The House In Marsh Road

When Arthur meets the lovely but evil Valerie Stockley, after he and his new wife move into the house his wife has inherited, he soon becomes possessed by a force he cannot fight. Alongside Valerie, lust, greed and weakness led him deeper into depravity until he is finally committed to murder. But the house is strangely haunted - things move of their own accord, curtains draw themselves, and bells ring. As the murder plot thickens, Arthur is forced to face the power which occupies the house - and by now there is no going back ...

There has been a tremendous amount of renewed interest in the output of Britain’s Hammer Films. But there remain a great number of worthwhile British horror films, made at the same time by other companies, that have received little attention. The author provides a comprehensive listing of British horror films—including science fiction, fantasy, and suspense films containing horror-genre elements—that were released between 1956 and 1976, the “Golden Age” of British horror. Entries are listed alphabetically by original British title, from Vincent Price in The Abominable Dr. Phibes (1971) to Zeta One (1969). Entries also include American title, release information, a critique of the film, and the film’s video availability. The book is filled with photographs and contains interviews with four key figures: Max J. Rosenberg, cofounder of Amicus Productions, one of the period’s major studios; Louis M. Heyward, former writer, film executive and producer; Aida Young, film and television producer; and Gordon Hessler, director of such films as The Oblong Box and Murders in the Rue Morgue.

Meet Piotr, Minnie, Andrew, Flora and Sylvie – true friends and even better mystery-solvers! Hollywood sensation, Betty Massino, has come to star in the theatre down the road and Piotr and his friends Andrew and Minnie couldn't be more excited! But when the famous actress's hugely expensive diamond necklace goes missing, Piotr's dad, a security guard at the theatre, is a prime suspect. Soon, Piotr faces the very real threat of being sent 'home' to Poland. With the help of Sylvie and her twin sister Flora, can Piotr, Andrew and Minnie solve the crime or will they lose Piotr forever? The first in a fantastic new series filled with friendship, adventure and mystery! Perfect for fans of Lauren St John, this is THE new mystery adventure series by Waterstones Book Prize shortlisted author Elen Caldecott.

Film Noir and the Cinema of Paranoia is an overview of 20th- and 21st-century noir and fatalist film practice from 1945 onwards. The book demonstrates the ways in which American cinema has inculcated a climate of fear in our daily lives, as reinforced, starting in the 1950s, by television, and later videocassettes, the web, and the Internet, to create, by the early 21st century a hypersurveillant atmosphere in which no one can avoid the barrage of images that continually assault our senses. The book begins with the return of American soldiers from World War II, 'liberated' from war in the Pacific by the newly created atomic bomb, which will come to rule American consciousness through much of the 1950s and 1960s and then, in a newer, more small-scale way, become a fixture of terrorist hardware in the post-paranoid ear of the 21st century. Film Noir and the Cinema of Paranoia is constructed in six chapters, each highlighting a particular 'raising of the cinematic stakes' in the creation of a completely immersible universe of images. Selling points:*Expands the definition of noir to include numerous lesser known works.*Deals with Red Scare films of the 1950s in the US.*Examines the 'dark side' of the 1960s, or films that questioned the emerging counterculture.*Explores such neo-noir films as The Last Seduction (1993), Angel Heart (1987), The Grifters (1990), Red Rock West (1993), The Usual Suspects (1995), Mulholland Drive (2001), L.A. Confidential (1997), and Memento (2000).*Details the 'noir' aspects of the cybernetic age, both in online and videogame uses.