The Global War On Morris

Meet Morris Feldstein, a pharmaceutical salesman living and working in western Long Island who loves the Mets, loves his wife Rona, and loves things just the way they are. He doesn't enjoy the news; he doesn't like to argue. Rona may want to change the world; Morris wants the world to leave him alone. Morris does not make waves. But one day Morris is seduced by a lonely, lovesick receptionist at one of the doctors' offices along his sales route, and in a moment of weakness charges a non-business expense to his company credit card. No big deal, you might think. Easy mistake. But the government's top-secret surveillance program, anchored by a giant, complex supercomputer known as NICK, thinks differently. Eventually NICK begins to thread together the largely disparate and tenuously connected strands of Morris's life.

A powerful and provocative exploration of how war has changed our society—for the better. "War! . . . . / What is it good for? / Absolutely nothing," says the famous song—but archaeology, history, and biology show that war in fact has been good for something. Surprising as it sounds, war has made humanity safer and richer. In War! What Is It Good For?, the renowned historian and archaeologist Ian Morris tells the gruesome, gripping story of fifteen thousand years of war, going beyond the battles and brutality to reveal what war has really done to and for the world. Stone Age people lived in small, feuding societies and stood a one-in-ten or even one-in-five chance of dying violently. In the twentieth century, by contrast—despite two world wars, Hiroshima, and the Holocaust—fewer than one person in a hundred died violently. The explanation: War, and war alone, has created bigger, more complex societies, ruled by governments that have stamped out internal violence. Strangely enough, killing has made the world safer, and the safety it has produced has allowed people to make the world richer too. War has been history's greatest paradox, but this searching study of fifteen thousand years of violence suggests that the next half century is going to be the most dangerous of all time. If we can survive it, the age-old dream of ending war may yet come to pass. But, Morris argues, only if we understand what war has been good for can we know where it will take us next.

Most of us can’t make it through morning without our cup (or cups) of joe, and we’re not alone. Coffee is a global beverage: it’s grown commercially on four continents and consumed enthusiastically on all seven—and there is even an Italian espresso machine on the International Space Station. Coffee’s journey has taken it from the forests of Ethiopia to the fincas of Latin America, from Ottoman coffee houses to “Third Wave” cafés, and from the simple coffee pot to the capsule machine. In Coffee: A Global History, Jonathan Morris explains both how the world acquired a taste for this humble bean, and why the beverage tastes so differently throughout the world. Sifting through the grounds of coffee history, Morris discusses the diverse cast of caffeinated characters who drank coffee, why and where they did so, as well as how it was prepared and what it tasted like. He identifies the regions and ways in which coffee has been grown, who worked the farms and who owned them, and how the beans were processed, traded, and transported. Morris also explores the businesses behind coffee—the brokers, roasters, and machine manufacturers—and dissects the geopolitics linking producers to consumers. Written in a style as invigorating as that first cup of Java, and featuring fantastic recipes, images, stories, and surprising facts, Coffee will fascinate foodies, food historians, baristas, and the many people who regard this ancient brew as a staple of modern life.

Aimed at public health professionals and students, The Global War on Tobacco is a fascinating look at how international relations is changing to respond to the modern global marketplace and protect human health.

"In March 2006, President George W. Bush signed a new National Security Strategy that he refers to as a "wartime national security strategy." He also states in the introduction that to follow the path the United States has chosen, we must "maintain and expand our national strength." One way to do this is to study and propose solutions to the complex challenges the United States faces in the 21st century. At the U.S. Army War College, the students have embraced this challenge and spend a year developing their intellectual strength in areas that extend well beyond the familiar operational and tactical realm to which they are accustomed. This collection of essays written by students enrolled in the U.S. Army War College Advanced Strategic Art Program (ASAP) reflects the development of their strategic thought applied to a wide range of contemporary issues. The ASAP is a unique program that offers selected students a rigorous course of instruction in theater strategy. Solidly based in theory, doctrine, and history, the program provides these students a wide range of experts both in and out of the military, staff rides, and exercises to develop them as superb theater strategists. ASAP graduates continue to make their mark throughout the military to include in the Office of the Secretary of Defense, the Joint Staff, and the Combatant Commands."--STINET web site.

This history of the foundational war in the Arab-Israeli conflict is groundbreaking, objective, and deeply revisionist. Besides the military account, it also focuses on the war's political dimensions. Historian Morris probes the motives and aims of the protagonists on the basis of newly opened Israeli and Western documentation. The Arab side--where the archives are still closed--is illuminated with the help of intelligence and diplomatic materials. Morris stresses the jihadi character of the two-stage Arab assault on the Jewish community in Palestine. He examines the dialectic between the war's military and political developments and highlights the military impetus in the creation of the Palestinian refugee problem. He looks both at high politics and general staff decision-making and at the nitty-gritty of combat in the battles that resulted in the emergence of the State of Israel and the humiliation of the Arab world--a humiliation that underlies the continued Arab antagonism toward Israel.--Résumé de l'éditeur.

Set in the current day, this is the final book in Morris Gleitzman's series that began with Once, continued with Then and is . . . Now. Felix is a grandfather. He has achieved much in his life and is widely admired in the community. He has mostly buried the painful memories of his childhood, but they resurface when his granddaughter Zelda comes to stay with him. Together they face a cataclysmic event armed only with their with gusto and love—an event that helps them achieve salvation from the past, but also brings the possibility of destruction. Now is one of Kirkus Reviews' Best Children's Books of 2012

A Green Beret veteran recreates the horrors of the Vietnam War experience and the courage and camaraderie of the men who fought side-by-side with the Montagnards, fiercely independent primitive tribesmen from the central Vietnam highlands.