The Gift Of Beauty And The Passion Of Being

This book gathers a set of reflections on the gift of beauty and the passion of being. There is something surprising about beauty that we receive and that moves the passion of being in us. The book takes issue with an ambiguous attitude to beauty among some who proclaim their advanced aesthetic authenticity. Beauty seems bland and lacks the more visceral thrill of the ugly, indeed the excremental. We crave what disrupts and provokes us, not what gives delight or even consoles. By contrast, attention is given to how beauty arouses enigmatic joy in us, and we enjoy an elemental rapport with it as other. Surprised by beauty, our breath is taken away, but we are more truly there with the beautiful when we are taken outside of ourselves. We are first receivers of the gift of surprise and only then perceivers and conceivers. My attention to the passion of being stresses a patience, a receptivity to what is other. What happens is not first our construction. There is something given, something awakening, something delighting, something energizing, something of invitation to transcendence. The theme is amplified in diverse reflections: on life and its transient beauty; on soul music and its relation to self; on the shine on things given in creation; on beauty and Schopenhauer's dark origin; on creativity and the dynamis in Paul Weiss's creative ventures; on redemption in Romanticism in the thought of Stanley Cavell; on theater as a between or metaxu; on redeeming laughter and its connection with the passion of being.

This book gathers a set of reflections on the gift of beauty and the passion of being. There is something surprising about beauty that we receive and that moves the passion of being in us. The book takes issue with an ambiguous attitude to beauty among some who proclaim their advanced aesthetic authenticity. Beauty seems bland and lacks the more visceral thrill of the ugly, indeed the excremental. We crave what disrupts and provokes us, not what gives delight or even consoles. By contrast, attention is given to how beauty arouses enigmatic joy in us, and we enjoy an elemental rapport with it as other. Surprised by beauty, our breath is taken away, but we are more truly there with the beautiful when we are taken outside of ourselves. We are first receivers of the gift of surprise and only then perceivers and conceivers. My attention to the passion of being stresses a patience, a receptivity to what is other. What happens is not first our construction. There is something given, something awakening, something delighting, something energizing, something of invitation to transcendence. The theme is amplified in diverse reflections: on life and its transient beauty; on soul music and its relation to self; on the shine on things given in creation; on beauty and Schopenhauer’s dark origin; on creativity and the dynamis in Paul Weiss’s creative ventures; on redemption in Romanticism in the thought of Stanley Cavell; on theater as a between or metaxu; on redeeming laughter and its connection with the passion of being.

This book argues that beauty challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find. The book examines the importance of beauty not only in terms of art and aesthetics, but also within the context of the current post-religious age. It engages with the philosophical works of Roger Scruton and William Desmond, and endorses and addresses many important discussions surrounding art and beauty found in the works of Plato, Kant, Hegel, Schopenhauer, Nietzsche, and Heidegger. It also takes seriously the role of poetry and painting to explore the theme that runs through this research: the idea that beauty is rationally found. Meditations on the art of Manet, Van Gogh, Delacroix, Rembrandt, and other artists, together with the voices of several poets, show us that beauty cannot be reduced to aesthetics only. Irreducible to philosophy, religion, or aesthetics, the notion of beauty is deeply examined in all its forms and spiritual meaning.

"This book presents a philosophical portrait of human persons that depicts each way in which we are irreducible, with the goal of guiding the reader to perceive, wonder at, and love all the unique features of human persons. It builds this portrait by showing how claims from many strands of the Catholic tradition can be synthesized. These strands include Thomism, Scotism, phenomenology, personalism, nouvelle théologie, analytic philosophy, and Greek and Russian thought. The book focuses on how these traditions' claims are grounded in experience and on how they help us to perceive irreducible features of persons. This book also explores irreducible features of our subjectivity, senses, intellect, freedom, and affections, and of our souls, bodies, and activities"--

