The Frog Who Croaked Blue

Everyone will be closely acquainted with a few people who have synesthesia but you may not yet know who they are because, until very recently, it was largely hidden and unknown. Now science is uncovering its secrets and the findings are leading to a radical rethink about how our senses are organized.

Platypus Police Squad: The Frog Who Croaked is the first in a series of zany, action-packed middle grade mysteries featuring platypus police detectives Rick Zengo and Corey O’Malley. When a call comes in about a crime down at the docks involving a missing schoolteacher and a duffle bag full of illegal fish, Zengo and O’Malley are going to have to learn to set their differences aside if they want to get to the bottom of this. Especially when the clues all point to Frank Pandini Jr., Kallamazoo’s first son and its most powerful, well-respected businessman. Fans of Adam Rex, Jon Scieszka, and Jarrett J. Krosoczka’s own Lunch Lady graphic novels will flip for Jarrett’s series of funny illustrated Platypus Police Squad middle grade novels!

Feeling adventurous one day, a frog leaves her pond and sets out to visit the great sea she has heard so much about.

Relates the native Central American tale of how the gift of chocolate came to be shared by the gods with humans.

What does the term "reading" mean? Matthew Rubery's exploration of the influence neurodivergence has on the ways individuals read asks us to consider that there may be no one definition. This alternative history of reading tells the stories of "atypical" readers and the impact had on their lives by neurological conditions affecting their ability to make sense of the printed word: from dyslexia, hyperlexia, and alexia to synesthesia, hallucinations, and dementia. Rubery's focus on neurodiversity aims to transform our understanding of the very concept of reading. Drawing on personal testimonies gathered from literature, film, life writing, social media, medical case studies, and other sources to express how cognitive differences have shaped people's experiences both on and off the page, Rubery contends that there is no single activity known as reading. Instead, there are multiple ways of reading (and, for that matter, not reading) despite the ease with which we use the term. Pushing us to rethink what it means to read, Reader's Block moves toward an understanding of reading as a spectrum that is capacious enough to accommodate the full range of activities documented in this fascinating and highly original book. Read it from cover to cover, out of sequence, or piecemeal. Read it upside down, sideways, or in a mirror. For just as there is no right way to read, there is no right way to read this book. What matters is that you are doing something with it—something that Rubery proposes should be called "reading."

A little frog that loved to croak night and day, Was very sad when his croak suddenly went away. While waiting and hoping for his croak to return, What valuable lessons did the little frog learn?

An award-winning book from the author of Jeremy Fink and the Meaning of Life and The Candymakers for fans for of Wonder and Counting by Sevens Mia Winchell has synesthesia, the mingling of perceptions whereby a person can see sounds, smell colors, or taste shapes. Forced to reveal her condition, she must look to herself to develop an understanding and appreciation of her gift in this coming-of-age novel.

Innovative Technology in Art Conservation provides one of the first ever critical assessments of innovation in conservation science and questions what role it should play in conservation and conservation ethics. Written in language understandable for the non-technical reader, the book begins with a brief history of so-called science-based conservation, which is based on chemistry, physics and engineering, and examines how it influences conservation ethics and conservation decisions. It considers the concepts of originality and original appearance, and how people see and perceive objects, looking in particular at the results of the relatively new technology of eye-tracking. Wei then moves on to critically examine advanced technologies such as colour modelling, hyperspectral imaging, texture mapping, virtual retouching and digital reproductions and considers what they offer for determining original appearance of artworks and other cultural heritage objects. The book concludes with some reflections on the future of conservation and science-based conservation, calling for more thoughtful consideration of what it is that conservation scientists are offering, and why and for whom it is being offered. Innovative Technology in Art Conservation is essential reading for academics and students working in conservation and conservation science. The book will also be of interest to the international community of conservators and cultural heritage professionals who must make decisions about whether to use advanced technologies in their practice.