The Iberian Peninsula Between 300 And 850

"The vast transformation of the Roman world at the end of antiquity has been a subject of broad scholarly interest for decades, but until now no book has focused specifically on the Iberian Peninsula in the period as seen through an archaeological lens. Given the sparse documentary evidence available, archaeology holds the key to a richer understanding of the developments of the period, and this book addresses a number of issues that arise from analysis of the available material culture, including questions of the process of Christianisation and Islamisation, continuity and abandonment of Roman urban patterns and forms, the end of villas and the growth of villages, and the adaptation of the population and the elites to the changing political circumstances."--Bloomsbury Publishing.

A Plural Peninsula embodies and upholds Professor Simon Barton’s influential scholarly legacy, eschewing rigid disciplinary boundaries. Focusing on textual, archaeological, visual and material culture, the sixteen studies in this volume offer new and important insights into the historical, socio-political and cultural dynamics characterising different, yet interconnected areas within Iberia and the Mediterranean. The structural themes of this volume --the creation and manipulation of historical, historiographical and emotional narratives; changes and continuity in patterns of exchange, cross-fertilisation and the recovery of tradition; and the management of conflict, crisis, power and authority-- are also particularly relevant for the postmedieval period, within and beyond Iberia. Contributors are Janna Bianchini, Jerrilynn D. Dodds, Simon R. Doubleday, Ana Echevarría Arsuaga, Maribel Fierro, Antonella Liuzzo Scorpo, Fernando Luis Corral, Therese Martin, Iñaki Martín Viso, Amy G. Remensnyder, Maya Soifer Irish, -Teresa Tinsley, Sonia Vital Fernández, Alun Williams, Teresa Witcombe, and Jamie Wood. See inside the book

The structures of the late ancient Visigothic kingdom of Iberia were rooted in those of Roman Hispania, Santiago Castellanos argues, but Catholic bishops subsequently produced a narrative of process and power from the episcopal point of view that became the official record and primary documentation for all later historians. The delineation of these two discrete projects—of construction and invention—form the core of The Visigothic Kingdom in Iberia. Castellanos reads documents of the period that are little known to many Anglophone scholars, including records of church councils, sermons, and letters, and utilizes archaeological findings to determine how the political system of elites related to local communities, and how the documentation they created promoted an ideological agenda. Looking particularly at the archaeological record, he finds that rural communities in the region were complex worlds unto themselves, with clear internal social stratification little recognized by the literate elites.

This volume aims to present an updated portrait of the Roman countryside in Roman Spain by the comparison of different theoretical orientations and methodological strategies including the discussion of textual and iconographic sources and the analysis of the faunal remains. The archaeology of rural areas of the Roman world has traditionally been focused on the study of villae, both as an architectural model of Roman otium and as the central core of an economic system based on the extensive agricultural exploitation of latifundia. The assimilation of most rural settlements in provincial areas of the Roman Empire with the villa model implies the acceptance of specific ideas, such as the generalization of the slave mode of production, the rupture of the productive capacity of Late Iron Age communities, or the reduction in importance of free peasant labor in the Roman economy of most rural areas. However, in recent decades, as a consequence of the generalized extension of preventive or emergency archaeology and survey projects in most areas of the ancient territories of the Roman Empire, this traditional conception of the Roman countryside articulated around monumental villae is undergoing a thorough revision. New research projects are changing our current perception of the countryside of most parts of the Roman provincial world by assessing the importance of different types of rural settlements. In the last years, we have witnessed the publication of archaeological reports on the excavation of thousands of small rural sites, farms, farmsteads, enclosures, rural agglomerations of diverse nature, etc. One of the main consequences of all this research activity is a vigorous discussion of the paradigm of the slave mode of production as the basis of Roman rural economies in many provincial areas. A similar change in the paradigm is taking place, with some delay, in the archaeology of Roman Spain. After decades of preventive/emergency interventions there is a considerable quantity of unpublished data on this kind of rural settlements. However, unlike the cases of Roman Britain or Gallia Comata, no synthesis or national projects are undertaking the task of systematizing all these data. With the intention of addressing this current situation the present volume discusses the results and methodological strategies of different projects studying peasant settlements in several regions of Roman Spain.

This volume is the first to focus solely on how specific individuals and groups in Byzantium and its borderlands were defined and distinguished from other individuals and groups from the mid-fourth to the close of the fifteenth century. It gathers chapters from both established and emerging scholars from a wide range of disciplines across history, art, archaeology, and religion to provide an accurate representation of the state of the field both now and in its immediate future. The handbook is divided into four subtopics that examine concepts of group and specific individual identity which have been chosen to provide methodologically sophisticated and multidisciplinary perspectives on specific categories of group and individual identity. The topics are Imperial Identities; Romanitas in the Late Antique Mediterranean; Macro and Micro Identities: Religious, Regional, and Ethnic Identities, and Internal Others; and Gendered Identities: Literature, Memory, and Self in Early and Middle Byzantium. While no single volume could ever provide a comprehensive vision of identities on the vast variety of peoples within Byzantium over nearly a millennium of its history, this handbook represents a milestone in offering a survey of the vibrant surge of scholarship examining the numerous and oft-times fluctuating codes of identity that shaped and transformed Byzantium and its neighbours during the empire’s long life.

The Routledge Hispanic Studies Companion to Medieval Iberia: Unity in Diversity draws together the innovative work of renowned scholars as well as several thought-provoking essays from emergent academics, in order to provide broad-range, in-depth coverage of the major aspects of the Iberian medieval world. Exploring the social, political, cultural, religious, and economic history of the Iberian Peninsula, the volume includes 37 original essays grouped around fundamental themes such as Languages and Literatures, Spiritualities, and Visual Culture. This interdisciplinary volume is an excellent introduction and reference work for students and scholars in Iberian Studies and Medieval Studies. SERIES EDITOR: BRAD EPPS SPANISH LIST ADVISOR: JAVIER MUÑOZ-BASOLS

"Songs of Sacrifice argues that liturgical music-both texts and melodies-played a central role in the cultural renewal of early Medieval Iberia. Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during the seventh century, as part of a cultural and educational program led Isidore of Seville and other bishops. After the conversion of the Visigothic rulers from Arian to Nicene Christianity at the end of the sixth century, the bishops aimed to create a society unified in the Nicene faith, built on twin pillars of church and kingdom. They initiated a project of clerical education, facilitated through a distinctive culture of textual production. The chant repertory was carefully designed to promote these aims. The creators of the chant texts reworked scripture in ways designed to teach biblical exegesis, linking both to the theological works of Isidore and others, and to Visigothic anti-Jewish discourse. The notation reveals an intricate melodic grammar that is closely tied to textual syntax and sound. Through musical rhetoric, the melodies shaped the delivery of the texts to underline words and phrases images of particular liturgical or doctrinal import. The chants thus worked toward the formation of individual Christian souls and a communal, Nicene identity. The final chapters turn to questions about the intersection between orality and writing and the relationships of the Old Hispanic chant to other Western plainsong traditions"--

Devoted to the archaeological study of the societies and agrarian landscapes of Northwestern Iberia in the longue durée, this book brings together the results of some of the main projects carried out in recent decades from off-site records, providing a fresh perspective for the understanding of historical landscapes.