The Hour Of Our Death

An “absolutely magnificent” book (The New Republic)—the fruit of almost two decades of study—that traces the changes in Western attitudes toward death and dying from the earliest Christian times to the present day. A truly landmark study, The Hour of Our Death reveals a pattern of gradually developing evolutionary stages in our perceptions of life in relation to death, each stage representing a virtual redefinition of human nature. Starting at the very foundations of Western culture, the eminent historian Phillipe Ariès shows how, from Graeco-Roman times through the first ten centuries of the Common Era, death was too common to be frightening; each life was quietly subordinated to the community, which paid its respects and then moved on. Ariès identifies the first major shift in attitude with the turn of the eleventh century when a sense of individuality began to rise and with it, profound consequences: death no longer meant merely the weakening of community, but rather the destruction of self. Hence the growing fear of the afterlife, new conceptions of the Last Judgment, and the first attempts (by Masses and other rituals) to guarantee a better life in the next world. In the 1500s attention shifted from the demise of the self to that of the loved one (as family supplants community), and by the nineteenth century death comes to be viewed as simply a staging post toward reunion in the hereafter. Finally, Ariès shows why death has become such an unendurable truth in our own century—how it has been nearly banished from our daily lives—and points out what may be done to “re-tame” this secret terror. The richness of Ariès's source material and investigative work is breathtaking. While exploring everything from churches, religious rituals, and graveyards (with their often macabre headstones and monuments), to wills and testaments, love letters, literature, paintings, diaries, town plans, crime and sanitation reports, and grave robbing complaints, Aries ranges across Europe to Russia on the one hand and to England and America on the other. As he sorts out the tangled mysteries of our accumulated terrors and beliefs, we come to understand the history—indeed the pathology—of our intellectual and psychological tensions in the face of death.

A moving exploration of families facing death, in the voices of those affected in one rural corner of Portugal.

AriA]s traces Western man's attitudes toward mortality from the early medieval conception of death as the familiar collective destiny of the human race to the modern tendency, so pronounced in industrial societies, to hide death as if it were an embarrassing family secret. -- Newsweek

"What do we know about immortality? We can be certain that the body does not survive death. Once the heart stops circulating blood, the brain is no longer nourished and begins to decay. On the basis of medical evidence it would seem that, within a quarter of an hour, the personality is irreparably destroyed and the individual ceases to exist. But now there is mounting scientific evidene for a life after death. This book is the product of extensive interviews of over 1,000 doctors and nurses who have been present when cases of 'postmortem existence' have occurred. Extensive computer analyses of their observations have been made. The results are reported in this first truly scientific investigation of the experiences of the dying at the hour of death. What these doctors and nurses have witnessed cannot be explained away by medical, psychological, cultural, or other conditioning. Yet it may answer the fundamental question of human existence -- is there life after death?"--back cover.

The acclaimed science author’s illustrated exploration of death from ancient burial practices to the latest theories of immortality, resurrection and more. Throughout history, the nature and mystery of death has captivated artists, scientists, philosophers, physicians, and theologians. This eerie chronology ventures right to the borderlines of science and sheds light into the darkness. Here, topics as wide ranging as the Maya death gods, golems, and séances sit side by side with entries on zombies and quantum immortality. With the turn of every page, readers will encounter beautiful artwork, along with unexpected insights about death and what may lie beyond.

