The Flemish

A tense, thrilling, morally murky read, set in Nazi-occupied Antwerp and inspired by the author's own family history of collaboration during WWII It is 1941, and Antwerp is in the grip of Nazi occupation. Young policeman Wilfried Wils has no intention of being a hero - but war has a way of catching up with people. When his idealistic best friend draws him into the growing resistance movement, and an SS commander tries to force him into collaborating, Wilfried's loyalties become horribly, fatally torn. As the beatings, destruction and round-ups intensify across the city, he is forced into an act that will have consequences he could never have imagined. Will asks what any of us would risk to fight evil.

The word ""Flemish"" refers to the people living in the North of Belgium and France and the South of the Netherlands. The Flemish, also called ""Flemings,"" are of Germanic (Frank) origin. When the Franks invaded what is now Belgium, they settled between the sea and the ""charcoal forest,"" a dense old-growth forest of beech and oak, which extended to the Rhine and formed a natural boundary during the Late Iron Age through Roman times into the Early Middle Ages. The county of Flanders was created 864 when the French king Charles the Bald granted it as a fief to his son-in-law Baldwin with the Iron Arm. Flanders was a part of France but distinguished itself from the rest of the country with its Germanic Flemish population and close economic ties to England. Unlike other French fiefs it was never returned to the French king's control, instead Flanders became a part of the duke of Burgundy's possessions in 1384, which would evolve into present day Belgium.

Numerous papers have been published on the animal and algal communities of fresh-water and marine biotopes, and their relation to the physical and chemical factors of their environment. Brackish-water biotopes have been studied much less intensely, presumably due to their limited distribution and to the complexity of their bioco enoses, composed of fresh-water, brackish-water and marine organisms. The reduced size of the species present forms a supplementary difficulty, which is especially pronounced in the algal communities, a major part of which are composed of nanno-phytoplankters. The University of Ghent considered a detailed survey sufficiently attractive to set up because of the high species diversity, the gaps in the knowledge of brackish-water nannophytoplankton at the species and population levels, and the convenient proximity of brackish-water biotopes. Moreover, the brackish-water biotopes proved to be unique, and consist of a series of landlocked creeks, con nected to the sea by means of an underground salt water supply. VII Contents Chapter 1 Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Chapter 2 Study area. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 2. 1. Topographical situation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 2. 2. Historical aspects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 2. 3. Edaphic factors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 2. 4. Hydrology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 2. 4. 1. Salinity fluctuations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 2. 4. 2. Origin of the brownish colour of certain creeks. . . . . . . . . . . . . . . . . . . . . . . . 6 2. 4. 3. Hydrography. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 2. 5. Biotopes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 2. 6. Climatic features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Chapter 3 Methods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 3. 1. Sampling procedure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 3. 2. Physical properties, water chemistry, chlorophyll a and phaeophytin a . . . . . . . . . . . . . 11 3. 3. Phytoplankton samples. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 3. 4. Periphyton and benthos samples. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Flemish Sign Language Alphabet reference guide is a manual that includes professionally illustrated and approved signs of the Flemish hand alphabet and of the numbers 0-10. This book is part of a set of manuals that accompanies the free PDF versions of the international manual alphabets on fingeralphabet.org (link in the book). It is designed for libraries, institutions, and individuals who archive or prefer their information in book format. All the handshapes are shown from two viewing angles, to facilitate understanding. The texts in this book are in English. By buying this book you are supporting the pro bono publico Project FingerAlphabet at www.fingeralphabet.org. Its aim is to document all the existing manual alphabets worldwide and to provide free basic information for educational purposes. Lassal's work on fingeralphabet.org has earned her a nomination for The German Prize for Civic Engagement.

This beautifully illustrated, expansive overview of Dutch and Flemish art during the 17th century illuminates the creative achievements of one of the most important eras in western art. The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science--and art. Still lifes, landscape paintings, and romantic depictions of everyday life became valued by the increasingly wealthy merchant classes in the Dutch provinces, while religious and historic paintings as well as portraits continued to appeal to the Flemish patronage. The Golden Age brought us Rembrandt, Vermeer, Rubens, and Van Dyck, but it was also the period of Frans Hals' revolutionary portraiture, Adriaen Brouwer's depictions of the working class at play, Jan Brueghel's velvety miniatures, and Hendrick Avercamp's lively winter landscapes. Norbert Wolf applies his vast understanding of the interplay between history, culture, and art to explore the forces that led to the Golden Age in Holland and Flanders and how this period influenced later generations of artists. Accompanied by luminous color illustrations, Wolf's accessible text considers the complex political, religious, social, and economic situation that led to newfound prosperity and, thus, to an enormous artistic output that we continue to marvel at and enjoy today.

The Flemish are among the most important if under-appreciated immigrant groups to have shaped the history of medieval and early modern Scotland. Originating in Flanders, Northern Europe's economic powerhouse (now roughly Belgium and the Netherlands), they came to Scotland as soldiers and settlers, traders and tradesmen, diplomats and dynasts, over a period of several centuries following the Norman Conquest of England in the eleventh century. Several of Scotland's major families – the Flemings, Murrays, Sutherlands, Lindsays and Douglases for instance– claim elite Flemish roots, while many other families arrived as craftsmen, mercenaries and religiously persecuted émigrés. Adaptable and creative people, Flemish immigrants not only adjusted to Scotland's very different environment, but left their profound mark on the country's economic, social and cultural development. From pantiles to golf, from place names to town planning, the evidence of Flemish influence is still readily traceable in Scotland today. This book examines the nature of Flemish settlement in Scotland, the development of economic, diplomatic and cultural links between Scotland and Flanders, and the lasting impact of the Flemish people on Scottish society and culture.

A treasury of Northern Renaissance masterpieces focuses on key works by the "Flemish Primatives" and reflects their perspectives of the Burgundian realm's classes and culture, their use of transparent layer painting, use of symbolism, and experimentations with light. (Fine Arts)