The Fall Of The House Of Cabal

Johannes Cabal, a necromancer of some little infamy, has come into possession of a vital clue that may lead him to his ultimate goal: a cure for death. The path is vague, however, and certainly treacherous as it takes him into strange territories that, quite literally, no one has ever seen before. The task is too dangerous to venture upon alone, so he must seek assistance, comrades for the coming travails. So assisted—ably and otherwise—by his vampiric brother, Horst, and by the kindly accompaniment of a criminologist and a devil, he will encounter ruins and diableries, mystery and murder, the depths of the lowest pit and a city of horrors. London, to be exact. Yet even though Cabal has risked such peril believing he understands the dangers he faces, he is still underestimating them. He is walking into a trap of such arcane complexity that even the one who drew him there has no idea of its true terrors. As the snare closes slowly and subtly around them, it may be that there will be no survivors at all. The Fall of the House of Cabal is the fifth book in Jonathan L. Howard's acclaimed Johannes Cabal series.

The page-turning first novel in the charmingly gothic, fiendishly funny Faustian series about a brilliant scientist who makes a deal with the Devil, twice. • "The spot-on work of a talented writer." —The Denver Post Johannes Cabal sold his soul years ago in order to learn the laws of necromancy. Now he wants it back. Amused and slightly bored, Satan proposes a little wager: Johannes has to persuade one hundred people to sign over their souls or he will be damned forever. This time for real. Accepting the bargain, Jonathan is given one calendar year and a traveling carnival to complete his task. With little time to waste, Johannes raises a motley crew from the dead and enlists his brother, Horst, a charismatic vampire to help him run his nefarious road show, resulting in mayhem at every turn.

Horst Cabal has risen from the dead. Again. Horst, the most affable vampire one is ever likely to meet, is resurrected by an occult conspiracy that wants him as a general in a monstrous army. Their plan: to create a country of horrors, a supernatural homeland. As Horst sees the lengths to which they are prepared to go and the evil they cultivate, he realizes that he cannot fight them alone. What he really needs on his side is a sarcastic, amoral, heavily armed necromancer. As luck would have it, this exactly describes his brother. Join the brothers Cabal as they fearlessly lie quietly in bed, fight dreadful monsters from beyond reality, make soup, feel slightly sorry for zombies, banter lightly with secret societies that wish to destroy them, and—in passing—set out to save the world.* *The author wishes to point out that there are no zebras this time, so don't get your hopes up on that count. There is, however, a werebadger, if that's something that's been missing from your life.

A Darkly Gripping Comic Fantasy Beyond the wall of sleep lies the Dreamlands, a world formed by dreams, but not a dream itself. For countless millennia, it has been explored only by those with a certain detachment from mundane reality, its strange seas navigated and its vast mountains climbed by philosophers, mystics, and poets. Well, those halcyon days are over, beatniks. Johannes Cabal is coming. Cabal, a necromancer of some little infamy, is employed by the mysterious Fear Institute to lead an expedition into the Dreamlands, an expedition to hunt and destroy the dread Phobic Animus, the font of terrors, the very source of all the world's fear. They will enter exotic lands where magic is common and monsters abound. Cabal will encounter witches, vile abominations, and far too many zebras. And, when they finally come close to their goal, Cabal will have to face his own nightmares. But for a man who communes easily with devils and the dead, surely there is nothing left to fear. . . .

Johannes Cabal returns in this fearfully funny and terrifically twisted tale of murder and international intrigue . . . five thousand feet off the ground. When an attempt to steal a rare book turns sour, Johannes Cabal, a necromancer of some little infamy, finds himself in a foreign prison awaiting execution. A crafty plan -- as horrific as it is cunning -- allows him to steal the identity of a government official and make his escape aboard a luxurious aeroship heading out of the country. But what should be a perfect getaway rapidly becomes complicated by the bizarre disappearance of a passenger, an attempt on Cabal's life, and an unwelcome face from the past. Trapped aboard with a killer, can even Cabal's open-razor of a mind save him? Full of twists, turns, sword fights, archenemies, newfangled flying machines, narrow escapes, and, of course, resurrected dead, Johannes Cabal’s latest eldritch escapade is a Ruritanian romp from first to last.

You may have heard of Johannes Cabal; he is a necromancer and a little infamous. He is also very sensitive to attempts on his life. When a murder of crows tries to... well, murder him, and the contents of his bath are transmuted into hot nitric acid, he suspects someone may mean him harm. The trail leads to one of the less travelled parts of Hell itself, and there Cabal will need a guide. As Dante had his Virgil, so Cabal employs the services of a devil who is a monster, a predator, and -- most alien of all to Cabal -- a woman. The devil Zarenyia and he delve deep into Hell, even into Satan's greatest mistake, to confront challenges quite outside the ken of any mortal. But one should always use a long spoon when supping with a devil, and Cabal soon realises the unthinkable, a horror beyond his experience. He is actually beginning to like her. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The battle lines have been drawn. The people of Russalka turn upon one another in a ruthless and unwavering civil war even while their world sickens and the deep black ocean is stained red with their blood. As the young civilisation weakens, its vitality fuelling the opposing militaries at the cost of all else, the war drums beat louder and louder. Katya Kuriakova knows it cannot last. Both sides are exhausted – it can only be a matter of days or weeks before they finally call a truce and negotiate. But the days and weeks pass, the death toll mounts, and still the enemy will not talk. Then a figure from the tainted past returns to make her an offer she cannot lightly refuse – a plan to stop the war. But to do it she will have to turn her back on everything she has believed in, everything she has ever fought for, to make sacrifices greater even than laying down her own life. To save Russalka, she must become its greatest enemy.

"Amy Irvine implores us to trade in our solitude for solidarity, to recognize ourselves in each other and in the places we love, so that we might come together to save them." —PAM HOUSTON As Edward Abbey’s Desert Solitaire: A Season in the Wilderness turns fifty, its iconic author, who has inspired generations of rebel-rousing advocacy on behalf of the American West, is due for a tribute as well as a talking to. In Desert Cabal: A New Season in the Wilderness, Amy Irvine admires the man who influenced her life and work while challenging all that is dated—offensive, even—between the covers of Abbey’s environmental classic. From Abbey’s quiet notion of solitude to Irvine’s roaring cabal, the desert just got hotter, and its defenders more nuanced and numerous.