The Glory Of The Lord Vol 1 2nd Ed

"I would like one day," Hans Urs von Balthasar wrote in 1952, "to write a book on Ignatius of Loyola, the saint of whom I will always consider myself the least of sons." The Jesuit-formed theologian from Switzerland—widely considered one of the greatest thinkers and spiritual writers of modern times—never got the chance to fulfill this dream. Instead, Balthasar's whole theology, from Theo-Drama to Dare We Hope "That All Men Be Saved", is imbued with the influence of Saint Ignatius, founder of the Society of Jesus and author of the Spiritual Exercises, a multi-week retreat guide that has rejuvenated Catholic spirituality since the sixteenth century. Throughout Balthasar's priestly life, he led countless retreatants in the Ignatian Exercises, accompanying them in their discernment of God's call. This anthology is an aid for those either giving or making an Ignatian retreat. Full of citations and equipped with four indexes, as well as many texts never before translated into English, it sifts Balthasar's writings for insights into almost every element of Ignatius' "libretto", sometimes diving into themes scarcely explored by others. Moreover, it maps out those hidden strains of Jesuit spirituality that run unnoticed through the theologian's oeuvre. Yet the book may help anyone at all who wants to engage more deeply with Jesus or come to grips with Church doctrine, for as Balthasar himself says, the Spiritual Exercises are both a "great school of Christocentric contemplation" and a "genuine interpretation of the deposit of the faith".

"This book presents a philosophical portrait of human persons that depicts each way in which we are irreducible, with the goal of guiding the reader to perceive, wonder at, and love all the unique features of human persons. It builds this portrait by showing how claims from many strands of the Catholic tradition can be synthesized. These strands include Thomism, Scotism, phenomenology, personalism, nouvelle théologie, analytic philosophy, and Greek and Russian thought. The book focuses on how these traditions' claims are grounded in experience and on how they help us to perceive irreducible features of persons. This book also explores irreducible features of our subjectivity, senses, intellect, freedom, and affections, and of our souls, bodies, and activities"--

This volume of essays centers on the theme of doing Christian theology in the present postmodern context, a consistent theme of the teaching of John D. Castelein. The work will celebrate and honor John's years of service by representing reflections of his teaching in the thought of his students and colleagues. The essays range over such topics as theological reflections on the postmodern philosophical themes, the relations between Christian theology and culture, the contributions of philosophical hermeneutics for Christian theology, and the challenges of engaging in ministry in a postmodern context. The seventeen contributors to the volume are former students and both present and former colleagues involved in various ministries, be they in a college setting or in a local church.

This brief but comprehensive introduction to Christian worldview helps readers understand the Christian faith as the substance of Spirit-filled living and as a knowledge tradition stemming from the global Pentecostal movement. Using beauty, truth, and goodness as organizing principles, the authors delineate a Christian worldview by tracing each category historically, comparing and contrasting each with alternative Christian expressions, and constructing fresh takes on each as read through the lived Pentecostal experience. Unlike other worldview books, the authors' approach emphasizes beauty (relating to experience) rather than truth (involving knowledge acquisition); that difference in emphasis flows naturally from the Pentecostal perspective, which has traditionally centered the experience of the Spirit. Pentecostal Christians will find this volume indispensable for thinking lucidly about their worldview from a renewal perspective.

Too many Christians are afraid of beauty. This fear disconnects these Christians from their larger culture, a culture that is increasingly visual, increasingly aware of the presence and power of images, and more commonly fascinated by the power of beauty and form. This historical-theological overview presents the thought of ten theologians and one philosopher in an attempt to give Christians helpful vocabulary concerning beauty and aesthetics. It is time to use beauty and aesthetics for the mission of Christ! And yet rather than simply parrot the larger post-Christian culture, Christians and churches need to employ beauty and aesthetics in a manner that echoes God's own revelation: creation and redemption through Jesus Christ. We need to develop a sensitivity that can perceive beauties ignored. We need theological framing that both respects the glory of God's handiwork and keeps it from becoming idolatrous. We need to live with wonder for the bounty that routinely surrounds us. In short, we need eyes to see.

Rethinking God as Gift is situated at the intersection of philosophy, critical theory and theology. The first sustained study of the work of Jean-Luc Marion in English, it offers a unique perspective on contemporary questions and their theological relevance. Taking its point of departure from the problem of the gift as articulated by Jacques Derrida, who argues that the conditions of possibility of the gift are also its conditions of impossibility, Horner pursues a series of questions concerning the nature of thought, the viability of phenomenology, and, most urgently, the possibility of grace. For Marion, phenomenology, as the thought of the given, offers a path for philosophy to proceed without being implicated in metaphysics. His retrieval of several important insights of Edmund Husserl, along with his reading of Martin Heidegger and Emmanuel Lévinas, enables him to work out a phenomenology where even “impossible” phenomena such as revelation and the gift might be examined. In this important confrontation between Marion and Derrida issues vital to the negotiation of postmodern concerns in philosophy and theology emerge with vigour. The careful elucidation of those issues in an interdisciplinary context, and the snapshot it provides of the state of contemporary debate, make Rethinking God as Gift an important contribution to theological and philosophical discussion.

Theology as Performance breaks new ground in the growing conversation between modern theology and philosophical aesthetics. Stoltzfus proposes that significant moments in the Western development of the concept of God, in particular as represented in the figures of Friedrich Schleiermacher, Karl Barth, and Ludwig Wittgenstein, have been deeply influenced by concepts and approaches borrowed from the discipline of musical aesthetics. Each thinker develops fundamentally different ways of writing about God that have in significant respects been derived from each one's reading and writing about music. The aesthetic implications of Schleiermacher's so-called subjectivist turn, Barth's objectivist reaction, and Wittgenstein's language-game pragmatism can thus be fully understood only by attending to the musical culture and distinctly musicological discourses that gave rise to them. Stoltzfus constructs two trajectories of thought with which to trace theological reflection upon music throughout the pre-modern period: the traditions of Orpheus and Pythagoras. Schleiermacher's aesthetic approach, then, becomes a modern representative of the Orpheus trajectory, and Barth's approach a representative of the Pythagoras trajectory. Stoltzfus interprets Wittgenstein as putting forward a radical critique of these trajectories and pointing toward a third, "performative" theological-aesthetic method. Theology as Performance offers a provocative rethinking of the aesthetic roots of modern theology.