The Hero Maker A Biography Of Paul Brickhill

The Dam Busters, The Great Escape and Reach for the Sky were all written by Paul Brickhill, an Australian hero of WWII. 2016 marks the 100th anniversary of his birth and the 25th anniversary of his death. It was 1956 and the writer from Sydney's lower North Shore had every reason to feel blessed. Former journalist Paul Brickhill was the highest-earning author in the UK and two of his bestselling books - The Dam Busters and Reach for the Sky - had recently been made into blockbuster films. Another of his books - inspired by his experiences as a prisoner of war in Stalag Luft 3 in Germany during the Second World War - was attracting Hollywood interest. That book was The Great Escape. Yet, life for the enigmatic Brickhill was never simple. He was beset with mental-health issues and his marriage to model Margot Slater was tempestuous. He struggled with alcohol and writer's block too, as his success - and all that accompanied it - threatened to overwhelm him. In The Hero Maker, award-winning historical author and biographer Stephen Dando-Collins exposes the contradictions of one of Australia's most successful, but troubled, writers. Brickhill's extraordinary story - from the youth with a debilitating stutter to Sydney Sun journalist to Spitfire pilot and POW to feted author - explodes vividly to life on the centenary of his birth.

"The Dam Busters, The Great Escape and Reach for the Sky were all written by Paul Brickhill, an Australian hero of WWII. 2016 marks the 100th anniversary of his birth and the 25th anniversary of his death. It was 1956 and the writer from Sydney's lower North Shore had every reason to feel blessed. Former journalist Paul Brickhill was the highest-earning author in the UK and two of his bestselling books - The Dam Busters and Reach for the Sky - had recently been made into blockbuster films. Another of his books - inspired by his experiences as a prisoner of war in Stalag Luft 3 in Germany during the Second World War - was attracting Hollywood interest. That book was The Great Escape. Yet, life for the enigmatic Brickhill was never simple. He was beset with mental-health issues and his marriage to model Margot Slater was tempestuous. He struggled with alcohol and writer's block too, as his success - and all that accompanied it - threatened to overwhelm him. In The Hero Maker, award-winning historical author and biographer Stephen Dando-Collins exposes the contradictions of one of Australia's most successful, but troubled, writers. Brickhill's extraordinary story - from the youth with a debilitating stutter to Sydney Sun journalist to Spitfire pilot and POW to feted author - explodes vividly to life on the centenary of his birth.:--Publisher's description.

Introduction -- Engineering The great escape : from book to film (and in-between) -- Tunneling in : The great escape : style, theme, and structure -- After-lives -- Appendix : "It really happened".

The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.

The story opens in the stinking latrines of the Schubin camp as an American and a Canadian lead the digging of a tunnel which enabled a break involving 36 prisoners of war (POWs). The Germans then converted the camp to Oflag 64, to exclusively hold US Army officers, with more than 1500 Americans ultimately housed there. Plucky Americans attempted a variety of escapes until January, 1945, only to be thwarted every time. Then, with the Red Army advancing closer every day, camp commandant Colonel Fritz Schneider received orders from Berlin to march his prisoners west. Game on! Over the next few days, 250 US Army officers would succeed in escaping east to link up with the Russians - although they would prove almost as dangerous as the Nazis - only to be ordered once they arrived back in the United States not to talk about their adventures. Within months, General Patton would launch a bloody bid to rescue the remaining Schubin Americans. In The Big Break, this previously untold story follows POWs including General Eisenhower's personal aide, General Patton's son-in-law, and Ernest Hemingway's eldest son as they struggled to be free. Military historian and Paul Brickhill biographer Stephen Dando-Collins expertly chronicles this gripping story of Americans determined to be free, brave Poles risking their lives to help them, and dogmatic Nazis determined to stop them.

Students, military historians, and casual readers will all find this compelling collection useful in learning about escape strategies, hostage situations, and rescue operations during times of conflict. Great Wartime Escapes and Rescues tells the captivating stories of dozens of escapes and rescues from conflicts dating from the 16th century to present, with extensive coverage of the world wars of the 20th century and the Vietnam War. In addition, escapes and rescues related to terrorist activities and regional conflicts are featured. Some stories of escapes and rescues included in this work have been written about extensively and portrayed in films, including The Great Escape and Captain Phillips' rescue by Navy SEALs. Other stories are less widely known but just as absorbing. The book opens with a detailed introductory essay that illuminates the government policies and tactics various countries have used to rescue soldiers and civilians during wartime, as well as the diverse methods that prisoners of war have used to escape notorious camps and prisons. The entries, organized alphabetically, are augmented by engaging sidebars related to the escapes and rescues. The book also includes references to such sources as autobiographies, biographies, news accounts, and interviews with veterans.

This book surveys historical and emerging global air and space power issues and provides a multidisciplinary understanding of the application of air and space power in the past and present, while exploring potential future challenges that global air forces may face. Bringing together leading and emerging academics, professionals, and military personnel from Australia within the field of air and space power, this edited collection traces the evolution of technological innovations, as well as the ethical and cultural frameworks which have informed the development of air and space power in the 20th and 21st centuries, and contemplates the future. It covers topics such as the insurgents' use of drones, the ethics of air strikes, the privatisation of air power, the historical trajectory of air power strategy, and the sociological implications of an ‘air force’ identity. While many of the chapters use Australian-based case studies for their analysis, they have broader applicability to a global readership, and several chapters examine other nations’ experiences, including those of the United States and the United Kingdom. This accessible, illuminating book is an important addition to contemporary air and space power literature, and will be of great interest to students and scholars of air and space power, air warfare, military and international history, defence studies, and contemporary strategic studies, as well as military professionals.

Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.