The Horrors Of Andersonville

The Confederate prison known as Andersonville existed for only the last fourteen months of the Civil War―but its well-documented legacy of horror has lived on in the diaries of its prisoners and the transcripts of the trial of its commandant. The diaries describe appalling conditions in which vermin-infested men were crowded into an open stockade with a single befouled stream as their water source. Food was scarce and medical supplies virtually nonexistent. The bodies of those who did not survive the night had to be cleared away each morning. Designed to house 10,000 Yankee prisoners, Andersonville held 32,000 during August 1864. Nearly a third of the 45,000 prisoners who passed through the camp perished. Exposure, starvation, and disease were the main causes, but excessively harsh penal practices and even violence among themselves contributed to the unprecedented death rate. At the end of the war, outraged Northerners demanded retribution for such travesties, and they received it in the form of the trial and subsequent hanging of Captain Henry Wirz, the prison’s commandant. The trial was the subject of legal controversy for decades afterward, as many people felt justice was ignored in order to appease the Northerners’ moral outrage over the horrors of Andersonville. The story of Andersonville is a complex one involving politics, intrigue, mismanagement, unfortunate timing, and, of course, people - both good and bad. Relying heavily on first-person reports and legal documents, author Catherine Gourley gives us a fascinating look into one of the most painful incidents of U.S. history.

In February 1864, five hundred Union prisoners of war arrived at the Confederate stockade at Anderson Station, Georgia. Andersonville, as it was later known, would become legendary for its brutality and mistreatment, with the highest mortality rate--over 30 percent--of any Civil War prison. Fourteen months later, 32,000 men were imprisoned there. Most of the prisoners suffered greatly because of poor organization, meager supplies, the Federal government’s refusal to exchange prisoners, and the cruelty of men supporting a government engaged in a losing battle for survival. Who was responsible for allowing so much squalor, mismanagement, and waste at Andersonville? Looking for an answer, Ovid Futch cuts through charges and countercharges that have made the camp a subject of bitter controversy. He examines diaries and firsthand accounts of prisoners, guards, and officers, and both Confederate and Federal government records (including the transcript of the trial of Capt. Henry Wirz, the alleged "fiend of Andersonville"). First published in 1968, this groundbreaking volume has never gone out of print.

Excerpt from The Horrors of Andersonville Rebel Prison There are many reasons why the atrocities of Anderson ville Prison should never be forgotten. And yet I would not have revived them had Mr. Davis kept silent, and had he not defiantly challenged the verity of the proofs upon which popular opinion was founded at the close of the war. Since then nearly thirty millions have been added to our population. Many of these persons have passed into manhood and womanhood since the stirring events of 1861, while many others have come into our country from abroad; and most of this large body of citizens must form their opinion of the rebellion from historical study of that period. The tragedy of Andersonville, as one phase of the rebellion, must not be distorted, nor must it be overlooked in any study of the spirit that accompanied the rebellion. Happily for the truth of history this one of the many rebel prisons was laid bare by judicial investigation, and that inquest was so full and the character of the proofs so indisputable that the faithful historian need never hesitate in portraying the suffering of Union soldiers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This study argues that the image of Union prison officials as negligent and cruel to Confederate prisoners is severely flawed. It explains how Confederate prisoners' suffering and death were due to a number of factors, but it would seem that Yankee apathy and malice were rarely among them.

Readers of Stephen King and Joe Hill will devour this bold, terrifying new novel from Edward M. Erdelac. A mysterious man posing as a Union soldier risks everything to enter the Civil War’s deadliest prison—only to find a horror beyond human reckoning. Georgia, 1864. Camp Sumter, aka Andersonville, has earned a reputation as an open sewer of sadistic cruelty and terror where death may come at any minute. But as the Union prisoners of war pray for escape, cursing the fate that spared them a quicker end, one man makes his way into the camp purposefully. Barclay Lourdes has a mission—and a secret. But right now his objective is merely to survive the hellish camp. The slightest misstep summons the full fury of the autocratic commander, Captain Wirz, and the brutal Sergeant Turner. Meanwhile, a band of shiftless thieves and criminals known as the “Raiders” preys upon their fellow prisoners. Barclay soon finds that Andersonville is even less welcoming to a black man—especially when that man is not who he claims to be. Little does he imagine that he’s about to encounter supernatural terrors beyond his wildest dreams . . . or nightmares. Praise for Andersonville “Erdelac makes a heady brew out of dreadful true events, angel and demon lore, secret societies, and the trappings of Southern gothic novels. This is thoughtful horror at its best, and not at all for the faint of heart.”—Publishers Weekly (starred review) “The true story of Andersonville is one of unimaginable horror and human misery. It’s a testament to his unmatched skill as a storyteller that Edward M. Erdelac is not only able to capture that horror but to add another level of supernatural terror and reveal that the darkest evil of all resides in the human soul. Highly recommended to fans of horror and history alike.”—Brett J. Talley, Bram Stoker Award–nominated author of That Which Should Not Be and He Who Walks in Shadow “Andersonville is a raw, groundbreaking supernatural knuckle-punch. Erdelac absolutely owns Civil War and Wild West horror fiction.”—Weston Ochse, bestselling author of SEAL Team 666 “Edward M. Erdelac is a master of historical reinvention. In Andersonville, he peels away the façade of history to reveal the horror and sacrifices that led to the end of the Civil War. Clandestine operations, mystical battles waged unseen, and unlikely heroes combine to save a nation, not only from itself but from the demonic forces threatening to tear the whole of existence asunder. Forget what you know about the War Between the States, this is the story we should have been taught.”—Tim Marquitz, author of the Demon Squad series “If you took a tale of atmospheric horror by Ambrose Bierce and infused it with the energy of Elmore Leonard, you would come close to what Edward Erdelac has accomplished with Andersonville. But even that combination would sell the novel short. What Erdelac has done is not just splice genres together but create his own voice in telling of the horrors, real and supernatural, inhabiting the most infamous prison camp of the Civil War. This is U.S. history seen through the eyes of the tortured dead, told with amazing skill by an author who knows how to create genre literature with a purpose.”—C. Courtney Joyner, author of Shotgun and Nemo Rising “Andersonville definitely stands out . . . with its nuanced language, complicated characters, engrossing narrative, and subtle commentary on the past and the present.”—LitReactor