The Goats

A kid named Kid, a dog named Cat, and a goat on a roof A blind skateboarding writer, an old man who can't speak (and his wife), a smartly dressed non-hamster-owner, plus Kid and her parents, are all apparently sharing their Manhattan apartment building with a mountain goat. But in all the wonders and marvels of New York City, who has time to see this impossible goat? How did the goat even get there? And is the goat really capable of something a little like magic? In this tender and hilarious tale of a misplaced animal, a road trip, and a Broadway show, neighbours who were previously strangers may find the goat is just what they needed... ANNE FLEMING is the author of Pool-Hopping and Other Stories (shortlisted for the Ethel Wilson Fiction Prize, the Danuta Gleed Award and the Governor General's Award), Anomaly and Gay Dwarves of America. She is a long-time and highly regarded teacher of creative writing who has taught at the University of British Columbia, Emily Carr University of Art and Design, Douglas College, Kwantlen University College and the Banff Centre for the Arts. The Goat is her first full-length work for young readers. Anne lives in Vancouver.

Now a major film, starring George Clooney, Ewan McGregor, and Jeff Bridges, this New York Times bestseller is a disturbing and often hilarious look at the U.S. military's long flirtation with the paranormal—and the psy-op soldiers that are still fighting the battle. Bizarre military history: In 1979, a crack commando unit was established by the most gifted minds within the U.S. Army. Defying all known laws of physics and accepted military practice, they believed that a soldier could adopt the cloak of invisibility, pass cleanly through walls, and—perhaps most chillingly—kill goats just by staring at them. They were the First Earth Battalion, entrusted with defending America from all known adversaries. And they really weren’t joking. What’s more, they’re back—and they’re fighting the War on Terror. An uproarious exploration of American military paranoia: With investigations ranging from the mysterious “Goat Lab,” to Uri Geller’s covert psychic work with the CIA, to the increasingly bizarre role played by a succession of U.S. presidents, this might just be the funniest, most unsettling book you will ever read—if only because it is all true and is still happening today.

The Goat: A Natural History offers a complete overview of this captivating creature, from the goatish Greek god Pan, to their cognitive capacity and typical milk yields. It is no secret that goats are highly intelligent. They are also curious, gentle, independent, very social, and full of character. They hate to get wet and will avoid puddles. Among the first domesticated animals, goats are a common character in western mythology. In ancient Greece, Crete, and Egypt, goats even received divine honours. Goats are increasingly appreciated for their high adaptability to a wide variety of environmental conditions, and will thrive in the warmer, dryer world of the future. This book reveals everything you need to know about the natural history of a fascinating animal.

Mr and Mrs Kent came home from work. Morecombe was nibbling weeds beneath the tree, but there was no sign of Wise. They went into the house. There, standing on the kitchen table, was Wise. Hanging from his mouth were the kitchen curtains, or what was left of them! Ages 8.5+.

Thomas Hale writes about being a missionary surgeon in the same delightful way James Herriot writes about being a country veterinarian. Dr. Hale's incredible experience in tiny, mountainous Nepal are surpassed only by his talent for telling about them. Imagine, for example, the culture shock of moving to a Hindu country under such rigid religious control that it is not only illegal to proselytize, but illegal to change religions as well. Imagine further the shock of moving to that country as a missionary doctor. Thomas Hale and his wife, Cynthia, also a physician, too on that awesome challenge in 1970. God wasted no time teaching tom the peculiarities of his new culture. But His unusual method left Tom wondering what God was up to. Here is how Tom tells about it: 'These were not the phlegmatic, easy-going Nepalis described in books and orientation courses. Those who spoke gesticulated fiercely. Some looked around menacingly; others spat. One thing was certain, however: in the cause of their anger they were united. The word was out: the new doctor had killed a cow. My own sense of participation in the proceedings was intense. I was the new doctor.'--Excerpt As Tom goes on to describe the events the preceded the angry scene in the Nepali village, the image of the spiritually superior missionary quickly evaporates. In a humorous, yet deeply insightful way, the author makes it clear that he is merely a servant, using his skills to the glory of God. Tom concludes this chapter with a thoughtful confession: 'In the long run, that cow did much more for me that I did for it. The mild-mannered, uncritical beast made me see in myself those negative attributes I had always ascribed to other American surgeons. Facing two hundred angry men proved to be effective therapy for removing most traces of condescension with which I previously regarded them. It also improved my relations with missionary colleagues and with Nepali brothers and sisters in the church. I guess God had no gentler way of removing some of my imperfections. I only wish I could say, for His trouble, that He finished the job. But it was a start.' -- Excerpt. Dr. Hale's book refused to be preachy or condescending. It presents missions as a 'want' rather than an 'ought.' It is sensitive, warm, honest, incredibly funny, and filled with important truths illustrated from unusual and sometimes unimaginable situations.

Jaxson and Boss are best friends who do everything together.

Harmless camp pranks can quickly spiral out of control, but they also provide a perfect opportunity for two social outcasts to overcome and triumph. A boy and a girl are stripped and marooned on a small island for the night. They are the "goats." The kids at camp think it's a great joke, just a harmless old tradition. But the goats don't see it that way. Instead of trying to get back to camp, they decide to call home. But no one can come and get them. So they're on their own, wandering through a small town trying to find clothing, food, and shelter, all while avoiding suspicious adults—especially the police. The boy and the girl find they rather like life on their own. If their parents ever do show up to rescue them, the boy and the girl might be long gone. . . . The Goats is a 1987 New York Times Book Review Notable Children's Book of the Year.

“Fantastical . . . Through the thoughts of a rare black goat and the couple who adopt it, readers witness famines, death, and moments of beauty.” —National Geographic Longlisted for the National Book Award for Translated Literature As he did in the award-winning One Part Woman, Perumal Murugan explores a side of India that is rarely considered in the West: the rural lives of the country’s farming community. He paints a bucolic yet sometimes menacing portrait, showing movingly how danger and deception can threaten the lives of the weakest through the story of a helpless young animal lost in a world it naively misunderstands. As the novel opens, a mysterious stranger offers a farmer in Tamil Nadu a black goat kid who is the runt of the litter, surely too frail to survive. The farmer and his wife take care of the young she-goat, whom they name Poonachi, and soon the little goat is bounding with joy and growing at a rate they think miraculous for such a small animal. Intoxicating passages from the goat’s perspective offer a bawdy and earthy view of what it means to be an animal and a refreshing portrayal of the natural world. But Poonachi’s life is not destined to be a rural idyll—dangers can lurk around every corner, and may sometimes come from surprising places, including a government that is supposed to protect the weak and needy. Is this little goat too humble a creature to survive such a hostile world? “The title character of Murugan’s elegant new novel is indeed a joy . . . through Poonachi’s tale we are reminded how much bonds us with the animal world.” —USA Today