The House Of War And Witness

“A fantastical ghost story and a suspenseful military mystery . . . A daringly original fantasy novel” from the acclaimed authors of The Steel Seraglio (Publishers Weekly, starred review). In 1740, an Austrian infantry company more than two hundred strong arrives at the Prussian border. Their orders: to defend the town of Narutsin when war—inevitably—breaks out. But they don’t get the warm welcome they’re expecting. If anything, the locals seem strangely secretive, and the soldiers who previously garrisoned in the village have disappeared. Fearing the villagers may be consorting with the enemy, the commander orders his prim young lieutenant Klaes to investigate . . . On the outskirts of town, in a dilapidated manor known as Pokoj, the road-weary soldiers make their home for the winter. Accompanying them is Drozde, a camp follower and entertainer who possesses a very special talent: she can see and communicate with the dead. She’s the only one who knows that the crumbling mansion is far from empty. It’s teeming with ghosts—and they know her. Each spirit tells Drozde how they became a part of Pokoj’s sprawling history, hinting at its future as well as its past. As she listens to their tales, it becomes apparent that the story of the manor hasn’t yet ended—and that she and Klaes have their own parts to play in the horror that is to come . . . “All of the characters come alive on the pages—even the ghosts. . . . A compelling, accomplished novel.” —Strange Horizons “Delightfully odd . . . Subtle horror and extra special creepiness . . . A fine example of what the Careys are capable of.” —Starburst

In the year 1740, with the whole of Europe balanced on the brink of war, a company of Austrian soldiers is sent to the village of Narutsin to defend the border with Prussia. But what should be a routine posting is quickly revealed to be anything but. The previous garrison is gone, the great house of Pokoj, where they're to be billeted, a dilapidated ruin, and the people of Narutsin sullen and belligerent. Convinced the villagers are keeping secrets - and possibly consorting with the enemy - the commanding officer orders his junior lieutenant, Klaes, to investigate. While Klaes sifts through the villagers' truths, half-truths and lies, Drozde, the quartermaster's woman, is making uncomfortable discoveries of her own - about herself, her man, and the house where they've all been thrown together. Because far from being the empty shell it appears to be, Pokoj is actually teeming with people. It's just that they're all dead. And the dead know things - about Drozde, about the history of Pokoj, and about the terrible event that is rushing towards them all, seemingly unstoppable. The ghosts of Pokoj, the soldiers of the empress and the villagers of Narutsin are about to find themselves actors in a story that has been unfolding for centuries. It will end in blood - that much is written - but how much blood will depend on Klaes' honour, Drozde's skill and courage, and the keeping of an impossible promise...

Autumn 1945 saw the start of the Nuremberg trials, in which high ranking representatives of the Nazi government were called to account for their war crimes. In a curious yet fascinating twist, witnesses for the prosecution and the defense were housed together in a villa on the outskirts of town. In this so-called Witness House, perpetrators and victims confronted each other in a microcosm that reflected the events of the high court. Presiding over the affair was the beautiful Countess Ingeborg Kálnoky (a woman so blond and enticing that she was described as a Jean Harlowe look-alike) who took great pride in her ability to keep the household civil and the communal dinners pleasant. A comedy of manners arose among the guests as the urge to continue battle was checked by a sudden and uncomfortable return to civilized life. The trial atmosphere extends to the small group in the villa. Agitated victims confront and avoid perpetrators and sympathizers, and high-ranking officers in the German armed forces struggle to keep their composure. This highly explosive mixture is seasoned with vivid, often humorous, anecdotes of those who had basked in the glory of the inner circles of power. Christiane Kohl focuses on the guilty, the sympathizers, the undecided, and those who always manage to make themselves fit in. The Witness House reveals the social structures that allowed a cruel and unjust regime to flourish and serves as a symbol of the blurred boundaries between accuser and accused that would come to form the basis of postwar Germany.

“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post

The son of a fighter pilot, raised in an air force barracks, Ahmed Aboul Gheit was privy to the confidential meetings, undisclosed memoranda, and battle secrets of Egyptian diplomacy for many decades. After a stint at military college, he began his career at the Egyptian embassy in Cyprus before later going on to become permanent representative to the United Nations and eventually, Egypt’s minister of foreign affairs under Hosni Mubarak. In this fascinating memoir, Aboul Gheit looks back on the 1973 October War and the diplomatic efforts that followed it, revealing the secrets of his long career for the first time. In vivid detail he describes the deliberations of Egypt’s political leadership in the run-up to the war, including the process of articulating Egypt’s war aims, the secret communications between President Sadat and U.S. Secretary of State Henry Kissinger, the role of the Soviet Union during the war, and the unfolding of events on the battlefront in Sinai. He then gives a detailed and deeply personal account of the arduous process of peacemaking that followed, covering the 1973 Geneva Conference, the 1977 Mena House Conference, Sadat’s visit to Israel, the 1978 Camp David Accords, and the subsequent 1979 Egyptian–Israeli Peace Treaty. From Sadat’s impassioned address to his cabinet on the eve of the war to delegations ripping out the wiring at their respective hotels, from Jimmy Carter cycling through the bungalows at Camp David to Yitzhak Shamir’s blunt admissions to his Arab counterparts in the 1991 Madrid conference, Aboul Gheit offers an information-packed, first-person account of a turbulent time in Middle Eastern history.

The early 1990s saw Europes first conflict for almost 40 years when bitter fighting broke out in the former Yugoslav republic. Colonel Colm Doyle of the Irish Army found himself in the midst of this appalling civil war when in October 1991 he became first a European Community Monitor and almost immediately Head of the Monitor Mission in besieged Sarajevo. After six months he was appointed Personal Representative to Lord Carrington, Chairman of the Peace Conference on Yugoslavia.In this overdue memoir, he describes his role mediating, negotiating and persuading political and military leaders of all sides to halt the seemingly inexorable path to all-out war. He arranged ceasefires, visited prisoner-of-war camps, extricated election monitors and organised hostage releases. His experiences made him a key witness at the International Criminal Tribunal in The Hague at the trials of Milosevic, Mladic and Karadzic.With his unprecedented access, Doyles personal account can claim to be one of the most significant works on the brutal Bosnian War.

An analysis of the Pentagon, the military, and their vast, frequently hidden influence on American life argues that the Pentagon has, since its inception, operated beyond the control of any force in government or society.

For four bloody years, the Civil War ravaged America. Those at home could only imagine the sights and events overtaking their husbands and sons, fathers and brothers who were under arms. Frank Leslie's Illustrated Newspaper was a primary source of information during those dark days. The reporters and artists who traveled with the armies were eyewitnesses to events, great and small, for their captivated readers. Sometimes the news was sensational. At other times it was tragic. But it was always eagerly sought after. Here are the accounts, in pictures and stories, of those first wartime journalists. Here are their reports from the front lines. Here is the Civil War's news as originally presented to loved ones at home. Here you will find images of the battles, the leaders, the camp life, and of the soldiers who gave their all for North and South. In your hands you hold the testimony of those who were Witness to the Civil War.