The Hollywood Rat Race

This guide to La-La Land, written by the man who brought audiences Plan 9 From Outer Space, offers advice on surviving in Hollywood, drawn from Ed Wood's two decades in filmdom. Anecdotes from Wood's career abound, including stories about Bela Lugosi and Tor Johnson. Photos.

In a previously unpublished memoir/manual, the king of B horror movies exposes the ruthless realm of moviemaking and introduces the magic and mayhem of Hollywood

Filled with dozens of personal anecdotes, musings, and warnings from writers, producers, actors, and directors who have been there, Surviving Hollywood: Your Ticket to Success provides all the real-life tools you need for protecting your personal well-being in an unstable and sometimes unscrupulous industry. Readers will discover sage advice for keeping their spirits up despite constant rejection, weathering long periods of unemployment, maintaining a stable marriage and family life in an unstable business, keeping the faith in the midst of lies and deceit, and much more. Special sections address such topics as the dangers child actors face and how to deal with egomaniacs without becoming one.

Filmmaker Ed Wood was controversial and critically maligned, even labeled "the worst director of all time," yet he achieved cult status and remains of great interest today. This book frames Wood's work, such as the cross-dressing themed Glen or Glenda? and the haphazard Bride of the Monster, as reflections of the culture of their era. Wood invariably worked with infinitesimal budgets, shooting at breakneck speed, incorporating plot twists that defied all logic. Yet there was a tangible if unfocused thematic thrust to Wood's films, which meditate fitfully on gender, religion and society, revealing a "holy trinity" of fixations--sex, death and resurrection. Wood's infamous Plan 9 From Outer Space encapsulates the fixations and flaws that were his hallmarks, and with 22 other films, is explored here. A filmography and 47 photographs are included.

More than hearts are at stake for a legendary family in Cindy Dees's new miniseries, The Prescott Bachelors! Wannabe stuntwoman Ana Izzolo can't believe she's landed a starring role in actor-producer Jackson Prescott's new film. A plain-Jane nobody and a megastar? Their on-screen chemistry is electric, burning up the celluloid…but offscreen, Ana is stalked by danger. Like a true Hollywood hero, Jackson whisks her to his oceanfront mansion, practicing love scenes while keeping her safe. But when their real-life relationship starts mirroring the movie's leading couple, the confirmed bachelor fears he may fall for the doe-eyed ingenue. If the stalker doesn't get her first…

Arguably the greatest science fiction writer who ever lived, Isaac Asimov also possessed one of the most brilliant and original minds of our time. His accessible style and far-reaching interests in subjects ranging from science to humor to history earned him the nickname “the Great Explainer.” I. Asimov is his personal story—vivid, open, and honest—as only Asimov himself could tell it. Here is the story of the paradoxical genius who wrote of travel to the stars yet refused to fly in airplanes; who imagined alien universes and vast galactic civilizations while staying home to write; who compulsively authored more than 470 books yet still found the time to share his ideas with some of the great minds of our century. Here are his wide-ranging thoughts and sharp-eyed observations on everything from religion to politics, love and divorce, friendship and Hollywood, fame and mortality. Here, too, is a riveting behind-the-scenes look at the varied personalities—Campbell, Ellison, Heinlein, Clarke, del Rey, Silverberg, and others—who along with Asimov helped shape science fiction. As unique and irrepressible as the man himself, I. Asimov is the candid memoir of an incomparable talent who entertained readers for nearly half a century and whose work will surely endure into the future he so vividly envisioned.

Hollywood Independent dissects the Mirisch Company, one of the most successful employers of the package-unit system of film production, producing classic films like The Apartment (1960), West Side Story (1961), The Great Escape (1963) and The Thomas Crown Affair (1968) as irresistible talent packages. Whilst they helped make the names of a new generation of stars including Steve McQueen and Shirley MacLaine, as well as banking on the reputations of established auteurs like Billy Wilder, they were also pioneers in dealing with controversial new themes with films about race (In the Heat of the Night), gender (Some Like it Hot) and sexuality (The Children's Hour), devising new ways of working with film franchises (The Magnificent Seven, The Pink Panther and In the Heat of the Night spun off 7 Mirisch sequels between them) and cinematic cycles, investing in adaptations of bestsellers and Broadway hits, exploiting frozen funds abroad and exploring so-called runaway productions. The Mirisch Company bridges the gap between the end of the studio system by about 1960 and the emergence of a new cinema in the mid-1970s, dominated by the Movie Brats.

A cultural history of the 1930s explores the anxiety, despair, and optimism of the period, exploring how the period culture provided a dynamic lift to the country's morale.