The Grave Concern

“An entertaining romp with quirky characters that would make Mark Twain proud . . . I couldn't put this imaginative page-turner down.” —Margaret Coel, New York Times-bestselling author of Buffalo Bill's Dead Now In the Old West, legends die hard—and so do witnesses. But that won't stop psychic-turned-detective Ophelia Wylde from finding fresh graves, digging up clues, and catching wanted criminals—with a little help from the dead . . . Dead Men Tell No Lies The Civil War is over, and many a young widow has turned to spiritualism to contact a husband on “the other side.” But Ophelia Wylde won’t be fooled twice. After wasting her money on a phony psychic, she decides if she can’t beat ’em, join ’em. She leaves New Orleans and heads west, selling her services as a spiritual medium who speaks to the dead. By the time she reaches Dodge City, business is booming. Except for a handsome but skeptical bounty hunter named Jack Calder, no one suspects Ophelia of running a con game—until an unfortunate “reading” of a girl who’s still living exposes her to a town full of angry customers. As punishment, the mob drags Ophelia to Boot Hill and buries her alive in a fresh grave overnight. That’s when the dead start speaking. To her. For real. And for dead people, they’ve got lots to say . . . “Masterful.” —True West

With Peaceful Repose Cemetery, Drew Slocombe is determined to revolutionize the entire death industry and make cheap, ecologically sound burials a popular choice. Unfortunately, Drew's gravedigger has just discovered that their cemetery has one too many corpses. The body of an elderly woman has been occupying the field for months before Drew opened for business. The police don't appear to be particularly concerned by the death, and seem to think that the body is that of a vagrant. But for Drew, things don't add up: even if the woman died a natural death, someone was obviously responsible for burying her. The mystery deepens when Genevieve Slater turns up at Drew's door. Drew has always fought an illicit attraction to Genevieve--an attraction that hasn't faded with time. But it's Drew's reputation for amateur detective work that Genevieve is now interested in. With reasons of her own for not wanting to contact the police, she wants to hire Drew to prove that the body is that of her missing mother. Drew realizes helping her might get him in trouble with the law, but, for a man looking to escape both money worries and marriage problems, Genevieve proves impossible to resist in Grave Concerns, a captivating West Country mystery from Rebecca Tope.

Who am I? What am I? Where do I belong? These “grave concerns” take a lifetime for most people to answer. They become even trickier for American Indians, who all too often face literal and figurative burial by those in power. Such concerns permeate the works of Louis Owens, a mixedblood writer of Choctaw-Cherokee-Irish descent. In this first book-length examination of Owens’s writings, Chris LaLonde focuses on five critically acclaimed novels: The Sharpest Sight, Bone Game, Wolfsong, Nightland, and Dark River. According to LaLonde, Owens works his stories like a trickster, turning ideas back against themselves and playing with contradictory possibilities. The conflicting Native and Western perspectives of time, history, humor, and authority dramatize hoe such classes can threaten to undermine any sense of home and identity for Indians. In the process, Owens underscores the sham of the ethnic identities foisted upon American Indians-the Noble Savage, the Silent Indian, the Vanishing Native, and the Indian as Tragic Victim.