The History Of The London Charterhouse From Its Foundation Until The Suppression Of The Monastery

Thomas Sutton's reputation as the wealthiest commoner in England at the time of his death in 1611 was matched by the scale of the charity which he founded at the Charterhouse in Clerkenwell. This work examines the Charterhouse's significance as England's leading charity and the support and opposition that it attracted.

This study will significantly further our interpretations of the unique autobiography of Margery Kempe, lay woman turned mystic and visionary. Following the manuscript from a Carthusian monastery through history, Chappell bridges the gaps in our understanding of the transmission of texts from the medieval past to the present.

Essays exploring the great religious and devotional works of the Middle Ages in their manuscript and other contexts.

In recent years there has been an increasing interest in the history of the numerous houses of monks, canons and nuns which existed in the medieval British Isles, considering them in their wider socio-cultural-economic context; historians are now questioning some of the older assumptions about monastic life in the later Middle Ages, and setting new approaches and new agenda. The present volume reflects these new trends. Its fifteen chapters assess diverse aspects of monastic history, focusing on the wide range of contacts which existed between religious communities and the laity in the later medieval British Isles, covering a range of different religious orders and houses. This period has often been considered to represent a general decline of the regular life; but on the contrary, the essays here demonstrate that there remained a rich monastic culture which, although different from that of earlier centuries, remained vibrant. CONTRIBUTORS: KAREN STOBER, JULIE KERR, EMILIA JAMROZIAK, MARTIN HEALE, COLMAN O CLABAIGH, ANDREW ABRAM, MICHAEL HICKS, JANET BURTON, KIMM PERKINS-CURRAN, JAMES CLARK, GLYN COPPACK, JENS ROHRKASTEN, SHEILA SWEETINBURGH, NICHOLAS ORME, CLAIRE CROSS

In the 1530s, five Bassano brothers, who were outstanding wind players and instrument makers, emigrated from Venice to England. Dr Lasocki?s authoritative new book, the first to be devoted to the family, is a minutely researched account of these brothers, their sons (and a daughter) and their grandsons. The first half of the book discusses the everyday affairs of the family - their relationships, religion, property, law suits, finances, and standing in society. Two chapters, one written by Roger Prior, are devoted to Emilia Bassano, whose identification as the ?dark lady? of Shakespeare?s sonnets is supported by a wealth of evidence. The second half of the book discusses the family?s musical activities. At the English Court the Bassanos made up a recorder consort that lasted 90 years; they also played in the flute/cornett and shawm/sackbutt consorts. As instrument makers their fame was spread throughout Europe. The book?s appendixes present information on the Venetian branch of the family and the musical activities of the English branch since 1665.

In the 1530s, five Bassano brothers, who were outstanding wind players and instrument makers, emigrated from Venice to England. Dr Lasocki‘s authoritative new book, the first to be devoted to the family, is a minutely researched account of these brothers, their sons (and a daughter) and their grandsons. The first half of the book discusses the everyday affairs of the family - their relationships, religion, property, law suits, finances, and standing in society. Two chapters, one written by Roger Prior, are devoted to Emilia Bassano, whose identification as thedark lady of Shakespeare‘s sonnets is supported by a wealth of evidence. The second half of the book discusses the family‘s musical activities. At the English Court the Bassanos made up a recorder consort that lasted 90 years; they also played in the flute/cornett and shawm/sackbutt consorts. As instrument makers their fame was spread throughout Europe. The book‘s appendixes present information on the Venetian branch of the family and the musical activities of the English branch since 1665.