The Hurt Locker

One of the most critically acclaimed war films in recent memory, The Hurt Locker is a riveting, extraordinary tale of courage and survival on the Baghdad bomb squad, directed by Kathryn Bigelow, from a script by Mark Boal, who researched the material by traveling to the war in Iraq. Boal's screenplay follows the layered, complex relationship between three soldiers who are thrown together in the crucible of combat—with only 38 days left in their tour. Starring Jeremy Renner, Anthony Mackie, Brian Geraghty, and Evangeline Lilly, with Guy Pearce, Ralph Fiennes, and David Morse. This Newmarket Shooting Script® Book includes: Exclusive Introduction by Kathyrn Bigelow Complete shooting script 16-page color insert with 23 color photos Production Notes Storyboards Complete cast and crew credits

A first-person account of the Iraq War by a solider-poet, winner of the 2005 Beatrice Hawley Award. Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James’ own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner’s yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but, remarkably, leave the reader to draw conclusions or moral lessons. Here, Bullet is a must-read for anyone who cares about the war, regardless of political affiliation.

“Better and more comprehensive than any prior account. . . . Those of us who lived through those days will find the book cathartic; those rising generations who were too young to remember 9/11, or who weren’t yet born, will find it revelatory.” — John Farmer, senior counsel to the 9/11 Commission and author of The Ground Truth “With his rigorous research and moral clarity, Mitchell Zuckoff has provided us with an invaluable service. He has deepened our understanding of what happened on 9/11 and recorded the voices of the victims and the survivors. What’s more, he has ensured that we never forget.” —David Grann, #1 New York Times bestselling author of Killers of the Flower Moon Years in the making, this spellbinding, heartbreaking, and ultimately uplifting narrative is an unforgettable portrait of 9/11. This is a 9/11 book like no other. Masterfully weaving together multiple strands of the events in New York, at the Pentagon, and in Shanksville, Pennsylvania, Fall and Rise is a mesmerizing, minute-by-minute account of that terrible day. In the days and months after 9/11, Mitchell Zuckoff, then a reporter for the Boston Globe, wrote about the attacks, the victims, and their families. After further years of meticulous reporting, Zuckoff has filled Fall and Rise with voices of the lost and the saved. The result is an utterly gripping book, filled with intimate stories of people most affected by the events of that sunny Tuesday in September: an out-of-work actor stuck in an elevator in the North Tower of the World Trade Center; the heroes aboard Flight 93 deciding to take action; a veteran trapped in the inferno in the Pentagon; the fire chief among the first on the scene in sleepy Shanksville; a team of firefighters racing to save an injured woman and themselves; and the men, women, and children flying across country to see loved ones or for work who suddenly faced terrorists bent on murder. Fall and Rise will open new avenues of understanding for everyone who thinks they know the story of 9/11, bringing to life—and in some cases, bringing back to life—the extraordinary ordinary people who experienced the worst day in modern American history. Destined to be a classic, Fall and Rise will move, shock, inspire, and fill hearts with love and admiration for the human spirit as it triumphs in the face of horrifying events.

"War is a drug. Nobody knows that better than Staff Sergeant James, head of an elite squad of soldiers tasked with disarming bombs in the heat of combat. To do this nerve shredding job, it's not enough to be the best: you have to thrive in a zone where the margin of error is zero, think as diabolically as a bomb maker, and somehow survive with your body and soul intact." -- Container. | Production designer, Karl Juliusson; Costume designer, George Little; Director of photography, Barry Ackroyd; Sound designer, Paul N.J. Ottosson. | Performed by Jeremy Renner, Anthony Mackie, Brian Geraghty, Evangeline Lilly with Ralph Fiennes, David Morse and Guy Pearce. | Special features: Audio commentary with director Kathryn Bigelow and writer Mark Boal; 'The hurt locker: behind the scenes' | Winner 6 Academy Awards 2009 including Best Picture, Best Director, Best Original Screenplay. | Rated R16: restricted to persons 16 years and over. Note: violence, offensive language and content that may disturb. | In English with optional English subtitles for the hearing impaired and English audio descriptive dialogue for people with visual disabilities. | Region 4, PAL; Widescreen.

Interviews with the Oscar-winning director of The Hurt Locker and many other films

In this vibrant and dynamic book-length study drawing on a broad tapestry of research, Terence McSweeney offers an exploration of The Hurt Locker (2009), its stylistic and narrative devices, its cultural impact, its reception, and its relationship to the genre of the war film. McSweeney places the film in a richly textured historical, political, and industrial context, arguing that The Hurt Locker is part of a long tradition of films about American wars that play a considerable role in how audiences come to understand the conflicts that they depict. Thus, films about a nation’s wars are never “only a movie” but rather should be considered a cultural battleground themselves on which a war of representation is waged.

In this vibrant and dynamic book-length study drawing on a broad tapestry of research, Terence McSweeney offers an exploration of The Hurt Locker (2009), its stylistic and narrative devices, its cultural impact, its reception, and its relationship to the genre of the war film. McSweeney places the film in a richly textured historical, political, and industrial context, arguing that The Hurt Locker is part of a long tradition of films about American wars that play a considerable role in how audiences come to understand the conflicts that they depict. Thus, films about a nation’s wars are never “only a movie” but rather should be considered a cultural battleground themselves on which a war of representation is waged.