The Gardener Of Eden A Novel

A haunting and luminous novel that explores the dark secrets lurking beneath the stunning natural beauty of a dying timber town. A mysterious beachcomber appears one day on the coastal bluffs near the small town of Carverville, whose best days are long behind it. Who is he, and why has he returned after nearly forty years? Carverville’s prodigal son, James, serendipitously finds work at the Eden Seaside Resort & Cottages, a gentrified motel, but soon finds his homecoming taking a sinister turn when he and a local teenager make a gruesome discovery, which force him to reckon with the ghosts of his past—and the dangers of the present. Rumors, distrust, and conspiracies spread among the townsfolk, all of them seemingly trapped in their claustrophobic and isolated world. But is there something even more sinister at work here than the mere fear of outsiders? In The Gardener of Eden, David Downie weaves an intricate and compelling narrative of redemption, revenge, justice, and love—and the price of secrecy—as a community grapples with its tortured past and frightening future

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Aidinoff offers an astonishing interpretation of the story of Adam, Eve, and their expulsion from the Garden of Eden in this debut novel that offers new insights and personalization of the story that forms the cornerstone of understanding.

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Catherine McDowell presents a detailed and insightful analysis of the creation of adam in Gen 2:5–3:24 in light of the Mesopotamian mīs pî pīt pî (“washing of the mouth, opening of the mouth”) and the Egyptian wpt-r (opening of the mouth) rituals for the creation of a divine image. Parallels between the mouth washing and opening rituals and the Eden story suggest that the biblical author was comparing and contrasting human creation with the ritual creation, animation, and installation of a cult statue in order to redefine ṣelem ʾelohîm as a human being—the living likeness of God tending and serving in the sacred garden. McDowell also considers the explicit image and likeness language in Gen 1:26–27. Drawing from biblical and extrabiblical texts, she demonstrates that ṣelem and demût define the divine-human relationship, first and foremost, in terms of kinship. To be created in the image and likeness of Elohim was to be, metaphorically speaking, God’s royal sons and daughters. While these royal qualities are explicit in Gen 1, McDowell persuasively argues that kinship is the primary metaphor Gen 1 uses to define humanity and its relationship to God. Further, she discusses critical issues, noting the problems inherent in the traditional views on the dating and authorship of Gen 1–3, and the relationship between the two creation accounts. Through a careful study of the tôledôt in Genesis, she demonstrates that Gen 2:4 serves as both a hinge and a “telescope”: the creation of humanity in Gen 2:5–3:24 should be understood as a detailed account of the events of Day 6 in Gen 1. When Gen 1–3 are read together, as the final redactor intended, these texts redefine the divine-human relationship using three significant and theologically laden categories: kinship, kingship, and cult. Thus, they provide an important lens through which to view the relationship between God and humanity as presented in the rest of the Bible.

An analysis of the development of the botanical garden in Europe as an attempt to recreate the Garden of Eden includes discussions of the history of the famous gardens in Paris, Oxford, and Uppsala.

Reproduction of the original: The Garden of Eden by Max Brand