Will & Love examines four of Shakespeare’s love plays (Romeo and Juliet, Troilus and Cressida, Twelfth Night, and Antony and Cleopatra) in light of the Augustinian psychology at the heart of the theological romance tradition. This tradition, which Shakespeare inherits from medieval theologian-poets such as Boethius, Dante, Petrarch, and Chaucer, issues from the idea, initially expressed by Augustine in his Confessions, that love functions as volitional weight, as a kind of magnetism or almost-gravitational force—that it moves the lover in mysterious ways yet without diminishing his or her agency. Will & Love highlights Shakespeare’s conception of love in terms of motion and explores the metaphysical, ethical, psychological, and dramatic implications of his doing so.

This book investigates humanities, social sciences and politics from the perspective of the concept of creation order. It is the second volume in a series that provides a unique and topical overview of attempts to assess the current health of the concept of creation order within Reformational philosophy when it is compared with other perspectives. Divided into a section on fundamental reflections and a section on normative practices, it discusses issues such as redemption, beauty, nature, love, justice, morality, and ethics. It concludes with discussions on a practice-based theory to explain religion in international relations and a normative model for the practice of cooperation in development. This series reflects the role that the branch of Christian philosophy called ‘Reformational’ philosophy plays in the discussion on the status of laws of nature. Ever since its inception, almost a century ago, the concepts of order and law (principle, structure) have been at the heart of this philosophy. One way to characterise this tradition is as a philosophy of creation order. Firmly rejecting both scholastic metaphysics and Deism, Reformational philosophers have maintained the notion of law as ‘holding’ for reality. Questions have arisen about the nature of such law: is it a religious or philosophical concept; does law just mean ‘orderliness’? How does it relate to laws of nature? Have they always existed or do they ‘emerge’ during the process of evolution?

This book considers the connection between the world of mental health in the twenty-first century and the traditional concept of desire in Christianity and the Arts. It draws parallels between the desire for rest from anxiety among mental health sufferers with the longing for peace and happiness in Religion and the Arts. The author presents Biblical, philosophical and theological insights alongside artistic ones, arguing that desire for rest remains at the heart of spiritual living as well as mental health recovery. The chapters draw from historical and contemporary voices, including Plato, Augustine of Hippo, Julian of Norwich, Gerard Manley Hopkins, Simone Weil, Samuel Beckett, Tennessee Williams, Jean-Louis Chrétien, Eric Varden and others. The study demonstrates why longing continues to fascinate and grip individuals, creative endeavour and society at large, not least in the development of the understanding of mental health. It is valuable for scholars and advanced students of Christian theology and those interested in spirituality and the arts in particular.

The Irish philosopher William Desmond is one of the most compelling and adventurous Christian thinkers of our time. The essays gathered here undertake a journey through the Bible with Desmond that ranges across biblical theology, philosophy of religion, metaphysics, ethics, aesthetics, political theory, and literary studies. Some of the essays examine the place of the Bible in Desmond's thought, considering his readings of the creation, the Abraham cycle, and the Beatitudes. Other essays bring Desmond's ideas to bear on broad questions that emerge from the Bible about philosophy and revelation, exegesis, theopoetics, eschatology, and tyranny. Still others bring Desmond into conversation with influential philosophers who engage (or conspicuously do not engage) the Bible, such as Hegel, Schopenhauer, Kierkegaard, Heidegger, and Tillich. Together, these essays show the rich possibilities of approaching the Bible with Desmond. All take their bearings from Desmond's "metaxological" approach, which does not seek to claim the final word, which attends to the text rather than simply imposing on it, and which allows for an ongoing dialogue. / Contributors: Ryan G. Duns, SJ / Caitlin Smith Gilson / Joseph K. Gordon / William Christian Hackett / Steven E. Knepper / Renee Kohler-Ryan / Andrew Kuiper / Brendan Thomas Sammon / Terence Sweeney / Ethan Vanderleek / Erik van Versendaal / Robert Wyllie