The Houseguest And Other Stories

The first collection in English of an endlessly surprising, master storyteller Like those of Kafka, Poe, Leonora Carrington, or Shirley Jackson, Amparo Dávila’s stories are terrifying, mesmerizing, and expertly crafted—you’ll finish each one gasping for air. With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

Presents a collection of short works featuring sympathetic protagonists whose inherent sensitivities render them particularly vulnerable to unexpected events.

An "evocative" historical novel set on the eve of America's involvement in World War II that follows a Russian immigrant family who agree to take in a dazzling Jewish actress to save her from the atrocities raging through Europe (The New York Times). It is the summer of 1941 and Abe Auer, a Russian immigrant and small–town junkyard owner, has become disenchanted with his life. So when his friend Max Hoffman, a local rabbi with a dark past, asks Abe to take in a European refugee, he agrees, unaware that the woman coming to live with him is a volatile and alluring actress named Ana Beidler. Ana regales the Auer family with tales of her lost stardom and charms and mystifies Abe with her glamour and unabashed sexuality, forcing him to confront his own desire as well as the ghost of his dead brother. As news filters out of Europe, American Jews struggle to make sense of the atrocities. Some want to bury their heads in the sand while others want to create a Jewish army that would fight Hitler and promote bold, wide–spread rescue initiatives. And when a popular Manhattan synagogue is burned to the ground, our characters begin to feel the drumbeat of war is marching ever closer to home. Set on the eve of America's involvement in World War II, The Houseguest examines a little–known aspect of the war and highlights the network of organizations seeking to help Jews abroad, just as masses of people seeking to escape Europe are turned away from American shores. It moves seamlessly from the Yiddish theaters of Second Avenue to the junkyards of Utica to the covert world of political activists, Jewish immigrants, and the stars and discontents of New York's Yiddish stage. Ultimately, The Houseguest is a moving story about identity, family, and the decisions that define who we will become.

The earl she loved to hate …until she stayed in his mansion! Sophie Gilbert has thwarted the standoffish new earl’s plans to sell his country estate and the quaint village that forms part of it. But when disaster strikes and he offers her refuge, she must reconsider everything about this vexing, determined man. After the heartbreak in her past, it’s a revelation to feel her pulse racing and her body yearning for his touch… From Harlequin Historical: Your romantic escape to the past. A Very Village Scandal Where love can be found at every turn Book 1: The Earl's Inconvenient Houseguest

ELLA HUNTER never thought she'd be a mail-order bride. But when she sees a photo in the Marriage Gazette of the man she believes killed her brother, Ella agrees to marry the Civil War soldier turned cowboy. Prepared to confront a cold-hearted killer then return home, she finds all her expectations dashed when her intended husband appears to be a good man. Ella's loyalties are torn between honoring the memories of her family and her undeniable attraction to Ty Haven. TY HAVEN needs a wife. The ranch he runs in the wilds of Wyoming Territory could use a woman's influence. Frankly, so could he. So when Ella arrives like a gift tied up in a cornflower-blue hair ribbon, more intelligent, practical, and, yes, beautiful, than he could have imagined, he hopes she will give him and the West a chance. Turns out, he doesn't just need a wife. He needs Ella. But she has a secret, and it might destroy their marriage almost before it's begun. Can the unforgivable be forgiven? What will the cowboy do when he learns why...The Mail-Order Bride Carries a Gun?

Chuck Burgoyne is no ordinary houseguest. The Graveses (father Doug; wife Audrey; son Bobby; and daughter-in-law Lydia) have gotten used to his polite manners and gourmet breakfasts. But one morning at the Graveses' summer home, Chuck fails to appear. When Chuck finally does surface, he is no longer sweet and charming, but rather has become aggressive and arrogant, abusing each family member in turn. Each family member that is, except the fellow outsider, Lydia. Once Chuck rescues her from the dangerous undertow of the ocean, Lydia can't help but feel obligated to him, even after his uninvited advances to her while she's half asleep. Slowly it becomes apparent to the family that Chuck isn't anyone's guest but rather a perfect stranger who wormed his way into their home. Yet the Graveses are so concerned with not offending him by being impolite that they willingly accept the abuse he freely dishes out. In private, however, they all scheme for his undoing. But will anyone muster up the courage? An eerie and clever novel, "The Houseguest" introduces one of Berger's most dangerous and compelling villains.

A poetry compilation recounting a woman’s journey from self-loathing to self-acceptance, confusion to clarity, and bitterness to forgiveness Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha RoÌ?isiÌ?n’s poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between RoÌ?isiÌ?n and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

Celebrated Ecuadorian author Gabriela Alemán's first work to appear in English: a noir, feminist eco-thriller in which venally corrupt politicians and greedy land speculators finally get their just comeuppance! "In the squalid settlement of Poso Wells, women have been regularly disappearing, but the authorities have shown little interest. When the leading presidential candidate comes to town, he and his entourage are electrocuted in a macabre accident witnessed by a throng of astonished spectators. The sole survivor—next in line for the presidency—inexplicably disappears from sight. Gustavo Varas, a principled journalist, picks up the trail, which leads him into a violent, lawless underworld. Bella Altamirano, a fearless local, is on her own crusade to pierce the settlement's code of silence, ignoring repeated death threats. It turns out that the disappearance of the candidate and those of the women are intimately connected, and not just to a local crime wave, but to a multinational magnate's plan to plunder the country's cloud forest preserve. Praise for Poso Wells: "The story is a condemnation not only of the corrupt businessmen and the criminal gangs that rule Poso Wells but also of the violence against women that plagues Latin America's real slums."—The New Yorker "One part Thomas Pynchon, one part Gabriel García Marquez, and one part Raymond Chandler, Alemán’s novel contains mystery, horror, humor, absurdity, and political commentary … A concoction of political thriller and absurdist literary mystery that never fails to entertain."—Kirkus Reviews "A wild, successful satire of Ecuadorian politics and supernatural encounters. … Alemán’s singular voice keeps the ride fresh and satisfying."—Publishers Weekly "Poso Wells is ironic, audacious, and fierce. But what is it, exactly? A satire? A scifi novel? A political detective yarn? Or the purest reality of contemporary Latin America. It's unclassifiable—as all great books are."—Samanta Schweblin, author of Fever Dream "Poso Wells is brilliant, audacious, doubtlessly playful and at the same time so dark and bitter. A truly unforgettable book."—Alejandro Zambra, author of Multiple Choice