The Harps That Once

Sumerian, the oldest language known, is represented by hundreds of thousands of clay tablets inscribed in the cuneiform writing system. Most of the tablets are devoted to mundane matters- ration lists, annual accounts, deeds, contracts- but a substantial number contain examples of perhaps the earliest poetry extant. In this volume, the eminent Assyriologist Thorkild Jacobsen presents translations of some of these ancient poems, including a number of compositions that have never before been published in translation. "What a wonderful bouquet; a gift to us all from a master Sumeriologist, a singer of human achievement, and a lover of words. Jacobsen needs no introduction and this work is special, and should be found in the home of all human and literate persons. It gives access to the mind of ancient Mesopotamia in a manner rarely duplicated heretofore ... Jacobsen has chosen widely from Sumer's rich literature- myth, epics, hymns, boasts, epithalamia, love songs, lamentations, fables- nad has presented us with perspective renderings". Jack M. Sasson, Religious Studies Review.

Although the Harp, mainly by reason of the introduction of the pianoforte, has not maintained its prestige in the salons of the great, yet it still holds an honoured place in the orchestra, and claims many amateur votaries. Of course there is a professorship of the harp in the principal musical conservatoires; and all the big European and American festivals requisition the instrument either for solo or concerted work. The chief object of this title is to present in a popular form the various evolutions of the harp until its final development by Erard, at the commencement of the nineteenth century, and to furnish a readable account of the leading harpists from mediæval days to our own times; as also to point out the bearing of the harp in the orchestra, and its introduction into the scores of such giants as Wagner, Berlioz, Meyerbeer, and Gounod.

Revising her classic 1989 book Harps and Harpists, Roslyn Rensch expands her authoritative history of this timeless instrument. This lavishly illustrated edition, with 137 black-and-white images and 24 color plates, surveys the progress of the harp from antiquity to the present day. The new edition includes two new chapters; an extensive bibliography and index; personal anecdotes of the author's studies under Alberto Salvi; and an appendix on the Roslyn Rensch Papers and Harp Collection, which are housed at the University of Illinois–Urbana-Champaign.

Shamrocks, shillelaghs, reed pipes, and leprechauns--these are some of the many symbols that remind us of St. Patrick's Day. Who was St. Patrick? And what is this early spring holiday all about? With warmth and vitality, Edna Barth tells the colorful stories, legends, and historical facts behind St. Patrick's Day and shows how the spirit of this ancient Irish holiday is still alive in many countries. Illustrated with black and white drawings by Ursula Arndt, this is a book to be discovered and read with pleasure by young readers. All of Edna Barth's classic holiday books are now being reissued with fresh, new jacket designs and fun activities inside the paperback covers.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Chamber Music Dubliners A Portrait of the Artist as a Young Man Exiles Ulysses (the original 1922 ed.) James Augustine Aloysius Joyce (1882–1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. Joyce is best known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in an array of contrasting literary styles, perhaps most prominent among these the stream of consciousness technique he perfected. Other major works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His complete oeuvre also includes three books of poetry, a play, occasional journalism, and his published letters.

This book is both a study of how James Joyce created two of the most iconic characters in literature—Leopold Bloom and Marion Tweedy Bloom—as well as a history of the genesis of Ulysses. From a genetic critical perspective, it explores the conception and evolution of the Blooms as fictional characters in the work's wide range of surviving notes and manuscripts. At the same time, it also chronicles the production of Ulysses from 1917 to its first edition in 1922 and beyond. Based on decades of research, it is an original engagement with the textual archive of Ulysses, including the exciting, recently discovered manuscripts now in the National Library of Ireland. The book excavates the raw material and examines the creative processes Joyce deployed in the construction of the Blooms and so the writing of Ulysses. Framed by a contextual introduction and four bibliographical appendices, the seven main chapters are a critical investigation of the fictional events and memories that constitute the 'lives' of the Blooms. Thereby, it is also a commentary on Joyceâs conception of Ulysses more generally. Crispi analyses how the stories in the published book achieved their final form and discloses previously unexamined versions of them for everyone who enjoys reading Ulysses. This book demonstrates the various ways in which specialist textual work on the genesis of Ulysses directly intersects with other critical and interpretive readings. Becoming the Blooms is a behind-the-scenes guide to the creation of one of the most important books ever written.