The Happy Hypocrite

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The evolutionary psychology behind human inconsistency We're all hypocrites. Why? Hypocrisy is the natural state of the human mind. Robert Kurzban shows us that the key to understanding our behavioral inconsistencies lies in understanding the mind's design. The human mind consists of many specialized units designed by the process of evolution by natural selection. While these modules sometimes work together seamlessly, they don't always, resulting in impossibly contradictory beliefs, vacillations between patience and impulsiveness, violations of our supposed moral principles, and overinflated views of ourselves. This modular, evolutionary psychological view of the mind undermines deeply held intuitions about ourselves, as well as a range of scientific theories that require a "self" with consistent beliefs and preferences. Modularity suggests that there is no "I." Instead, each of us is a contentious "we"--a collection of discrete but interacting systems whose constant conflicts shape our interactions with one another and our experience of the world. In clear language, full of wit and rich in examples, Kurzban explains the roots and implications of our inconsistent minds, and why it is perfectly natural to believe that everyone else is a hypocrite.

The Happy Hypocrite? Tolstoyevsky is, ideally, like a room full of high-spirited people playing a game, trying to do or say some nonsense, folding embarrassment and losses in translation into part of the exchange. The main portion of the journal is made up of responses to an open call; submissions picked up on cues within two short stories:?Moles & Mice? by Candice Lin, and?Tolstoyevksy?, written by Virginija Januskeviciute about a hospitable man with a house full of books who exclaimed?Oh I have read all your Tolstoyevskys!? when asked what he had read.

A takedown of the GOP’s deceitful propaganda machine from the blogger of Salon’s Unclaimed Territory and the author of the New York Times bestsellers How Would a Patriot Act? and A Tragic Legacy. Ever since the cowboy image of Ronald Reagan was sold to Americans, the Republican Party has used the same John Wayne imagery to support its candidates and take elections. We all know how they govern, but the right-wing propaganda machine is very adept at hijacking debate and marketing their candidates as effectively as the Marlboro Man. For example: Myth: The Republican nominee is an upstanding, regular guy who shares the values of the common man. Reality: He divorced his first wife in order to marry a young multimillionaire heiress whose family then funded his political career. Myth: Republicans are strong on defense and will keep us safe. Reality: They prey on fears, and their endless wars make America far less secure. Myth: Republicans are the party of fiscal restraint and small, limited government. Reality: Soaring deficits, unchecked presidential power, and an increasingly invasive surveillance state are par for their course. The first book to dissect the Republican Cult of Personality and leave it openly exposed in its unabashed, shameful depravity, Great American Hypocrites is a deeply necessary call-out to Democrats to attack the GOP with their competitor’s very own weapons. Praise for Great American Hypocrites “Intelligent, insightful.” —Daily Kos “Glenn Greenwald has done it again.” —Alan Colmes “Glenn Greenwald is a treasure.” —BuzzFlash

From The New Yorker's most entertaining and acerbic wit comes a controversial reassessment of the rituals and events that shape women's lives: weddings, sex, housekeeping, and motherhood.

FAMOUS MORAL STORIES FROM PANCHTANTRA

Presenting: a reprint in entirety of A Great Book Primer: Essays on Liberal Education, the Uses of Reading and the Rules of Reading, published by the Great Books Foundation, Chicago (1955). Seemingly useless when divorced from the complete series of Great Books, this primer exists as both an archaic set of rules, and open-ended set of possibilities. In this spirit the editing process happens outside the journal in the form of a parley-based art writing festival at the Whitechapel Gallery, London in August 2009, with new commissions selected from invitation and open submission.