The Fantasy Of Family

The myth of the Victorian family remains a pervasive influence within a contemporary Britain that perceives itself to be in social crisis. Nostalgic for a golden age of "Victorian values" in which visions of supportive, united families predominate, the common consciousness, exhorted by social and political discourse, continues to vaunt the "traditional, natural" family as the template by which all other family forms are gauged. Yet this fantasy of family, nurtured and augmented throughout the Victorian era, was essentially a construct that belied the realities of a nineteenth-century world in which orphanhood, fostering, and stepfamilies were endemic. Focusing primarily on British children's texts written by women and drawing extensively on socio-historic material, The Fantasy of Family considers the paradoxes implicit to the perpetuation of the domestic ideal within the Victorian era and offers new perspectives on both nineteenth-century and contemporary society.

Fantasy and Your Family by bestselling author Richard Abanes presents a much-needed assessment of fantasy - its benefits and its drawbacks. Abanes begins with an in-depth look at folklore, myths, legends, and fairy tales, and their connection to fantasy. Part one also discusses issues involving child development, the affects of literature on children, and how those affects can ultimately change the course of society. Additionally, Abanes examines pop culture, the media, mass marketing, and the commercialization of children's literature by corporations interested primarily in making money. This volume then looks at the life of fantasy writer J.R.R. Tolkien, the popularity of his fantasy works, their content, and what separates them from other fantasy volumes such as Harry Potter by J.K. Rowling and the children's horror books by R.L. Stine. A particularly interesting survey of Tolkien's The Lord of the Rings includes a thorough analysis of its storyline, characters, and morality. These are compared side-by-side with Harry Potter. Finally, Abanes gives an overview of our culture's growing obsession with the occult, paganism, and witchcraft. Why is it happening? When did it begin? How is it influencing today's youth? All of these questions are answered through a concise, easy-to-understand writing style. Especially fascinating are the numerous sources of documentations that shows children are indeed being drawn to the occult via Harry Potter. Included are dozens of quotes by Wiccans, neopagans, and occultists that clearly express their belief that Rowling's fantasy will do much to further witchcraft and the occult. - Amazon.

The myth of the Victorian family remains a pervasive influence within a contemporary Britain that perceives itself to be in social crisis. Nostalgic for a golden age of "Victorian values" in which visions of supportive, united families predominate, the common consciousness, exhorted by social and political discourse, continues to vaunt the "traditional, natural" family as the template by which all other family forms are gauged. Yet this fantasy of family, nurtured and augmented throughout the Victorian era, was essentially a construct that belied the realities of a nineteenth-century world in which orphanhood, fostering, and stepfamilies were endemic. Focusing primarily on British children's texts written by women and drawing extensively on socio-historic material, The Fantasy of Family considers the paradoxes implicit to the perpetuation of the domestic ideal within the Victorian era and offers new perspectives on both nineteenth-century and contemporary society.

Gillengaria seethes with unrest. In the south, hostility toward magic and its users has risen to a dangerous level, though King Baryn has ordered that such mystics are to be tolerated. It is whispered that he issued the decree because his new wife used her magic powers to ensnare him… The King knows there are those in the noble Twelve Houses who could use this growing dissent to overthrow him. So he dispatches the mystic Senneth to assess the threat throughout the realm. Accompanying her is a motley band of magic-users and warriors including Tayse, first among the King’s Riders—who holds a hard view of mystics in general, and Senneth in particular. But as the unlikely allies venture farther into the south, they will face death in a land under the sway of a fanatical cult that would purge Gillengaria of all magic users. And they will come to realize that their only hope of survival lies in standing together…

When sisters Even and Odd are trapped and unable to return home to the mundane world they live in, they, with the help of a unicorn named Jeremy, must stop a power-mad wizard from creating an ecological disaster.

The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.

The horror of the Rainbow Opera riot is the talk of the country. Dreamhunter Grace Tiebold's reputation is in tatters and Laura is in hiding. Rumours about the government's torture of prisoners have been suppressed and corrupt minister Cas Doran is free to take his plans to shocking heights. For at a secret depot deep within the Place, a new, terrifying dream has been unearthed . . .

“High stakes, big heart, and lots of Black Girl Magic…unputdownable.” —Aiden Thomas, New York Times bestselling author of Cemetery Boys A rich, dark urban fantasy debut following a teen witch who is given a horrifying task: sacrificing her first love to save her family’s magic. The problem is, she’s never been in love—she’ll have to find the perfect guy before she can kill him. After years of waiting for her Calling—a trial every witch must pass to come into their powers—the one thing Voya Thomas didn’t expect was to fail. When Voya’s ancestor gives her an unprecedented second chance to complete her Calling, she agrees—and then is horrified when her task is to kill her first love. And this time, failure means every Thomas witch will be stripped of their magic. Voya is determined to save her family’s magic no matter the cost. The problem is, Voya has never been in love, so for her to succeed, she’ll first have to find the perfect guy—and fast. Fortunately, a genetic matchmaking program has just hit the market. Her plan is to join the program, fall in love, and complete her task before the deadline. What she doesn’t count on is being paired with the infuriating Luc—how can she fall in love with a guy who seemingly wants nothing to do with her? With mounting pressure from her family, Voya is caught between her morality and her duty to her bloodline. If she wants to save their heritage and Luc, she’ll have to find something her ancestor wants more than blood. And in witchcraft, blood is everything.