The Godma S Daughters

This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.

Among the British troops bound for the Black Sea in May 1854 was a young officer in the 5th Dragoon Guards, Richard Temple Godman, who sent home throughout the entire Crimea campaign many detailed letters to his family at Park Hatch in Surrey. Temple Godman went out at the start of the war, took part in the successful Charge of the Heavy Brigade at Balaklava and in other engagements, and did not return to England until June 1856, after peace had been declared. He took three very individual horses and despite all his adventures brought them back unscathed. Godman’s dispatches from the fields of war reveal his wide interests and varied experiences; they range from the pleasures of riding in a foreign landscape, smoking Turkish tobacco, and overcoming boredom by donning comic dress and hunting wild dogs, to the pain of seeing friends and horses die from battle, disease, deprivation and lack of medicines. He writes scathingly about the skein of rivalries between the Generals (‘a good many muffs among the chiefs’), inaccurate and ‘highly coloured’ newspaper reports and, while critical of medical inefficiency, regards women in hospitals as ‘a sort of fanaticism’. Yet at other times he will employ the pen of an artist in describing a scene, or wax eloquent on the idiosyncrasies of horses. He is altogether a most gallant and sensitive young cavalryman, and deservedly went on to achieve high rank after the war. Always fresh and easy to read, his letters provide an unrivalled picture of what it was really like to be in the Crimea.

Despite the wealth of scholarship in recent decades on medieval women, we still know much less about the experiences of women in the early Middle Ages than we do about those in later centuries. In Women and Aristocratic Culture in the Carolingian World, Valerie L. Garver offers a fresh appraisal of the cultural and social history of eighth- and ninth-century women. Examining changes in women's lives and in the ways others perceived women during the early Middle Ages, she shows that lay and religious women, despite their legal and social constrictions, played integral roles in Carolingian society. Garver's innovative book employs an especially wide range of sources, both textual and material, which she uses to construct a more complex and nuanced impression of aristocratic women than we've seen before. She looks at the importance of female beauty and adornment; the family and the construction of identities and collective memory; education and moral exemplarity; wealth, hospitality and domestic management; textile work, and the lifecycle of elite Carolingian women. Her interdisciplinary approach makes deft use of canons of church councils, chronicles, charters, polyptychs, capitularies, letters, poetry, exegesis, liturgy, inventories, hagiography, memorial books, artworks, archaeological remains, and textiles. Ultimately, Women and Aristocratic Culture in the Carolingian World underlines the centrality of the Carolingian era to the reshaping of antique ideas and the development of lasting social norms.

An enchanting, magical novel set in a mysterious toyshop - perfect for fans of Erin Morgenstern's The Night Circus, Stephanie Garber's Caraval and Jessie Burton's The Miniaturist. The Christmas Emporium opens with the first sign of frost . . . It is 1917, and while war wages across Europe, in the heart of London, there is a place of hope and enchantment. The Emporium sells toys that capture the imagination of children and adults alike: patchwork dogs that seem alive, toy boxes that are bigger on the inside, soldiers that can fight battles of their own. Into this family business comes young Cathy Wray, running away from a shameful past. The Emporium takes her in, makes her one of its own. But Cathy is about to discover that the Emporium has secrets of its own . . . Complete your collection with Paris by Starlight, the next novel from the author of the The Toymakers, out now ***** 'This vivid, haunting novel is both vast and intimate. A wonderful and thought-provoking read.' KATHERINE ARDEN, author of The Warm Hands of Ghosts Engaging and enchanting . . . A fairytale for adults, with all the wonder – and terror – that that entails.' GUARDIAN 'There is magic at the heart of The Toymakers, a glittery inventiveness that shimmers through the dark corners of a story about love, war and sibling rivalry.' SUNDAY EXPRESS 'I was gripped, and thrilled, and touched, and above all I was completely swept into the magic of the book . . . Just astonishing' ADAM ROBERTS, author of Jack Glass 'Anyone who’s ever stepped inside a traditional toyshop and marvelled at the wonders on display will instantly be captivated by this book' CULTUREFLY