The ultimate death compendium, featuring the world’s most extraordinary artistic objects concerned with mortality, together with text by expert contributors Death is an inevitable fact of life. Throughout the centuries, humanity has sought to understand this sobering thought through art and ritual. The theme of memento mori informs medieval Danse Macabre, the Tibetan Book of the Dead, Renaissance paintings of dissected corpses and “anatomical Eves,” Gothic literature, funeral effigies, Halloween, and paintings of the Last Judgment. Deceased ancestors are celebrated in the Mexican Day of the Dead, while the ancient Egyptians mummified their dead to secure their afterlife. A volume of unprecedented breadth and sinister beauty, Death: A Graveside Companion examines a staggering range of cultural attitudes toward death. The book is organized into themed chapters: The Art of Dying, Examining the Dead, Memorializing the Dead, The Personification of Death, Symbolizing Death, Death as Amusement, and The Dead After Life. Each chapter begins with thought-provoking articles by curators, academics, and journalists followed by gallery spreads presenting a breathtaking variety of death-related imagery and artifacts. From skulls to the dance of death, statuettes to ex libris, memento mori to memorabilia, the majority of the images are of artifacts in the astonishing collection of Richard Harris and range from 2000 BCE to the present day, running the gamut of both high and popular culture. Table of Contents 1. The Art of Dying 2. Examining the Dead 3. Memorializing the Dead 4. The Personification of Death 5. Symbolizing Death 6. Death as Amusement 7. The Dead After Life Essays: Death in Ancient and Present-Day Mexico, Eva Aridjis,The Power of Hair as Human Relic in Mourning Jewelry - Karen Bachmann, Medusa and the Power of the Severed Head, Laetitia Barbier, Anatomical Expressionism, Eleanor Crook, Poe and the Pathological Sublime, Mark Dery, Eros and Thanatos, Lisa Downing, Death-Themed Amusements, Joanna Ebenstein, The Nutshell Studies of Unexplained Death, Bruce Goldfarb, Theatre, Death and the Grand Guignol, Mel Gordon, Holy Spiritualism, Elizabeth Harper, Playing dead – A Gruesome Form of Amusement, Mervyn Heard, The Anatomy of Holy Transformation, Liselotte Hermes da Fonseca, Collecting Death, Evan Michelson, Art and Afterlife: Ethel le Rossignol and Georgiana Houghton, Mark Pilkington, The Dance of Death, Kevin Pyle, Art, Science and the Changing Conventions of Anatomical Representation, Michael Sappol, Spiritualism and Photography, Shannon Taggart, Playing with Dead Faces, John Troyer, Anatomy Embellished in the Cabinet of Frederik Ruysch, Bert van de Roemer

As Catholics, we believe in the resurrection of the body. We profess it in our creed. We're taught that to bury and pray for the dead are corporal and spiritual works of mercy. We honor the dead in our Liturgy through the Rite of Christian burial. We do all of this, and more, because when Jesus Christ took on flesh for the salvation of our souls he also bestowed great dignity on our bodies. In Hope to Die: The Christian Meaning of Death and the Resurrection of the Body, Scott Hahn explores the significance of death and burial from a Catholic perspective. The promise of the bodily resurrection brings into focus the need for the dignified care of our bodies at the hour of death. Unpacking both Scripture and Catholic teaching, Hope to Die reminds us that we are destined for glorification on the last day. Our bodies have been made by a God who loves us. Even in death, those bodies point to the mystery of our salvation.

In this enduring classic, cultural historian Philippe Ariès brings death out of the shadows and into history's mainstream. He explores how over the last millennium the response to death and dying has changed dramatically in Europe, Western Russia, and America, sometimes initiating, sometimes reflecting social shifts and progress. Under Ariès's incisive scrutiny, Church observances, pilgrimage and penance, and folk beliefs spring into high relief. Archaic funeral ceremonies, the architecture of tombs, and images of the deceased in stone or paint regain often lost meanings; the liber vitae, the artes moriendi, and the danse macabre are stripped of mystery, and their purpose and power made plain. Through a rich array of journals and letters from all periods and classes, as well as religious and secular literature from Dante to Tolstoy and Twain, Aries demonstrates society's concern for reassurance against the finality of death and the individual's search for consolation. Ariès brilliantly analyzes death in the contemporary world in which the hospital, suburban chapel, and crematorium have replaced the bedside, priest, and wake. As his richly documented, finely illustrated, and engagingly written masterpiece confirms, death and dying have inspired much of the literature of--and art that forms--our cultural heritage.--From publisher description.