The Greatest Show

Fire sweeps along the wall of a circus tent while inside thousands of people enjoy a Ringling Brothers and Barnum and Bailey matinee. Within minutes, flames consume the canvas and vast sections collapse, killing 168 people and injuring hundreds more. Inspired by the 1944 Hartford Circus Fire, the interconnected stories in Michael Downs's The Greatest Show explore the aftermath of a disaster in a world of clowns, elephants, and childhood fantasies. In the opening story, Ania Liszak, a young Polish housemaid, steals circus tickets from her employer to take her three-year-old son, Teddy, to the matinee. The fire nearly kills both and leaves them scarred in different ways: Teddy's mother enjoys the beautiful strangeness of the scar on her face, but the patches across Teddy's body inspire cruel schoolmates to call him "Lizard Liszak." Over time, his mother transforms her pain into drama, while Teddy, having no memory of that day, seeks ways to return to it. These and other captivating characters appear throughout the book, creating a portrait of an American city and its people over five decades, raising questions about wounds and healing, memory and forgetting, and about the human capacity for kindness -- with all its futility and power -- in the midst of great loss.

“Step right up!” and buy a ticket to the Greatest Show on Earth—the Big Top, containing death-defying stunts, dancing bears, roaring tigers, and trumpeting elephants. The circus has always been home to the dazzling and the exotic, the improbable and the impossible—a place of myth and romance, of reinvention, rebirth, second acts, and new identities. Asking why we long to soar on flying trapezes, ride bareback on spangled horses, and parade through the streets in costumes of glitter and gold, this captivating book illuminates the history of the circus and the claim it has on the imaginations of artists, writers, and people around the world. Traveling back to the circus’s early days, Linda Simon takes us to eighteenth-century hippodromes in Great Britain and intimate one-ring circuses in nineteenth-century Paris, where Toulouse-Lautrec and Picasso became enchanted with aerialists and clowns. She introduces us to P. T. Barnum, James Bailey, and the enterprising Ringling Brothers and reveals how they created the golden age of American circuses. Moving forward to the whimsical Circus Oz in Australia and to New York City’s Big Apple Circus and the grand spectacle of Cirque du Soleil, she shows how the circus has transformed in recent years. At the center of the story are the people—trick riders and tightrope walkers, sword swallowers and animal trainers, contortionists and clowns—that created the sensational, raucous, and sometimes titillating world of the circus. Beautifully illustrated and filled with rich historical detail and colorful anecdotes, The Greatest Shows on Earth is a vibrant history for all those who have ever dreamed of running away to the circus.

The Recital Books congratulate students for a job well done by providing correlated repertoire to their Lesson Books that are based on concepts they've already learned. As a result, the pieces are quickly mastered. Included in Recital 1A are familiar favorites such as Lost My Partner" and "Tumbalalaika," and fun originals like "Charlie the Chimp!" and "My Secret Place."

Delphinium spends her tenth birthday aboard a traveling space circus, fighting against the dark forces who are bent on stamping out fun.

Dramatic and evocative reworking of William Shakespeare's The Twelfth Night. Kitty runs away to join the circus but must disguide herself as a boy.

In 2008, a Gallup poll showed that 44 percent of Americans believed God had created man in his present form within the last 10,000 years. In a Pew Forum poll in the same year, 42 percent believed that all life on earth has existed in its present form since the beginning of time. In 1859 Charles Darwin's masterpiece, On the Origin of Species, shook society to its core. Darwin was only too aware of the storm his theory of evolution would provoke. But he surely would have raised an incredulous eyebrow at the controversy still raging a century and a half later. Evolution is accepted as scientific fact by all reputable scientists and indeed theologians, yet millions of people continue to question its veracity. Now the author of the iconic work The God Delusion takes them to task. The Greatest Show on Earth is a stunning counterattack on advocates of "Intelligent Design," explaining the evidence for evolution while exposing the absurdities of the creationist "argument." Dawkins sifts through rich layers of scientific evidence: from living examples of natural selection to clues in the fossil record; from natural clocks that mark the vast epochs wherein evolution ran its course to the intricacies of developing embryos; from plate tectonics to molecular genetics. Combining these elements and many more, he makes the airtight case that "we find ourselves perched on one tiny twig in the midst of a blossoming and flourishing tree of life and it is no accident, but the direct consequence of evolution by non-random selection." The Greatest Show on Earth comes at a critical time: systematic opposition to the fact of evolution is menacing as never before. In American schools, and in schools around the world, insidious attempts are made to undermine the status of science in the classroom. Dawkins wields a devastating argument against this ignorance, but his unjaded passion for the natural world turns what might have been a negative argument into a positive offering to the reader: nothing less than a master's vision of life, in all its splendor.

Discover the animal kingdom's greatest talents in this encyclopedia of curious creatures.