The Gnome Project One Woman S Wild And Woolly Adventure

What do you do when life is too chaotic? How about felting a gnome? Or 365 of them, one for each day of the year. Artist and wool crafter Jessica Peill-Meininghaus decided that she needed a project to teach herself follow-through in life. She settled on making one of her popular felted-wool gnomes every day for a year. With pipe cleaners and wool roving, amidst the chaos of raising four children and moving cross-country, Peill-Meininghaus felted her way through hundreds of charming, pointy-hatted, often bearded characters. Lavishly decorated with photos of each charming creation, The Gnome Project is the surprising and magical story of what happens when we commit to something small. (Hint: It's something very big, as in making life more meaningful.) Here is her inspirational tale, complete with gnome-making instructions.

Fans of Mo Willems and Dev Petty's I Don't Want to Be a Frog will love this humorous tale about one gnome's journey to prove he is unlike the other magical creatures in the forest. Join Gnome (that's spelled G-N-O-M-E--don't ask why the G is silent!) as he travels through the magical forest to attend the annual Gnome Festival. Along the way he encounters elves, dwarves, trolls, and fairies. But don't be mistaken. He is NOTHING like those magical creatures. Well, maybe he is . . . but only a little bit! When Gnome finally arrives at the festival, he realizes that all the traits he thought made gnomes different from the others actually made them alike--and that's just fine.

In this anthology from the author of The Yarn Whisperer, twenty-one devoted knitters examine a subject that is irresistible to us all: the yarn stash. Anyone with a passion has a stash, whether it is a collection of books or enough yarn to exceed several life expectancies. With her trademark wit, Clara Parkes brings together fascinating stories from all facets of stash-keeping and knitting life—from KonMari minimalist to joyous collector, designer to dyer, spinner to social worker, scholar to sheep farmer. Whether the yarn stash is muse, memento, creative companion, career guide, or lifeline in tough times, these deeply engaging stories take a fascinating look at why we collect, what we cherish, and how we let go. Contributors include New York Times–bestselling authors Stephanie Pearl-McPhee and Debbie Stoller, Meg Swansen and Franklin Habit, Ann Shayne and Kay Gardiner, Adrienne Martini, and a host of others. Named one of the top ten lifestyle books for fall 2017 by Publisher’s Weekly.

A sworn enemy of Hawke has been shot dead and the murder weapon belongs to him. He protests his innocence and goes on the run until evidence is found to clear him. Thus, an unwilling adventure where he sets sail with a vibrant cast of men, casting off for unknown waters and strange islands. And enemies abound in the most unlikely of places.

Born in 1882 John Albert Bauer was a Swedish painter and illustrator. He studied at the Royal Swedish Academy of Arts and in 1904 he illustrated his first book, 'Lappland'. He is best known for his illustrations in early editions of 'Bland tomtar och troll' (Among Gnomes and Trolls), featuring stories of Swedish folklore and fairy tales. Bauer's troll illustrations were of a grotesque style but with a touch of humour, appealing to both children and adults alike. Most of his works are watercolours usually in muted colours over pen and ink line work. This enchanting compilation features 83 of Bauer's best works mostly from various editions of 'Bland tomtar och troll'. This superb collection is certain to delight lovers of fairy tale illustration and also Bauer admirers.

Anne Shirley has graduated from Redmond College and she is getting ready to marry to Gilbert Blythe. While Gilbert is still in medical school, Anne takes a job as the principal of Summerside High School, where she also teaches. She lives in a large house called Windy Poplars with two elderly widows, Aunt Kate and Aunt Chatty, along with their housekeeper, Rebecca Dew, and their cat, Dusty Miller. During her time in Summerside, Anne must learn to manage many of Summerside's inhabitants, including the clannish and resentful Pringle family, her bitter colleague Katherine Brooke, and others of Summerside's more eccentric residents.

Dear reader, We welcome and encourage tourists of all kinds in Gwelf. The survival guide will tell you what to expect, what equipment to pack, who to trust and hire as a guide, and where to rest for the night in this magical land steeped in history and mystery. Tips and tricks on how to best enjoy your stay in the more populous areas and cities, together with crucial survival techniques for how to avoid or overcome haunts, ragteeth, mange, or raven machinations cannot be found in any other resource. As a bonus, you'll learn some Gwelf history and lore and get to know some of the locals and our culture. Indeed, so charming and wondrous is Gwelf that occasionally tourists decide to stay and become citizens, joining the ranks of the border patrol; settling in a town as a merchant, artist, or voyeur; or simply retiring to the country or farmlands. Tragically, there have been some that have stayed, but not by choice. We, the council, fear that this has cast a negative light on our beauteous realm. Rest assured that should you follow the precautions outlined in our guide, you will be quite safe, as it is the council's intention to provide this book as a resource so that future mishaps might be avoided . . .

Ferber's enduringly famous novel about a theatrical troupe plying the great rivers of the United States; a major subplot involves interracial marriage (illegal at the time in the state of Mississippi). The novel formed the basis of the 1927 musical "Show Boat" by Jerome Kern and Oscar Hammerstein II. "Miss Ferber's documentation of her story of theatre days down the rivers of mid-America is admirable. This is a book particularly notable for the small scene, the memorable wave of the hand, the magnificent dress, the unforgetable gesture." —The Bookman A note for the sensitive: Certain elements of plot and language may seem racist by the standards of today. Please keep in mind the era in which it was written as you read it.