloses information from a realm that is invisible to most humans but sometimes makes itself known. Whether this dimension belongs to the inspiration coming from the realms of consciousness, or rather, to a subtle dimension where the faeries are supposed to live, it does not matter much . . . because on the Faerie Path, everything is possible.

Young Baytel, overshadowed by his imperious father, King Vokat, and by his increasingly demonic twin brother, Ravek, is being tutored by a Tree Faerie, Cyr. Fueled with idealistic courage and no knowledge of the land outside his father's realm, Baytel abandons his birthright and duties and begins a journey to fulfill the destiny he senses within himself. His quest leads him to become a Citadel Druid, skilled in the healing arts and self-reliance. He devotes himself to enabling peaceful coexistence among the many sects of humanity who inhabit the One Land. All this is in grave conflict with his father's and brother's plans of conquest. Through mysteries and battles that leave him severely at odds with his father's ideas of domination, Baytel's quest leads him to learn of his grandfather he had never met, his ancestry in a powerful sect, and a magic of the ages emerging within him. His adventures unite him with a group of men and women with particular individual skills and resourcefulness. To bring peace requires violent counteraction, brilliant quick thinking, steadfastness, a bit of humor, and magical happenings, all enveloped in their devotion to the quest and the ripening of friendships. Baytel's globe is breathtakingly real, in an era of castles, blacksmiths, pulsing forests and swamps, magic and spirits, self-sustaining villages, and diverse beings and creatures--a living earth with individuals of honor and evil. 1

This story about faerie began as a vision. In his newest work, Lee Morgan follows a cacophony of visions with sharp, bright edges to them that have lain claim to his heart and hands. In what is clearly a work of the heart, Lee bypasses rational intellect guiding the reader to experience the touch, scent and feel of the Faerie Faith through symbol and suggestion. Sounds of Infinity is divided into three parts, the work of the Head, the work of the Heart and the work of the Hands. The second is a work of occult fiction that meditates upon the themes discussed in Part One in the form of a woven narrative. The final part is a practical grimoire that leads the reader through the door to physically manifests the vision they have shared in parts one and two. This is not just a book, but an experience, one which culminates not at the end of reading the volume but in the consummation known in the art of ritual.