The Heart S Country

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a study of love, specifically of men’s and women’s emotional roles vis-à-vis one another in Northeast Brazil; of how people form conjugal relationships in this region; and of the impact of rapid socioeconomic change on courtship, marriage, cohabitation, and infidelity. Rapid urbanization and expansion of the cash economy have transformed the region in a few decades. Among the transformations are shifts in how people conduct courtship, form marriages, view the proprieties of sexual behavior, and assess the proper social and economic roles of men and women. These changes have altered the relative importance of physical, economic, and emotional intimacy in conjugal relationships, transforming the nature of marriage—once defined as a largely economic relationship—into a largely emotional relationship, as ideas of romance once associated with infidelity, concubinage, and courtship are increasingly attached to marriage. The book is largely based on interviews with men and women who talked about their often complicated love lives with wit and passion, and the book is rich in personal stories and quotations. Women were asked to discuss the nature of men and women, and men were asked to talk about women. Both sexes were questioned about their views on prostitution, concubinage, and promiscuity, as well as their definitions of love. Parents were asked for their views about marriage and child rearing (especially differences in raising boys and girls), their relations with their own parents, lovers, spouses, and friends, and their views on virginity and sexual propriety. The bluntness and articulateness of the informants about their motivations and experiences not only demonstrated that men and women viewed conjugal relationships very differently but enabled the author to specify and explore these differences in unusually interesting ways.

Stifled by the torpor of colonial South Africa and trapped in a web of reciprocal oppression, a lonely sheep farmer seeks comfort in the arms of a black concubine. But when his embittered spinster daughter Magda feels shamed, this lurch across the racial divide marks the end of a tenuous feudal peace. As she dreams madly of bloody revenge, Magda's consciousness starts to drift and the line between fact and the workings of her excited imagination becomes blurred. What follows is the fable of a woman's passionate, obsessed and violent response to an Africa that will not heed her.

Excerpt from The Heart's Country About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

An unforgettable odyssey across the harsh and unforgiving land of the Great Plains.

"Much needed. Fills an existing gap in the historical period with a wide range of examples from all over the world."--Margarita D az-Andreu, author of A World History of Nineteenth-Century Archaeology: Nationalism, Colonialism, and the Past "Provides new, nuanced perspectives that will inspire studies in the materiality of identity creation and transformation in the past and its role in heritage creation in the present."--Stephen A. Brighton, author of Historical Archaeology of the Irish Diaspora: A Transnational Approach "Thoughtful, challenging, and original. Expands the spatial and temporal parameters of the growing literature on nationalism and national identity."--Philip L. Kohl, coeditor of Selective Remembrances: Archaeology in the Construction, Commemoration, and Consecration of National Pasts The Country Where My Heart Is explores the archaeology of the period during which modern nationalism developed. While much of the previous research has focused on how governments and other institutions manipulate the archaeology of the distant past for ideological reasons, the contributors to this volume articulate what material artifacts of the modern world can reveal about the rise and fall of modern nationalism and national identities. They explore themes of colonialism, religion, political power and struggle, mythmaking, and the formation of heritage and memory not only in modern nation-states but also in places where the geographical boundaries of a "homeland" are harder to draw. Featuring case studies from northwestern and Central Europe, the Mediterranean, and the Americas, the essays examine how historical archaeology informs the concept of national identity and the formation of the modern nation and how this identity is intimately and inseparably entangled with, yet still distinct from, ethnicity and race. Alasdair Brooks, honorary visiting fellow at the University of Leicester, is the editor of The Importance of British Material Culture to Historical Archaeologies of the Nineteenth Century. Natascha Mehler, senior researcher at the German Maritime Museum and honorary reader at the University of the Highlands and Islands, Scotland, is the editor of Historical Archaeology in Central Europe.

"This memoir's beauty is in its fierce intimacy." --Roy Hoffman, The New York Times Book Review One of Literary Hub's Most Anticipated Books of 2019 From the celebrated editor of This Bridge Called My Back, Cherríe Moraga charts her own coming-of-age alongside her mother’s decline, and also tells the larger story of the Mexican American diaspora. Native Country of the Heart: AMemoir is, at its core, a mother-daughter story. The mother, Elvira, was hired out as a child, along with her siblings, by their own father to pick cotton in California’s Imperial Valley. The daughter, Cherríe Moraga, is a brilliant, pioneering, queer Latina feminist. The story of these two women, and of their people, is woven together in an intimate memoir of critical reflection and deep personal revelation. As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where an ambiguous relationship with a wealthy white man taught her life lessons about power, sex, and opportunity. As Moraga charts her mother’s journey—from impressionable young girl to battle-tested matriarch to, later on, an old woman suffering under the yoke of Alzheimer’s—she traces her own self-discovery of her gender-queer body and Lesbian identity, as well as her passion for activism and the history of her pueblo. As her mother’s memory fails, Moraga is driven to unearth forgotten remnants of a U.S. Mexican diaspora, its indigenous origins, and an American story of cultural loss. Poetically wrought and filled with insight into intergenerational trauma, Native Country of the Heart is a reckoning with white American history and a piercing love letter from a fearless daughter to the mother she will never lose.