The Fantasy Adventures Of Professor Helst

Professor Abraham van der Helst starts a journey to save a girl from the Devil . Who has been changed into an old woman. The water of the Fountain of Youth will cure the girl . He interacts with Greek mythological creatures, objects , places, Syrinx, Pan, Io , Aegis, Daphne, Apollo`s bough ,Poison dress , Centaurs , Python , Siren, Cerberus, Talos, semplegades, Lotus eaters , Scylla , Charibdis ,Circe , calypso , Nousica, etc and finds out the Fountain and cures the girl .On the other hand witch Olga goes to Norse cosmos to summon the Berserker to kill the girl . She interacts with Trolls, , King Sigurd ,Alfheim, Giant Bergelmir, Gullinbursti,Bifrost, Skoll wolf, Andvari , Hildskajalf,Asgard , Midgard etcSorcerer Noora goes to Egyptian pantheon to summon the serpent Basilisk to kill the girl but fails. He interacts with Olorun , Eshu, Sedna, Moby dick , isis, Osiris, changing woman , Lamassu, Helbore , Sekmet etc.Chronicler King Freeman Goes to Celtic cosmos to Save the girl , He interacts with the magician Merlin,Maeldun , Lady of the lake , Lepretchun, , Ludd , Lleflys, Incubus , Red and White dragon, Coranians, Hipogriff , Rabican Astolpho, Rogero, Banishes Berserker and Basilisk , And Save the girl.

It turns out that a real alien invasion is nothing like the Sci-fi shows 14-year-old Gracie loves. Not when it's your own family who are swallowed whole by those big silver ships. Not if it could be you next. In her search for her family, Gracie meets Brandon, a high school dropout who would never have been caught dead hanging out with a dork like Gracie before the world ended. Gracie isn't too crazy about Brandon either, but he has one thing she doesn't: A plan. Brandon's uncle has a cabin up in Maine, and If Gracie and Brandon can survive long enough to get there they can hide out until the Space Men pack up their ships and leave. Until the army guys come to rescue them, says Brandon. Brandon is big into army guys. Gracie has to admit that Brandon's Awesome Plan probably would have worked out great if wasn't for Jake. They found 5-year-old Jake, laying half-dead under the remains of someone's ranch house. He's a good kid, even if he won't-or can't- talk. But Jake has a secret, and when Gracie finds out what it is, the fragile new life they've started to forge looks set to break apart. When the people you've been counting on to put the world back together start hunting you down, alien invaders are the least of your worries.

A USA TODAY BESTSELLER! From Edgar-Award nominee Elle Cosimano, comes Finlay Donovan Knocks 'Em Dead—the hilarious and heart-pounding follow-up to Finlay Donovan is Killing It. "Cosimano skillfully combines suspense and laughs in the manner of Janet Evanovich’s early (and best) novels, finished off with a metafictional twist."—New York Times Book Review "A funny and smart, twisty and surprising series."—Megan Miranda Finlay Donovan is—once again—struggling to finish her next novel and keep her head above water as a single mother of two. On the bright side, she has her live-in nanny and confidant Vero to rely on, and the only dead body she's dealt with lately is that of her daughter's pet goldfish. On the not-so-bright side, someone out there wants her ex-husband, Steven, out of the picture. Permanently. Whatever else Steven may be, he's a good father, but saving him will send her down a rabbit hole of hit-women disguised as soccer moms, and a little bit more involvement with the Russian mob than she'd like. Meanwhile, Vero's keeping secrets, and Detective Nick Anthony seems determined to get back into her life. He may be a hot cop, but Finlay's first priority is preventing her family from sleeping with the fishes... and if that means bending a few laws then so be it. With her next book's deadline looming and an ex-husband to keep alive, Finlay is quickly coming to the end of her rope. She can only hope there isn't a noose at the end of it...

This thesis focuses on the intersections of masculinity, old age and sexuality from the perspectives of old men themselves, how they understand and experience sex and sexuality in later life. The study uses qualitative in-depth interviews and body diaries, an exploratory method that asked men write about their bodies in everyday life. Twenty-two men, born between 1922 and 1942, participated in the study. The aim of the thesis is two-fold: firstly, to study sexual subjectivities of old men, how old men articulate and make meaning around sexuality in later life. Secondly, the study aims to explore theoretically what a male body may become in relation to ageing; in what ways the ageing male body could be a site for rethinking masculinity and the male body. This aim was inspired by feminist theories in dialogue with the deleuzian concept becoming. Similarly to gender, age is understood to take shape and become intelligible in social and cultural contexts. Furthermore, the thesis stresses the significance of the specificities of the ageing body to the shaping of masculinity, sexuality and subjectivity. The body is therefore discussed as an “open materiality”, beyond the binaries of culture and nature/materiality. This thesis discusses the concepts intimacy and touch as central to how old men’s sexual subjectivities take shape, allowing for alternative conceptualisations of sexuality beyond erection and intercourse. Intimacy and touch are understood and discussed in several different ways. By orienting themselves to touch and intimacy the old men emerged as more mature, unselfish and with more serene sexual desires. This also involved them distancing themselves from the younger man/other men, whom they perceived as more selfish, inconsiderate and with stronger sexual desires. Intimacy and touch could in this respect be understood as resources for shaping desirable heterosexual masculinity. An orientation to intimacy and touch enabled old men to appear as neither asexual nor as “dirty” old men. But the study also suggests that a turn to intimacy and touch may open up possibilities for rethinking and reconfiguring sexuality, masculinity and the male body. The ageing body then need not be understood as an obstacle but as an enabling site that provides opportunities for intimacy and touch. Moreover, the thesis presents affirmative old age as an alternative conceptualisation of old age, beyond both the discourses of successful ageing and the discourses of old age as negativity and decline. As a theory of difference and bodily specificity, affirmative old age may be of interest for further feminist theorising.