The Final Act Of Mr Shakespeare

In the spring of 1613 Mr William Shakespeare, a gentleman farmer in Warwickshire, returns to London. It is a ceremonial visit; he has no further theatrical ambitions. But the city is still reeling from the terrorist panic of the Gunpowder Plot of 1605, and fate soon forces him to take up his pen again. It was never possible to write about Henry VII while his granddaughter Elizabeth was Queen, but now he must. It is a perilous enterprise: King James I's spies are everywhere. There is no evidence that Shakespeare wrote Henry VII, but in a compelling piece of historical recreation, Robert Winder asks: what if he did? And after 400 years, he gives us a unique world première - a brand-new, full-length Shakespeare play, incorporated brilliantly into this extraordinary novel. THE FINAL ACT OF MR SHAKESPEARE is an exhilarating portrait of England's greatest author - not in love but raging against the dying of the light. It is an outrageous tour de force of theatrical imagination, full of the spirit of the Bard.

This publication looks at fictional portrayals of William Shakespeare with a focus on novels, short stories, plays, occasional poems, films, television series and even comics. In terms of time span, the analysis covers the entire twentieth century and ends in the present-day. The authors included range from well-known figures (G.B. Shaw, Kipling, Joyce) to more obscure writers. The depictions of Shakespeare are varied to say the least, with even interpretations giving credence to the Oxfordian theory and feminist readings involving a Shakespearian sister of sorts. The main argument is that readings of Shakespeare almost always inform us more about the particular author writing the specific work than about the historical personage.

An original account of the reception and influence of Shakespeare's Sonnets in his own time and in later literary history.

Through close readings of a wide range of plays and poems, Kiernan Ryan's compelling polemic sets out to reclaim the idea of Shakespeare's timeless universality from reactionary and radical critics alike. Its argument is driven throughout by the belief that at this moment in history the need to recognise and activate the revolutionary potential of Shakespeare's drama is more urgent than ever. The volume has been shortlisted for the European Society for the Study of English 2016 Prize for the best critical study in the field of Literatures in the English Language.

In 1612, Shakespeare gave evidence in a court case at Westminster-and it is the only occasion on which his actual spoken words were recorded. In The Lodger Shakespeare, Charles Nicholl applies a powerful biographical magnifying glass to this fascinating but little-known episode in the Bard's life. Drawing on evidence from a wide variety of sources, Nicholl creates a compellingly detailed account of the circumstances in which Shakespeare lived and worked amid the bustle of early seventeenth-century London. This elegant, often unexpected exploration presents a new and original look at Shakespeare as he was writing such masterpieces as Othello, Measure for Measure, and King Lear.