The House Of Death

Toby’s life was perfectly normal… until it was unravelled by something as simple as a blood test. Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium. No one returns from the sanatorium. Living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes. Because everybody dies. It’s how you choose to live that counts.

Sister Fidelma returns in the thirty-second Celtic mystery by Peter Tremayne. Ireland. AD 672. The Feast of Beltaine is approaching and the seven senior princes of the kingdom of Muman are gathering at Cashel to discuss King Colgu's policies. Just days before the council meets, Brother Conchobhar, the keeper of the sacred sword, is found murdered. Sister Fidelma and her brother Colgú fear that the killer had been trying to steal the sword that symbolises the King's authority to rule. And as rumours begin to spread of an attempt to overthrow Colgú, news reaches Cashel that a plague ship has landed at a nearby port, bringing the deadly pestilence to its shores. Amid fear and panic, Fidelma, Eadulf and Enda must work together to catch a killer as the death toll starts to mount . . .

A mysterious incident in Nepal. A dead body on the beaches of Puri. A murder in an abandoned house. The search for a valuable scroll leads Feluda and his friends to a strange cast of characters, and perhaps the most chilling case Feluda has ever been faced with. For among D.G. Sen, the collector of scrolls, his son Mahim, his secretary Nishith, the wildlife photographer Bilas Majumdar and the astrologer Laxman Bhattacharya, there is a cold-blooded criminal, and he must be stopped before it is too late. Feluda's twelve greatest adventures are now available in special Puffin editions. Translated from the Bengali by Gopa Majumdar.

A crime of passion brought to life by multi-million copy and SUNDAY TIMES bestselling author Ruth Rendell. Fans of PD James, Ann Cleeves and Donna Leon will love this dark and achingly absorbing thriller... 'Psychologically acute and extremely disturbing, Ruth Rendell's work is outstanding' -- The Times 'Ruth Rendell's books are not only whodunits but whydunits, uncovering the motive roots of murder' -- Mail on Sunday 'Do not read before bedtime as you will want to finish it and will go to bed far too late!' -- ***** Reader review 'An entertaining, fast paced read' -- ***** Reader review 'I just couldn't put it down'-- ***** Reader review 'I was totally enthralled by this from start to finish'-- ***** Reader review ******************************************************************************************* It was his third visit to the gloomy house on Orchard Drive. Each time, he parked in the same place. Each time, he carried a briefcase. And each time, Louise North greeted him at the door. Susan Townsend was the only resident with no interest in the affair going on next door, or in the neighbourhood gossip about it. Yet it was Susan who found the murdered bodies of the lovers, locked not in passion, but in death. And it was Susan whose own life would be imperilled by a monstrous crime far beyond the imaginings of the vilest gossiping tongues...

Originally published in 1986. In The House of Death, Arnold Stein studies the ways in which English poets of the sixteenth and seventeenth centuries imagined their own ends and wrote of the deaths of those they loved or wished to honor. Drawing on a wide range of texts in both poetry and prose, Stein examines the representations, images, and figurative meanings of death from antiquity to the Renaissance. A major premise of the book is that commonplaces, conventions, and the established rules for thinking about death did not prevent writers from discovering the distinctive in it. Eloquent readings of Raleigh, Donne, Herbert, and others capture the poets approaching their own death or confronting the death of others. Marvell's lines on the execution of Charles are paired with his treatment of the dead body of Cromwell; Henry King and John Donne both write of their late wives; Ben Jonson mourns the death of a first son and a first daughter. For purposes of comparison, the governing perspective of the final chapter is modern.

When Lila Fowler meets a dashing young medical student, she thinks she's found Mr. Right. But he's only after her money--and he'll do anything to get his hands on it. He plays with Lila's head, convincing her she needs psychological help--but he's the one with a twisted mind. Now Lila's on the brink of destruction. Will she turn in her fur coat for a straightjacket?

Throwing on an almost convincing French accent, Tommy is determined to act the Great Detective Hanaud to his and Tuppence’s latest, lovely client. Miss Hargreaves has recently received a box of chocolates from nobody knows who, and, due to her dislike of chocolates, was the only one to not fall afoul of the arsenic-spiked treats. But, Miss Hargreaves is not the first recipient of such a gift; three other large country houses have received arsenic-laced chocolates. Miss Hargreaves is holding something back, and Tommy and Tuppence must take up residence at her house to discover the true culprit. But will they find out the truth in time?