The Fiction Of Emyr Humphreys

Published to mark the centennial of his birth, this is the first comprehensive and authoritative study of the life and work of Welsh writer Emyr Humphreys. With a remarkable career spanning over seventy years as a writer, Humphreys has published more than two dozen novels, as well as several collections of short stories. In addition to offering a critical and interpretative survey of his remarkable body of work, this book also sets Humphreys's output in the context of the dramatic and transformative decades in recent Welsh history during which it was produced. The essays are supplemented by informative interviews between Humphreys and M. Wynn Thomas.

• Emyr Humphreys is arguably Wales’s most distinguished living writer. • Hidden amongst the detritus gathered during the creative process these poems were not intended to be read generally but were private thoughts distilled into the shard like fragments described in the title. • The poems show the depth and variety of his thinking, with a cutting insight into the nature of being and its universal significance, insignificance or relevance. • The poems contain a profundity which challenge us to think more deeply about the nature of our being.

For over half a century, Emyr Humphreys's work as a novelist, short story writer, poet, dramatist and television producer has been extraordinarily impressive. This pioneering and stimulating book considers Humphreys's fiction from a range of contemporary critical perspectives and stresses its relevance to the 21st century. Drawing on the work of leading modern cultural and literary theorists such as Jacques Derrida and Homi Bhabha, psychoanalytic critics such as Melanie Klein and Jacqueline Rose, and gender theorists such as Judith Butler, Linden Peach brings fresh perspectives to the content, structure and developing nature of Humphreys's work, employing, for example, historicist, post-historicist, new geography, psychoanalytic and feminist and postfeminist frameworks. Through detailed readings which highlight subjects such as gender identity, contested masculinities, war, pacifism, strangeness and 'otherness', problematic father and daughter relationships, and cultural discourse in complex linguistic environments, Peach suggests that Humphreys's work is best understood as 'dramatic', 'dissident' and/or 'dilemma' fiction rather than by the term 'Protestant novelist' which Humphreys used to describe himself at the outset of his career. Stressing how Humphreys came to see himself as more of a 'protesting' novelist, Peach examines how the dilemmas around which his fiction is based, originally linked to Humphreys's definition of himself as a 'protestant' writer, increasingly become sites in which controversial, and often dark themes, are explored. This approach to Humphreys's work is pursued through exciting readings of some of Humphreys best and lesser known works including A Man's Estate, A Toy Epic, Outside the House of Baal, the Best of Friends, salt of the Earth, Unconditional Surrender, The Gift of a Daughter, Natives, Ghosts and Strangers, Old people are a Problem, The shop and The Woman at the Window.

Emyr Humphreys, poet, novelist, short-story writer and dramatist, is one of the foremost literary figures in Wales. For over 40 years he has interpreted the world of Welsh-speaking Wales, sympathetically but without sentiment.

Conversations and Reflections brings together the previously uncollected ‘occasional writings’ of Emyr Humphreys, the major novelist of twentieth-century Wales. It maps the historical and cultural background to the work of a writer who was described by R. S. Thomas as ‘the supreme interpreter of Welsh life in English’. This selection of the most important essays published by Emyr Humphreys over a fifty-year period reveals the commanding range of his interests and confirms his stature as Wales's leading man of letters. Dealing with themes ranging from sixth-century literature to the twentieth-century media, these essays address the cultural commitments from which Emyr Humphreys’ creative writing takes its bearings, as well as being a major author’s statements on ‘his’ Wales, past and present. The essays are interwoven with a parallel series of discussions, conducted with M. Wynn Thomas, which explore many of the key personal, political and cultural concerns that have recurred throughout Emyr Humphreys’ work. Conversations and Reflections provides a fascinating overview of the work of one of Wales’ most significant creative writers and cultural activists.

The 5th in a series, this work conveys the conflicts and passions of a small group of individuals in Wales, weighing them against the turmoil caused by war and its effects on a significantly changing Britain.

A Toy Epic is the story of three boys moving towards the threshold of adult life in the 1930s. From differing backgrounds their lives cross and touch until they become firm friends. Each of them, Michael, Albie and Iorwerth, take up the story in turn, creating their own particular world and contriubting to the composite picture of life in 'one of the four corners of Wales'. Significantly, A Toy Epic is Wales' most important war novel, the dominant central theme of the book. It is framed by the two World Wars, and their shadows, one gone and one looming, colour the novel dark. War is the ultimate representation in the book of a dilemma: that war, although a threat to the existence of civilisation, can also advance it. A Toy Epic is Wales' shining example of modernism. Humphreys, in this book at least, is a modernist in the exact sense of the word. He experiments with form (in the footsteps of Woolf - in particular The Waves which folds an avuncular arm around A Toy Epic from beginning to end), but also he is conducting these experiments at the fault lines of fear and exaltation that the early part of the twentieth century inspired in its artists. A Toy Epic is a marvellous example of modernist techniques employed to condense the reading experience whilst opening up the riches of the prose's potential. It is also a very moving story of three boys growing up, about childhood, and Welsh childhood specifically, between the wars; it is about church versus chapel, about class, about different types of masculine identity, about prospects, about sex, marriage and about death. As M. Wynn Thomas points out in his full and excellent introduction to this edition, the boys represent the polarities at work in Wales during the time; the anglicanisation of Wales from without and within, the erosion of tradition, the significant internal migrations to the coast. Seldom has the country been so tellingly portrayed.

In Emyr Humphreys' classic novel J.T. Miles reflects on a life of mis-steps, over-ambition and betrayal. He contemplates the modern world (of which he feels no part), his attempts to bring about social change and his inability to pass on love. It has been a life of drama and defeat; a life mirroring the fate of his country in the twentieth century. New Edition.