The Good Asian Volume 1

Writer PORNSAK PICHETSHOTE’s long-awaited follow-up to the critically acclaimed INFIDEL with stunning art by ALEXANDRE TEFENKGI (OUTPOST ZERO)! Following Edison Hark—a haunted, self-loathing Chinese-American detective—on the trail of a killer in 1936 Chinatown, THE GOOD ASIAN is Chinatown noir starring the first generation of Americans to come of age under an immigration ban, the Chinese, as they’re besieged by rampant murders, abusive police, and a world that seemingly never changes. "Edison Hark immediately joins the ranks of Phillip Marlowe and Sam Spade in a smart, classic noir drenched in style and history."—JAMES TYNION IV (DEPARTMENT OF TRUTH, Batman) "A gripping and authentic crime story from an Asian-American POV. This is the book I've been waiting for!"—CLIFF CHIANG (PAPER GIRLS) "A brittle story that takes place during an unfamiliar time in our history that is tragically all too familiar now in our present."—BRIAN AZZARELLO (100 Bullets, MOONSHINE)

Writer PORNSAK PICHETSHOTE’s long-awaited follow-up to the critically acclaimed INFIDEL with stunning art by ALEXANDRE TEFENKGI (OUTPOST ZERO)! Following Edison Hark—a haunted, self-loathing Chinese-American detective—on the trail of a killer in 1936 Chinatown, THE GOOD ASIAN is Chinatown noir starring the first generation of Americans to come of age under an immigration ban, the Chinese, as they’re besieged by rampant murders, abusive police, and a world that seemingly never changes. Collects THE GOOD ASIAN #1-4, plus covers by SANA TAKEDA, ANNIE WU, JEN BARTEL, DAVE JOHNSON, and more. Select praise for THE GOOD ASIAN: “Both important and incredibly fun. Don’t miss it.”—SCOTT SNYDER (Batman, NOCTERRA) “A smart, classic noir drenched in style and history."—JAMES TYNION IV (THE DEPARTMENT OF TRUTH, Batman) "One of the best debuts of the year… ambitious, engrossing, and relevant." – The Hollywood Reporter “Absolutely the best kind of comics noir."—KIERON GILLEN (THE WICKED + THE DIVINE, DIE) “The best noir comic I've read in years. It's taut, evocative, and though it's set nearly 100 years ago, incredibly relevant.”—G. WILLOW WILSON (Ms. Marvel) “Fantastic.”—JEFF LEMIRE (GIDEON FALLS, Sweet Tooth) "This is the book I've been waiting for."—CLIFF CHIANG (PAPER GIRLS)

On the run from the police, Edison Hark heads to the only person he can for help—and confronts a long-avoided past. Featuring a variant cover by renowned fine artist and star of FX’s Choe Show, DAVID CHOE. “Both important and incredibly fun. Don’t miss it.” —Scott Snyder (NOCTERRA, Batman)

The conclusion to the year’s most critically acclaimed new series is here! Self-loathing Chinese-American detective Edison Hark uncovers the secrets behind the murders terrorizing 1936 Chinatown and their link to his family—but exposing the truth may mean toppling everything he holds dear. Writer PORNSAK PICHETSHOTE (INFIDEL) and artist ALEXANDRE TEFENKGI (OUTPOST ZERO) wrap up their Chinatown noir starring the first generation of Americans to come of age under an immigration ban…the Chinese. Collects covers by DAVID CHOE, AFU CHAN, NIMIT MALAVIA, DAVE JOHNSON, and more, plus bonus material. Select praise for THE GOOD ASIAN: “Both important and incredibly fun.” —Scott Snyder (NOCTERRA, Batman) “One of the best debuts of the year.” —The Hollywood Reporter “A smart, classic noir drenched in style and history.” —James Tynion IV (THE DEPARTMENT OF TRUTH, Batman) “Could not feel more timely these days.” —Entertainment Weekly “The best noir comic I’ve read in years…incredibly relevant.” —G. Willow Wilson (Ms. Marvel) “One of the best new crime comics.” —SYFYWIRE “This is the book I’ve been waiting for.” —Cliff Chiang (PAPER GIRLS) “Fantastic.” —Jeff Lemire (GIDEON FALLS, Sweet Tooth) Collects THE GOOD ASIAN #5-10

Moritaka is hesitant to seriously consider Akito's proposal because he knows how difficult reaching the professional level can be. Still, encouragement from persistent Akito and motivation from his crush push Moritaka to test his limits! -- VIZ Media

It’s blood, tears, and chaos as Hark finally uncovers the truth behind Ivy Chen’s disappearance and how it relates to his surrogate family, in the tense finale to one of the year’s most critically acclaimed hit books. “Could not feel more timely these days.” —Entertainment Weekly

Takashi Jo was just a local reporter in Japan. Why did Senator Yamaoka request he cover the senator's run for the U.S. presidency? And why has Yamaoka handed Jo a dangerous secret?

Conventionally, US immigration history has been understood through the lens of restriction and those who have been barred from getting in. In contrast, The Good Immigrants considers immigration from the perspective of Chinese elites—intellectuals, businessmen, and students—who gained entrance because of immigration exemptions. Exploring a century of Chinese migrations, Madeline Hsu looks at how the model minority characteristics of many Asian Americans resulted from US policies that screened for those with the highest credentials in the most employable fields, enhancing American economic competitiveness. The earliest US immigration restrictions targeted Chinese people but exempted students as well as individuals who might extend America's influence in China. Western-educated Chinese such as Madame Chiang Kai-shek became symbols of the US impact on China, even as they patriotically advocated for China's modernization. World War II and the rise of communism transformed Chinese students abroad into refugees, and the Cold War magnified the importance of their talent and training. As a result, Congress legislated piecemeal legal measures to enable Chinese of good standing with professional skills to become citizens. Pressures mounted to reform American discriminatory immigration laws, culminating with the 1965 Immigration Act. Filled with narratives featuring such renowned Chinese immigrants as I. M. Pei, The Good Immigrants examines the shifts in immigration laws and perceptions of cultural traits that enabled Asians to remain in the United States as exemplary, productive Americans.