The Godson A Les Norton Novel 4

NOW AN ABC TELEVISION DRAMA STARRING DAVID WENHAM AND REBEL WILSON Les Norton thought they were going to be the easiest two weeks of his life. Playing minder for a young member of the Royal Family called Peregrine Normanhurst III sounded like a dead-set snack. So what if he was a millionaire Hooray Henry and his godfather was the Attorney General? Les would keep Peregrine out of trouble... So what if he was on the run for the IRA? They'd never find him in Australia... The Godson moves at breakneck speed from the corridors of power in Canberra to the grimy tenements of Belfast, to climax in a nerve-shattering, blood-spattered shootout on a survivalist fortress in the Tweed Valley. If you thought Australia's favourite son could get up to some outrageous capers in his previous adventures, until you've read The Godson, you ain't read nothin' yet!

There's no two ways about Les Norton–the carrot-topped country boy who works as a bouncer at Sydney's top illegal casino. He's tough and he's mean. He's got a granite jaw , fists like hams, and they say the last time he took a tenner from his wallet Henry Lawson blinked at the light.Lethal but loyal, he's always good for a laugh. In this, the third collection of Les Norton adventures, Les gets his boss off the hook. But not without the help of the boy from Binjiwunyawunya.Les then finds himself in a spot of bother in Long Bay Gaol then in a lot more bother on a St. Kilda tram in Melbourne.

All easy-going butcher Bob Davis wanted after his divorce was to get on with his job, have a few beers with his mates, and be left alone. But this was Sydney in the early Eighties-the beginnings of the AIDS epidemic, street gangs, gay bashings and murders. When a gang of skinheads bash Davo's old school- friend to death simply because he was gay, and leave Davo almost dead in an intensive care unit, they unleash a crazed killer onto the city streets. Before the summer had ended, over thirty corpses had turned up in the morgue, leaving two bewildered detectives to find out where they were coming from. Davo's Little Something is not for the squeamish. Although written with lashings of black humour the action is chillingly brutal-a story of a serial killer bent on avenging himself on the street tribes of Sydney...

They don't call him Lucky Les for nothing. A ticket in a raffle and Norton was off to see to US of A–Siestasota, Florida, where it turned out hot, red hot, and it wasn't just the weather.Night club brawls, mafia hitmen, too many girls called Lori, gun crazed Americans and the whole lot washed along in a sea of margaritas. Even for Les Norton it was just too hot to handle. So it was off to 'greener' pastures–the Caribbean–for reggae, rum and Rastafarians, not to mention Sultry Delta, sweet-lipped Esme, and Millwood Downie, schoolteacher, historian and would-be stand-up comic, who helps Les trace his family tree and possibly uncover the biggest earn ever.The world is finally Norton's oyster. All he has to do is get the shell open.

Extreme Water Polo is the water polo of the 90s. And when Les Norton catches the semi-final on tV he is amazed to see that the man behind Extreme Polo is his old mate, Neville 'Nizegy' Nixon. So when Neville calls out of the blue and asks Les to drive the Murrumbidgee Mud Crabs up to Sydney for the final, Les takes him on. But things are never as simple as they seem and Les finds himself drawn into an hilarious adventure involving the Mud Crabs. Extreme Water Polo is the water polo of the 90s. And when Les Norton catches the semi-final on tV he is amazed to see that the man behind Extreme Polo is his old mate, Neville 'Nizegy' Nixon. So when Neville calls out of the blue and asks Les to drive the Murrumbidgee Mud Crabs up to Sydney for the final, Les takes him on. But things are never as simple as they seem and Les finds himself drawn into an hilarious adventure involving the Mud Crabs.

As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The second one is related to Agency and Politics and explores global governance, datafication, fake news, echo chambers, digital media activism. The last one, Users and Practices, is finally devoted to telepresence, digital loneliness, amateurism, user generated content, fandom and authenticity. The book aims to shed light on how concepts emerge and are co-shaped, circulated, used and reappropriated in different contexts. It argues for the need for a conceptual media and communication history that will reveal new developments without concealing continuities and it demonstrates how the analogue/digital dichotomy is often a misleading one.

This handbook concerns the collection of Air Technical Intelligence, and the test flying of war prizes carried out by two RCAF bomber pilots who were posted to the Royal Aircraft Establishment's Foreign Aircraft Flight, Farnborough, in the United Kingdom in May 1945. Their primary task was to visit former Luftwaffe airfields, and to find and fly back any aircraft they deemed worthy of evaluation. The list of aircraft found here does not include every German combat aircraft of the Second World War, as it focuses on those warbirds captured and flown by members of the RCAF, or sent to Canada as war prizes. Very few of these rare aircraft exist today, and therefore, information on known locations where German, Japanese and Italian warbird survivors may be found is included. As a member of the Canadian Aviation Preservation Association and the Canadian Aviation Artists Association, the author strongly supports the preservation of Canada's aviation heritage. The primary intent of this handbook is to provide information for aviation artists and enthusiasts looking for that unusual "never before painted" military aviation subject, and to support the efforts of those engaged in the search for those missing warbirds for which no examples currently exist.

Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.