The Femme Fatale Hypothesis

More accurately a love triptych than triangle, The Femme Fatale Hypothesis is the story of one spring in 2015 when three people form intimate bonds forged in the fires of their respective tribulations. As Rose Geddes's lung cancer progresses toward its inexorable end and her husband's ability to care for her diminishes, their widowed neighbor, June Danhill, stumbles into the middle of their intersecting crises. June's only son, daughter-in-law, and two grandchildren have recently moved to the West Coast. She embraces the opportunity to distract herself from her loneliness by helping to care for the Geddeses. But it isn't long before June realizes that Rose wants more from her than she is willing to give. Love and loss, family secrets, visiting vultures, the Memorial Park boys, a long-forgotten keepsake, morphine versus fentanyl, and the sexual cannibalism of the false garden mantid all fuel this psychological thriller that tests the thin line between mercy and murder.

These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.

This book provides an overview of the developments in the area of Bayesian evaluation of informative hypotheses that took place since the publication of the ?rst paper on this topic in 2001 [Hoijtink, H. Con?rmatory latent class analysis, model selection using Bayes factors and (pseudo) likelihood ratio statistics. Multivariate Behavioral Research, 36, 563–588]. The current state of a?airs was presented and discussed by the authors of this book during a workshop in Utrecht in June 2007. Here we would like to thank all authors for their participation, ideas, and contributions. We would also like to thank Sophie van der Zee for her editorial e?orts during the construction of this book. Another word of thanks is due to John Kimmel of Springer for his con?dence in the editors and authors. Finally, we would like to thank the Netherlands Organization for Scienti?c Research (NWO) whose VICI grant (453-05-002) awarded to the ?rst author enabled the organization of the workshop, the writing of this book, and continuation of the research with respect to Bayesian evaluation of informative hypotheses.

Cities pose formidable obstacles to nonhuman life. Vast expanses of asphalt and concrete are inhospitable to plants and animals; traffic noise and artificial light disturb natural rhythms; sewage and pollutants imperil existence. Yet cities teem with life: In rowhouse neighborhoods, tiny flowers bloom from cracks in the sidewalk. White clover covers lawns, its seeds dispersed by shoes and birds. Moths flutter and spiders weave their webs near electric lights. Sparrows and squirrels feast on the scraps people leave behind. Pairs of red-tailed hawks nest on window ledges. How do wild plants and animals in urban areas find mates? How do they navigate the patchwork of habitats to reproduce while avoiding inbreeding? In what ways do built environments enable or inhibit mating? This book explores the natural history of sex in urban bacteria, fungi, plants, and nonhuman animals. Kenneth D. Frank illuminates the reproductive behavior of scores of species. He examines topics such as breeding systems, sex determination, sex change, sexual conflict, sexual trauma, sexually transmitted disease, sexual mimicry, sexual cannibalism, aphrodisiacs, and lost sex. Frank offers a guide to urban reproductive diversity across a range of conditions, showing how understanding of sex and mating furthers the appreciation of biodiversity. He presents reproductive diversity as elegant but vulnerable, underscoring the consequences of human activity. Featuring compelling photographs of a multitude of life forms in their city habitats, this book provides a new lens on urban natural history.

The Routledge International Handbook of Comparative Psychology is an international reference work that offers scientists and students a balanced overview of current research in the field of comparative psychology and animal behavior. The book takes an integrative approach to animal behavior, with most of the chapters discussing research involving both proximate (developmental and mechanistic) and ultimate (functional and phylogenetic) levels of analysis. Chapters cover the major ideas of core topics in the field and examine emerging research trends to provide readers deeper understanding of these ideas. One of the strengths of this book is its the coverage of core topics in comparative psychology and animal behavior from different – and diverse – perspectives. The diverse perspectives come from the wide range of focal species studied by chapter authors, a range traditionally quite atypical for comparative psychology, and from the widespread international representation of the authors and the diversity of departments and research centers at which these authors work in. The first part of the Handbook examines historical and foundational principles and theories in the field. The second part focuses on individual behavior systems. The final part of the book is devoted to a diversity of ideas that extend our understanding of behavior into new directions. The Routledge International Handbook of Comparative Psychology is an essential resource for advanced undergraduate and graduate students, postdoctoral researchers, and established academics, as well as others who are interested in comparative psychology and animal behavior.

The essays in this interdisciplinary volume explore language, broadly construed, as part of the continued interrogation of the boundaries of human and nonhuman animals in the Middle Ages. Uniting a diverse set of emerging and established scholars, Animal Languages questions the assumed medieval distinction between humans and other animals. The chapters point to the wealth of non-human communicative and discursive forms through which animals function both as vehicles for human meaning and as agents of their own, demonstrating the significance of human and non-human interaction in medieval texts, particularly for engaging with the Other. The book ultimately considers the ramifications of deconstructing the medieval anthropocentric view of language for the broader question of human singularity.

The figure of the beautiful but lethal woman has haunted the Western imagination from ancient myth to contemporary film. Looking at news media, cinema, drama and other cultural forms, this study considers the interaction between representations of 'real life' 'femmes fatales' and their fictional counterparts.

The femme fatale occupies a precarious yet highly visible space in contemporary cinema. From sci-fi alien women to teenage bad girls, filmmakers continue to draw on the notion of the sexy deadly woman in ways which traverse boundaries of genre and narrative. This book charts the articulations of the femme fatale in American cinema of the past twenty years, and contends that, despite her problematic relationship with feminism, she offers a vital means for reading the connections between mainstream cinema and representations of female agency. The films discussed raise questions about the limits and potential of positioning women who meet highly normative standards of beauty as powerful icons of female agency. They point towards the constant shifting between patriarchal appropriation and feminist recuperation that inevitably accompanies such representations within mainstream media contexts.