The Goldfinch

A young New Yorker grieving his mother's death is pulled into a gritty underworld of art and wealth in this "extraordinary" and beloved Pulitzer Prize winner from the author of The Secret History that "connects with the heart as well as the mind" (Stephen King, New York Times Book Review). Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by a longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into a wealthy and insular art community. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love — and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a mesmerizing, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention. From the streets of New York to the dark corners of the art underworld, this "soaring masterpiece" examines the devastating impact of grief and the ruthless machinations of fate (Ron Charles, Washington Post).

NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.

“The uncanny beauty of Van Booy’s prose, and his ability to knife straight to the depths of a character’s heart, fill a reader with wonder.” — San Francisco Chronicle Award-winning author Simon Van Booy tells a harrowing and enchanting story of how one man’s act of mercy during World War II changed the lives of strangers, and how they each discover the astonishing truth of their connection. The characters in Van Booy's The Illusion of Separateness discover at their darkest moments of fear and isolation that they are not alone, that they were never alone, that every human being is a link in a chain we cannot see. This gripping novel—inspired by true events—tells the interwoven stories of a deformed German infantryman; a lonely British film director; a young, blind museum curator; two Jewish American newlyweds separated by war; and a caretaker at a retirement home for actors in Santa Monica. They move through the same world but fail to perceive their connections until, through seemingly random acts of selflessness, a veil is lifted to reveal the vital parts they have played in one another's lives, and the illusion of their separateness.

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

Todd Anderson and his friends at Welton Academy can hardly believe how different life is since their new English professor, the flamboyant John Keating, has challenged them to "make your lives extraordinary! Inspired by Keating, the boys resurrect the Dead Poets Society--a secret club where, free from the constraints and expectations of school and parents, they let their passions run wild. As Keating turns the boys on to the great words of Byron, Shelley, and Keats, they discover not only the beauty of language, but the importance of making each moment count. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams? But the Dead Poets pledges soon realize that their newfound freedom can have tragic consequences. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams?

A READ WITH JENNA BOOK CLUB PICK • INTERNATIONAL BESTSELLER • A contemporary literary classic and "an accomplished psychological thriller ... absolutely chilling" (Village Voice), from the Pulitzer Prize–winning author of The Goldfinch. Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality. “A remarkably powerful novel [and] a ferociously well-paced entertainment.... Forceful, cerebral, and impeccably controlled.” —The New York Times

A librarian's laugh-out-loud funny, deeply moving collection of love letters and breakup notes to the books in her life. If you love to read, and presumably you do since you’ve picked up this book (!), you know that some books affect you so profoundly they forever change the way you think about the world. Some books, on the other hand, disappoint you so much you want to throw them against the wall. Either way, it’s clear that a book can be your new soul mate or the bad relationship you need to end. In Dear Fahrenheit 451, librarian Annie Spence has crafted love letters and breakup notes to the iconic and eclectic books she has encountered over the years. From breaking up with The Giving Tree (a dysfunctional relationship book if ever there was one), to her love letter to The Time Traveler’s Wife (a novel less about time travel and more about the life of a marriage, with all of its ups and downs), Spence will make you think of old favorites in a new way. Filled with suggested reading lists, Spence’s take on classic and contemporary books is very much like the best of literature—sometimes laugh-out-loud funny, sometimes surprisingly poignant, and filled with universal truths. A celebration of reading, Dear Fahrenheit 451 is for anyone who loves nothing more than curling up with a good book...and another, and another, and another!

Essay from the year 2014 in the subject American Studies - Literature, , language: English, abstract: The Goldfinch is a novel by Donna Tartt wherein it contains a story as told by Theodore Decker (Theo) in a retrospective first-person narration. It is a story of a lad who loses his mother when a terrorist bomb explodes to kill her plus dozens of other attendants in an art fair. Theo finds himself alone but he becomes determined to evade the city which looks up to taking him as an orphan. This leads to Theo seeking refuge in a school friend’s, Andy Barbour, wealthy family residence. Theo Decker's desire to explore and better understand the world makes him a quintessential wanderer. The story ends as Theo travels around the world to make things right by purchasing the fake antiques which he had previously sold. This paper explores more about the wanderer archetype in Theo; one of Carl Jung’s twelve archetypes namely the caregiver, the creator, the explorer/wanderer, the hero, the innocent, the jester/fool, the lover, the magician, the orphan (ordinary boy or girl), the ruler, the outlaw and the sage. In the Jungian concept of the wanderer, a person with this archetype abandons the known to explore and discover the unknown.