The Ghost Dance Of 1870 Among The Klamath Of Oregon

The 1870 Ghost Dance was a significant but too often disregarded transformative historical movement with particular impact on the Native peoples of northern California. The spiritual energies of this ?great wave,? as Peter Nabokov has called it, have passed down to the present day among Native Californians, some of whose contemporary individual and communal lives can be understood only in light of the dance and the complex religious developments inspired by it. Cora Du Bois's historical study, The 1870 Ghost Dance, has remained an essential contribution to the ethnographic record of Native Californian cultures for seven decades yet is only now readily available for the first time. Du Bois produced this pioneering work in the field of ethnohistory while still under the tutelage of anthropologist Alfred Louis Kroeber. Her monograph informs our understanding of Kroeber's larger, grand and crucial salvage-ethnographic project in California, its approach and style, and also its limitations. The 1870 Ghost Dance adds rich detail to our understanding of anthropology in California before World War II

" This is a compellingly nuanced and sophisticated study of Indian peoples as negotiators and shapers of the modern world."—Richard White, author of The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815

Seekers after wisdom have always been drawn to American Indian ritual and symbol. This history of two nineteenth-century Dreamer-Prophets, Smohalla and Skolaskin, will interest those who seek a better understanding of the traditional Native American commitment to Mother Earth, visionary experiences drawn from ceremony, and the promise of revitalization implicit in the Ghost Dance. To white observers, the Dreamers appeared to imitate Christianity by celebrating the sabbath and preaching a covenant with God, nonviolence, and life after death. But the Prophets also advocated adherence to traditional dress and subsistence patterns and to the spellbinding Washat dance. By engaging in this dance and by observing traditional life-ways, the Prophets claimed, the living Indians might bring their dead back to life and drive the whites from the earth. They themselves brought heaven to earth, they said, by “dying, going there, and returning,” in trances induced by the Washat drums. The Prophets’ sacred longhouses became rallying points for resistance to the United States government. As many as two thousand Indians along the Columbia River, from various tribes, followed the Dreamer religion. Although the Dreamers always opposed war, the active phase of the movement was brought to a close in 1889 when the United States Army incarcerated the younger Prophet Skolaskin at Alcatraz. Smohalla died of old age in 1894. Modern Dreamers of the Columbia plateau still celebrate the Feast of the New Foods in springtime as did their spiritual ancestors. This book contains rare modern photographs of their Washat dances. Readers of Indian history and religion will be fascinated by the descriptions of the Dreamer-Prophets’ unique personalities and their adjustments to physical handicaps. Neglected by scholars, their role in the important pan-Indian revitalization movement has awaited the detailed treatment given here by Robert H. Ruby and John A. Brown.

This edition of Channels of Prophecy: The Social Dynamics of Prophetic Activity by Thomas Overhold, published in 2003, is a digitally scanned reprint of the 1989 Augsburg Fortress Press edition.

The religious fervor known as the Ghost Dance movement was precipitated by the prophecies and teachings of a northern Paiute Indian named Wovoka (Jack Wilson). During a solar eclipse on New Year’s Day, 1889, Wovoka experienced a revelation that promised harmony, rebirth, and freedom for Native Americans through the repeated performance of the traditional Ghost Dance. In 1890 his message spread rapidly among tribes, developing an intensity that alarmed the federal government and ended in tragedy at Wounded Knee. While the Ghost Dance phenomenon is well known, never before has its founder received such full and authoritative treatment. Indispensable for understanding the prophet behind the messianic movement, Wovoka and the Ghost Dance addresses for the first time basic questions about his message and This expanded edition includes a new chapter and appendices covering sources on Wovoka discovered since the first edition, as well as a supplemental bibliography.

When political protest is read as epidemic madness, religious ecstasy as nervous disease, and angular dance moves as dark and uncouth, the 'disorder' being described is choreomania. At once a catchall term to denote spontaneous gestures and the unruly movements of crowds, 'choreomania' emerged in the nineteenth century at a time of heightened class conflict, nationalist policy, and colonial rule. In this book, author K lina Gotman examines these choreographies of unrest, rethinking the modern formation of the choreomania concept as it moved across scientific and social scientific disciplines. Reading archives describing dramatic misformations-of bodies and body politics-she shows how prejudices against expressivity unravel, in turn revealing widespread anxieties about demonstrative agitation. This history of the fitful body complements stories of nineteenth-century discipline and regimentation. As she notes, constraints on movement imply constraints on political power and agency. In each chapter, Gotman confronts the many ways choreomania works as an extension of discourses shaping colonialist orientalism, which alternately depict riotous bodies as dangerously infected others, and as curious bacchanalian remains. Through her research, Gotman also shows how beneath the radar of this colonial discourse, men and women gathered together to repossess on their terms the gestures of social revolt.