The Golden Age Of Gospel

Presents the history of gospel music in the United States. This book traces the development of gospel from its earliest beginnings through the Golden Age (1945-55) and into the 1960s when gospel entered the concert hall. It introduces dozens of the genre's gifted contributors, from Thomas A Dorsey and Mahalia Jackson to the Soul Stirrers.

To measure the impact of a minister's preaching, one must first examine the societal context in which the ministry took place. For example, what would lead a minister of the Gospel to roar from the pulpit, as did Joseph Parker of City Temple, London, "God damn the Sultan!" The first section of The Golden Age of Preaching is given to the study of the times in which nine prominent British preachers ministered. Understanding the times helps one to comprehend why crowds flocked to hear these men preach, and why their sermons were printed in newspapers on Monday. Furthermore, to assess the preaching of a man, one needs to take into account the life and manner of the man himself. The Men Who Moved the Masses includes biographical sketches of nine selected preachers: Alexander McLaren, Robert William Dale, Henry Parry Liddon at St. Paul's London, Joseph Parker, Charles Haddon Spurgeon, Alexander Whyte, Frederick Brotherton Meyer, John Henry Jowett, and George Campbell Morgan. These were men, though hampered by various medical problems and personality shortcomings, who led thousands to faith in their day. The final section attempts to answer the question, "Why?" by identifying those homiletical characteristics of their preaching which they had in common, resulting in such uncommon impact upon the masses. Those qualities are not confined to their era alone. They are perpetual, applicable to any age, to any culture. Preachers and seminarians who dare to sit at the feet and learn from these preaching giants of the past will find their own preaching power lifted onto a new plain to the benefit of all who hear them.

Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.

The first edition of this work was translated into several languages, including Spanish, Italian, Russian, Japanese and others. When Sathya Sai Baba left His body in 2010, devotees know that he will take birth in the future to deal with a world in crisis and bring about the Golden Age of a transformed human race. The book summarises the main teachings of Sai Baba in terms familiar to Christians and shows how He meets the prophesied comings of many faiths.

"This book investigates the various ways that ancient Greek and Roman authors envisioned the end of the world and the role they gave to global catastrophes, both past and future, in shaping human history"--

In this groundbreaking book, renowned religion scholar Philip Jenkins offers a lost history, revealing that, for centuries, Christianity's center was actually in the Middle East, Asia, and Africa, with significant communities extending as far as China. The Lost History of Christianity unveils a vast and forgotten network of the world's largest and most influential Christian churches that existed to the east of the Roman Empire. These churches and their leaders ruled the Middle East for centuries and became the chief administrators and academics in the new Muslim empire. The author recounts the shocking history of how these churches—those that had the closest link to Jesus and the early church—died. Jenkins takes a stand against current scholars who assert that variant, alternative Christianities disappeared in the fourth and fifth centuries on the heels of a newly formed hierarchy under Constantine, intent on crushing unorthodox views. In reality, Jenkins says, the largest churches in the world were the “heretics” who lost the orthodoxy battles. These so-called heretics were in fact the most influential Christian groups throughout Asia, and their influence lasted an additional one thousand years beyond their supposed demise. Jenkins offers a new lens through which to view our world today, including the current conflicts in the Middle East, Asia, and Africa. Without this lost history, we lack an important element for understanding our collective religious past. By understanding the forgotten catastrophe that befell Christianity, we can appreciate the surprising new births that are occurring in our own time, once again making Christianity a true world religion.