The Galton Case

Lew Archer returns in this gripping mystery, widely recognized as one of acclaimed mystery writer Ross Macdonald's very best, about the search for the long lost heir of the wealthy Galton family. Almost twenty years have passed since Anthony Galton disappeared, along with a suspiciously streetwise bride and several thousand dollars of his family's fortune. Now Anthony's mother wants him back and has hired Lew Archer to find him. What turns up is a headless skeleton, a boy who claims to be Galton's son, and a con game whose stakes are so high that someone is still willing to kill for them. Devious and poetic, The Galton Case displays MacDonald at the pinnacle of his form.

20 years ago, Anthony Galton vanished, along with his bride and several thousand dollars of the Galton fortune. Now his dying mother wants him found, and Lew Archer is on the case. But what Archer finds - a headless skeleton, a clever con and a terrified blonde - reveals a game whose stakes are so high that someone is willing to kill.

Twenty years ago, Anthony Galton vanished, along with his streetwise bride and several thousand dollars of the Galton fortune. Now his dying mother wants him found, and Lew Archer is on the case: is Anthony hiding somewhere, happy and eager not to be discovered? But what Archer finds - a headless skeleton, a clever con and a terrified blonde - reveals a game whose stakes are so high that someone is willing to kill. The Galton Case is a wonderfully devious and poetic look at poverty, greed, murder and identity. Ross Macdonald's Lew Archer mysteries rewrote the conventions of the detective novel with their credible, humane hero, and with Macdonald's insight and moral complexity won new literary respectability for the hardboiled genre previously pioneered by Dashiell Hammett and Raymond Chandler. They have also received praise from such celebrated writers as William Goldman, Jonathan Kellerman, Eudora Welty and Elmore Leonard.

This is a prose series of unpublished interviews with, and a visual retrospective of, the seminal mid- to late-20th century literary crime writer. In 1976, critic Paul Nelson spent several weeks interviewing legendary detective writer Ross Macdonald, who elevated the form to a new literary level. “We talked about everything imaginable,” Nelson wrote―including Macdonald’s often meager beginnings; his dual citizenship; writers, painters, music, and movies he admired; The Great Gatsby, his favorite book; how he used symbolism to change detective writing; and more. This book, published in a handsome, oversized format, collects these unpublished interviews and is a visual history of Macdonald’s professional career. It is illustrated with rare and select items from one of the world’s largest private archives of Macdonald ephemera; reproduces, in full color, the covers of the various editions of Macdonald’s more than two dozen books; collects facsimile reproductions of select pages from his manuscripts, as well as magazine spreads; and presents rare photos, many never before seen.

The first book in Ross Macdonald's acclaimed Lew Archer series introduces the detective who redefined the role of the American private eye and gave the crime novel a psychological depth and moral complexity only hinted at before. Like many Southern California millionaires, Ralph Sampson keeps odd company. There's the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson's friends may have arranged his kidnapping. As Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up between sets, The Moving Target blends sex, greed, and family hatred into an explosively readable crime novel.

When Lew Archer is hired to get the goods on the suspiciously suave Frenchman who's run off with his client's girlfriend, it looks like a simple case of alienated affections. Things look different when the mysterious foreigner turns out to be connected to a seven-year-old suicide and a mountain of gambling debts. Black Money is Ross Macdonald at his finest, baring the skull beneath the untanned skin of Southern California's high society.

"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--