The Hooligan S Return

At the center of The Hooligan’s Return is the author himself, always an outcast, on a bleak lifelong journey through Nazism and communism to exile in America. But while Norman Manea’s book is in many ways a memoir, it is also a deeply imaginative work, traversing time and place, life and literature, dream and reality, past and present. Autobiographical events merge with historic elements, always connecting the individual with the collective destiny. Manea speaks of the bloodiest time of the twentieth century and of the emergence afterward of a global, competitive, and sometimes cynical modern society. Both a harrowing memoir and an ambitious epic project, The Hooligan’s Return achieves a subtle internal harmony as anxiety evolves into a delicate irony and a burlesque fantasy. Beautifully written and brilliantly conceived, this is the work of a writer with an acute understanding of the vast human potential for both evil and kindness, obedience and integrity.

This is the first comparative study of literature written by writers who fled from East-Central Europe during the twentieth century. It includes not only interpretations of individual lives and literary works, but also studies of the most important literary journals, publishers, radio programs, and other aspects of exile literary cultures. The theoretical part of introduction distinguishes between exiles, émigrés, and expatriates, while the historical part surveys the pre-twentieth-century exile traditions and provides an overview of the exilic events between 1919 and 1995; one section is devoted to exile cultures in Paris, London, and New York, as well as in Moscow, Madrid, Toronto, Buenos Aires and other cities. The studies focus on the factional divisions within each national exile culture and on the relationship between the various exiled national cultures among each other. They also investigate the relation of each exile national culture to the culture of its host country. Individual essays are devoted to Witold Gombrowicz, Paul Goma, Milan Kundera, Monica Lovincescu, Miloš Crnjanski, Herta Müller, and to the “internal exile” of Imre Kertész. Special attention is devoted to the new forms of exile that emerged during the ex-Yugoslav wars, and to the problems of “homecoming” of exiled texts and writers.

Explore the history of football violence on the UK's rail network.

'The real history of soccer violence.' LOADED 'A comprehensive look at some of Britain's most notorious hooligan factions.' LADS MAG From the authors of the acclaimed "HOOLIGANS: The A-L" comes the final part of the only comprehensive guide ever written to the darker side of modern football history. Here are the stories of every soccer hooligan gang, from the Cool Cats of Manchester City to the Subway Army of Wolverhampton Wanderers and the Nomad Society of York City. Authors Andy Nicholls and Nick Lowles interviewed scores of current and former hooligans to compile a definitive encyclopedia of the firms. Each club has an entry listing the names of its gangs, how they formed, their worst fights, their bitterest rivals and police operations against them. Read the histories of the Naughty Forty, the Drunk and Disorderly Firm, the Affray Team, the 6.57 Crew, the Fine Young Casuals, the Inside Crew, the Goon Squad and many more. "HOOLIGANS 2" is the ultimate guide to a fascinating but much misunderstood subject.

In these elegant essays, many of them originally written for The New Republic and Harper's, Robert Boyers examines the role of the political imagination in shaping the works of such important contemporary writers as W. G. Sebald and Philip Roth, Nadine Gordimer and Mario Vargas Llosa, Natalia Ginzburg and Pat Barker, J. M. Coetzee and John Updike, V. S. Naipaul and Anita Desai. Occasionally he finds that politics actually figures very little in works that only pretend to be interested in politics. Elsewhere he discovers that certain writers are not equal to the political issues they take on or that their work is fatally compromised by complacency or wishful thinking. In the main, though, Boyers writes as a lover of great literature who wishes to understand how the best writers do justice to their own political obsessions without suggesting that everything is reducible to politics. Resisting the notion that novels can be effectively translated into ideas or positions, he resists as well the notion that art and politics must be held apart, lest works of fiction somehow be contaminated by their association with "real life" or public issues. The essays offer a combination of close reading, argument, and assessment. What, Boyers asks, is the relationship between form and substance in a work whose formal properties are particularly striking? Is it reasonable to think of a particular writer as "reactionary" merely because he presents an unflattering portrait of revolutionary activists or because he is less than optimistic about the future of newly independent societies? What is the status of private life in works set in politically tumultuous times? Can the novelist be "responsible" if he consistently refuses to engage the conditions that affect even the intimate lives of his characters? Such questions inform these essays, which strive to be true to the essential spirit of the works they discuss and to interrogate, as sympathetically as possible, the imagination of writers who negotiate the unstable relationships between society and the individual, art and ideas.

Goin' Back to the 1960sis a memoir of a happy and eventful life of a young man during the 1960s where 'growing up' changed his outlook on life from a care-free innocent boy to an outright teenage cynic. Brian's story begins when Brian's parents decide to move from an inner-city life in the East End of London to the leafy Berkshire countryside. This move changed his life completely for the better and together with a band of characterful friends he enjoyed all the freedoms the countryside had to offer. Life was certainly good, full of long summer days, fishing and many exciting adventures that would often get him into trouble. These stories are full of the love and passion he had for angling, for sport, and especially for pop music recalling many of his favourite records of the time. Interspersed with hilarious anecdotes, as well as poignant family moments. He shares his views on the great historical events of the 60s headlining the news at the time. These stories provide the reader with a nostalgic journey through the 1960s and describes everything wonderful about growing up at that time. A funny, warm and light-hearted read.

Join these zany characters on hilarious adventures, Milky"Lost Her" Bearings and Pert Latissimus of 'Weird House 13, ' Arty Dump and Barmy Flatus of 'Bum's Guide to the universe, ' Dirt Gentle and McBeth of the 'Wholly Misfit Detective Agency, ' The Scupper and Linger Grunt of 'Hooligan's Island, ' Eat Me and Idiot of 'Eat Me: The Extra Tetrazzini, ' Pawl and Batty Scientist of 'The Lost Skeleton of Cadaver, ' Pie Hole and his tiger Tom Swiftly of 'Life of Pie Hole, ' Cursing Fain of 'The Libertarian: Requesting a Spear, ' and many more.