The Grave Of A Rose

This first installment in the New York Times bestselling Crime Files series is a chilling collection of shocking crimes and the ensuing struggles to bring the perpetrators to justice—from the #1 New York Times bestselling author of The Stranger Beside Me. The “country’s premier true crime author” (Library Journal) brings her clear-eyed, compassionate writing and investigative skills to this unputdownable anthology. Distinguished by the former Seattle police officer’s razor-sharp eye for detail and her penetrating analysis of the criminal mind, the featured case in this collection is the twisted story of Randy Roth—a man who married, and murdered, for profit. Following are compelling tales of bloody vengeance, estranged relationships that turn deadly, and fateful encounters. With her trademark “unwavering voice” (Publishers Weekly), Ann Rule exposes the darkness that lurks among us.

The poet Homer, author of the Iliad and the Odyssey, is buried near Smyrna (Izmir in Turkey). In this forgotten corner of the world, a beautiful rose bush grows and one of its roses brings special dreams at night. Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

After losing her brother when she was very young and having her family fall apart right in front of her eyes, Lisa Dewey has been through more than the average 17-year-old. After her parents' divorce, Lisa, her sister Caroline, and her mother move to Norman, Oklahoma, where Lisa meets Alexander Johnson, a boy who has seen the worst of life. Growing up with his grandmother, Alex has always been the victim of bullying, so severe that he even reached the point of ending his own life. He and Lisa become friends after he attempts to end his life for the second time. She becomes the person Alex turns to in times of need. There is a conundrum though; she has fallen for Alex, but he is never to know. Lisa has had one boyfriend, and that was during her freshman year of high school. Everything with Alex had been perfect until one day when Lisa is out with some of her girlfriends, she sees a familiar boy kissing a girl. Lisa had despised Alex's girlfriend, Sara, from the beginning. Since that day, Lisa has not been with anyone. English had always been one of Lisa's favorite subjects in school. She wrote an essay on Roman mythology that her teacher was very impressed with. Her teacher commends her writing style and thinks she would be the perfect candidate for a summer program in Rome. Later that the day, students are told that prom tickets are going on sale during lunchtime. Alex asks Lisa to go to prom after remembering a promise they had made back in freshman year. Lisa is now stuck in a dilemma: will she go to Rome or will she go to prom with Alex?

***NOW WITH REVISED CONTENT!*** I wasn't the type of girl who believed in fairytales, much less tales about faeries, but that changed the day the fae walked into my life. Staying away from my lakeside hometown was the plan, but Mom died suddenly. Dad said she suffered a stroke after she dug up one of the ancient Native American graves in our backyard. Creepy, I know. Creepier still, there was no corpse inside the old coffin, only fresh rose petals. As we made preparations for her burial, unnervingly odd and beautiful newcomers poured into my small town. A coroner with emerald eyes and black hair, much too young for the job. An arrogant blond socialite, who lived to get under my skin. And a tattooed Native man, who wasn't supposed to be alive. By dying, my mother had inadvertently revived an age-old feud between the fae and the tribe that hunted them. A feud that was about to tear my world apart. Scroll up and one click today to start reading this paranormal adventure that readers are comparing to The Vampire Diaries . . . but with faeries.

The follow-up to Murder on Millionaires' Row, Erin Lindsey's second historical mystery follows Rose Gallagher as she tracks a killer with shocking abilities through Gilded Age Manhattan. Rose Gallagher always dreamed of finding adventure, so her new life as a freshly-minted Pinkerton agent ought to be everything she ever wanted. Only a few months ago, she was just another poor Irish housemaid from Five Points; now, she’s learning to shoot a gun and dance the waltz and throw a grown man over her shoulder. Better still, she’s been recruited to the special branch, an elite unit dedicated to cases of a paranormal nature, and that means spending her days alongside the dashing Thomas Wiltshire. But being a Pinkerton isn’t quite what Rose imagined, and not everyone welcomes her into the fold. Meanwhile, her old friends aren’t sure what to make of the new Rose, and even Thomas seems to be having second thoughts about his junior partner. So when a chilling new case arrives on Rose’s doorstep, she jumps at the chance to prove herself – only to realize that the stakes are higher than she could have imagined. Six delegates have been murdered at a local political convention, and the police have no idea who–or what–is responsible. One thing seems clear: The killer’s next target is a candidate for New York City mayor, one Theodore Roosevelt. Convinced that something supernatural is afoot, Rose and Thomas must track down the murderer before Roosevelt is taken out of the race–permanently. But this killer is unlike any they’ve faced before, and hunting him down will take them from brownstones to ballrooms to Bowery saloons. Not quite comfortable anywhere, Rose must come to terms with her own changed place in society–and the fact that some would do anything to see her gone from it entirely.

Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography “An exhilarating romp through Orwell’s life and times and also through the life and times of roses.” —Margaret Atwood “A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker.” —Claire Messud, Harper's “Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way.” —Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world “In the spring of 1936, a writer planted roses.” So be-gins Rebecca Solnit’s new book, a reflection on George Orwell’s passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit’s account of this overlooked aspect of Orwell’s life journeys through his writing and his actions—from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit’s celebrated ability to draw unexpected connections, readers are drawn onward from Orwell‘s own work as a writer and gardener to encounter photographer Tina Modotti’s roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell’s slave-owning ancestors in Jamaica, Jamaica Kincaid’s examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit’s portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.