The Footnote

In this engrossing account, footnotes to history give way to footnotes as history, recounting in their subtle way the curious story of the progress of knowledge in written form.

Searchable electronic version of print product with fully hyperlinked cross-references.

Lights down to half on Anderson. Lights up on Brown standing before a noose. Lights up to half on John Wilkes Booth; he is standing in front of a Confederate flag. He is dressed as a Confederate soldier and holding a rifle. Osborne is standing in front of the Fort Sumter Union Flag. The figures of Osborne and Wilkes Booth face each other. Both men are armed. Paul Robesons version of John Browns body plays.

Footnote is a clever, funny and irreverent autobiography about a boy from depressing small town England ditching Mormonism, finding punk rock, squatting with his mates and promoting political insurrection. After years of earnest, determined (if not talented) gigging, his pop/punk group, Chumbawamba, make it BIG with "Tubthumping." Not another plodding rock memoir but a compassionate, critical, and sometimes cynical account of a life steeped in pop culture, class conflict, political activism, and what the British call "football." Fantastic.

"A history of the most famous, and infamous, footnotes in leading US Supreme Court cases"--

An upper-level introduction to the Old Testament that offers students a thorough understanding of three key issues: historical background, literary analysis, and theological message. This second edition of An Introduction to the Old Testament integrates recent developments in Old Testament scholarship. It has many distinctive features that set it apart from other introductions to the Old Testament: It's committed to a theologically evangelical perspective. Emphasizes "special introduction"—the study of individual books. Interacts in an irenic spirit with the historical-critical method. Features points of research history and representative scholars rather than an exhaustive treatment of past scholarship. Deals with the meaning of each book, not in isolation but in a canonical context. Probes the meaning of each book in the setting of its culture. Including callouts, charts, and graphs, An Introduction to the Old Testament is written with an eye to understanding the nature of Old Testament historiography. Perfect for seminary students, professors, and Bible teachers and ministry leaders, as well as anyone looking for an in-depth and balanced approach to Old Testament study.

In this new study of art in fin-de-siècle Hamburg, Carolyn Kay examines the career of the city's art gallery director, Alfred Lichtwark, one of Imperial Germany's most influential museum directors and a renowned cultural critic. A champion of modern art, Lichtwark stirred controversy among the city's bourgeoisie by commissioning contemporary German paintings for the Kunsthalle by secession artists and supporting the formation of an independent art movement in Hamburg influenced by French impressionism. Drawing on an extensive amount of archival research, and combining both historical and art historical approaches, Kay examines Lichtwark's cultural politics, their effect on the Hamburg bourgeoisie, and the subsequent changes to the cultural scene in Hamburg. Kay focuses her study on two modern art scandals in Hamburg and shows that Lichtwark faced strong public resistance in the 1890s, winning significant support from the city's bourgeoisie only after 1900. Lichtwark's struggle to gain acceptance for impressionism highlights conflicts within the city's middle class as to what constituted acceptable styles and subjects of German art, with opposition groups demanding a traditional and 'pure' German culture. The author also considers who within the Hamburg bourgeoisie supported Lichtwark, and why. Kay's local study of the debate over cultural modernism in Imperial Germany makes a significant contribution both to the study of modernism and to the history of German culture.