The Golovlevs

Arina Petrovna rules the Golovlev family with an iron hand. Around her swarm her family; her alcoholic sons, dissipated grandchildren and degenerate husband. But in his darkened study, her son Porfiry schemes for an overthrow of power. In this powerful novel, the great Russian satirist presents a stark portrait of the Russian gentry sapped by generations of idleness and social irrelevance.

First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.

Many Russian novels of the nineteenth and twentieth centuries have made a huge impact, not only inside the boundaries of their own country but across the western world. The Cambridge Companion to the Classic Russian Novel offers a thematic account of these novels, in fourteen newly-commissioned essays by prominent European and North American scholars. There are chapters on the city, the countryside, politics, satire, religion, psychology, philosophy; the romantic, realist and modernist traditions; and technique, gender and theory. In this context the work of Pushkin, Dostoevsky, Tolstoy, Turgenev, Bulgakov, Nabokov, Pasternak and Solzhenitsyn, among others, is described and discussed. There is a chronology and guide to further reading; all quotations are in English. This volume will be invaluable not only for students and scholars but for anyone interested in the Russian novel.

An essay collection that explores Russian literature and culture in relation to the late nineteenth-century fin de siècle.

Een aantal essays over de culturele bijdrage die Russische vrouwen geleverd hebben aan de Russische beschaving. De volgende bijdragen zijn opgenomen: The second fantasy mother, or all baths are women's baths / door Nancy Condee; Keeping a-breast of the waist-land: women's fashion in early-nineteenth-century Russia / door Helena Goscilo; Female fashion, Soviet style: bodies of ideology / door Ol'ga Vainshtein; Getting under their skin: the beauty salon in Russian women's lives / door Nadezhda Azhgikhina en Helena Goscilo; Domestic porkbarreling in nineteenth-century Russia, or who holds the keys to the larder / door Darra Goldstein; The ritual fabrics of Russian village women / door Mary B. Kelly; Dirty women: cultural connotations of cleanliness in Soviet Russia / door Nadya L. Peterson; Women on the verge of new language: Russian salon hostesses in the first half of the nineteenth century / door Lina Bernstein; Stepping out/going under: women Russia's twentieth-century salons / door Beth Holmgren; Pleasure, danger, and the dance: nineteenth-century Russian variations / door Stephanie Sandler; "The incomparable" Anastasiia Vial'tsva and the culture of personality / door Louise McReynolds; Flirting with words: domestic albums, 1770-1840 / Gitta Hammarberg; Gendering the icon: marketing women writers in fin-de-siècle Russia / door Beth Holmgren; Domestic crafts and creative freedom: Russian women's art / door Alison Hilton.

This special issue focuses on protest movements operating outside of the mainstream in patriarchal and authoritarian societies. Themes covered include the place of feminist and gender equality movements in democratically restricted environments, intersections between feminism and nationalism, the possibilities of right-wing feminism and pop feminism, the role of gender in high politics, and the relationship between nationality and sexuality in the context of protest movements. The journal features contributions by scholars, human rights and gender equality activists, and journalists, and facilitates wide-ranging discussion of recent and ongoing protest movements in Belarus, Russia, and Ukraine.

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies