The First Book Of Bariton Bass Solos Complete Parts 1 3

A collection of songs for soprano, originally published in 3 volumes (©1991, ©1993, ©2005, respectively).

(Vocal Collection). We proudly present these convenient new value packages! Each package includes over 90 songs, all at the same level of difficulty, conveniently and affordably priced for teacher reference. Each "complete" pack would retail for $44.97 if components were purchased separately.

More great teaching material, at the same level as Volume 1. The contents, completely new and unduplicated from Volume 1, once again include American and English art songs, folk songs, sacred songs, and an introduction to singing in German, French, Italian, and Spanish. Over 30 songs in each book. Joan Boytim, who has emerged as the nationally recognized expert in the field of teaching pre-collegiate voice, has done exhaustive research in preparing these volumes.

(Vocal Collection). Theatre songs have been chosen for each voice type to teach traditional lyric singing in the classical voice studio. Keys have been carefully selected for optimal use by beginning singers. The versions of the songs are short and simple, appropriate for a novice singer. For many American voice students, particularly, this collection would be the perfect first book for a teacher to assign. There are 23-24 per volume. Hal Leonard. Contents: All The Things You Are * And This Is My Beloved * Can't Help Lovin' Dat Man * Climb Ev'ry Mountain * Goodnight, My Someone * Hello, Young Lovers * I Could Have Danced All Night * I Have Dreamed * I'll Know * It's a Grand Night For Singing * Just Imagine * Look For The Silver Lining * Look to the Rainbow * Make Believe * Many a New Day * Once You Lose Your Heart * Out Of My Dreams * The Simple Joys Of Maidenhood * The Sound Of Music * Till There Was You * Why Do I Love You? * With a Song In My Heart * Wouldn't It Be Loverly * You'll Never Walk Alone

(Shawnee Press). From the Shawnee Press Vocal Library, this collection contains eight songs for the limited range of the young male singer and focuses on the five-note range of the changing male voice. All songs in this collection are appropriate for use as recital repertoire or solo, festival, and contest use. Grades: 6-12. This collection includes: Greenland Fishery, John Henry, The Coasts of High Barbary, Jenny Kissed Me!, A Red Red Rose, Passing By, Ezek'el Saw the Wheel, Pat-a-Pan.

This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word.

(Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe).

The music industry’s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers’ efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld’s Pop Song Piracy details nearly a century of disobedient music distribution from song sheets to MP3s. In the 1940s and ’50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry’s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate.