The Iconic Interior

This substantial book features one hundred of the most spectacular interiors across the world, spanning the entire 20th century to the present day. It includes interiors assembled by artists and fashion designers, architects, interior and set-designers, bringing together diverse design talents from Piero Fornasetti and Coco Chanel to Alvar Aalto, Marc Newson and Matthew Williamson. Twenty short profiles are presented in the introduction, with a single iconic photograph and a concise, informative text; eighty are profiled at length, in chronological order, with superb colour photography and texts recounting the stories of these remarkable designs. Representing every style from minimalism, Art Nouveau and Neo-traditional to Gesamtkunstwerk creations that defy definition, these iconic interiors are elegant compositions that endure as lasting creations.

This compact, much-praised volume presents over one hundred of the most significant interiors from the twentieth century to the present day. An essential resource for interior design enthusiasts. Featuring one hundred of the most spectacular interiors across the world, this richly illustrated overview spans the entire twentieth century to the present day and includes interiors assembled by leading artists, fashion designers, architects, and interior and set designers. Bringing together diverse design talents, from Piero Fornasetti and Coco Chanel to Alvar Aalto, Marc Newson, and Matthew Williamson, this expanded edition of The Iconic Interior also features three new interiors from Los Angeles–based Commune Design, Morocco-based tile designers Samuel and Caitlin Dowe-Sandes, and Dimore Studio’s London house interior for the owners of fashion design studio Dsquared2. The book also features a list of designer biographies and key works, making this a complete resource for designers and students. Representing every style, from minimalism and art nouveau to neotraditional and Gesamtkunstwerk creations that defy definition, these iconic interiors are sure to inspire all audiences, from designers and students to homeowners and DIY enthusiasts.

This book celebrates inventive and inspired homes that are at once original and the product of visionary designers at the height of their powers. Making House features the houses and apartments of leading interior, furniture, and product designers—homes by designers, as designed for themselves—including the abodes of well-known figures such as Jonathan Adler, Marc Newson, Britt Moran and Emiliano Salci of Dimore Studio, and Stephen Sills. A great degree of inspiration is to be found among the personal homes and interiors of the masters. Designers, architects, and artists are free to experiment in a way that is unique, without any of the traditional limitations of a client-commissioned project. These are laboratories of invention. They are also private retreats, which offer a range of design solutions for common challenges from which the reader may glean new ideas and the motivation to make such ideas real. Beautifully illustrated, this volume is at once a document and a celebration of some of the most inspiring homes from around the world and the creative minds and personalities behind them, photographed specifically for this book.

Now available in an updated edition and attractive new format, this essential book on modern architecture presents over one hundred of the most significant houses of the past hundred years. The Iconic House features over one hundred of the most important and influential houses designed and built since 1900. With seminal works by Le Corbusier, Frank Lloyd Wright, and Mies van der Rohe, as well as modern-day greats like Tadao Ando, Rem Koolhaas, and Herzog & de Meuron, this book brings to life a stunning array of architectural masterpieces. Wide-ranging in both geographical scope and artistic style, the houses share an appreciation of local materials and building traditions and a careful understanding of clients’ needs. Each house, however, is the result of a unique approach that makes it groundbreaking for its time. Now, fully updated, the book features iconic houses recently constructed, as well as concise, informative texts, specially commissioned photographs, floor plans, and drawings. The Iconic House remains an ideal overview of contemporary architects and architecture, for design-lovers and professionals alike.

The Iconic Interior features 100 of the most important and influential interiors from around the world. Designed by a broad spectrum of fashion designers, artists and architects, set designers and decorators, these private spaces represent a wide range of styles, periods, and aesthetics. Here are such unforgettable spaces as Billy Baldwin's design for Diana Vreeland's New York City home; Edith Wharton's famous New England house, The Mount; Coco Chanel's legendary Paris apartment; Frank Lloyd Wright's Hollyhock House; Tony Duquette's California estate, Dawnridge; and Piero Fornasetti's Villa Fornasetti. Organized chronologically, many of the interiors have been photographed specially for this book. Along with the lush photographs, each description is accompanied by a short biography of the owner/designer. The Iconic Interior is a complete guide to 100 years of influential, gorgeous design. Praise for The Iconic Interior: "Both educational and inspiring. . . . Every page contains surprises and unanticipated delights." --Veranda magazine "The range is deep and broad, featuring not only sumptuous and stately standards like Coco Chanel's Paris flat and Jacques Garcia's Normandy chateau, but also Dieter Rams's functionalist Frankfurt digs and John Pawson's understated London home." --Architectural Digest

Interior designer and artist Ashley Hicks presents his photographs and description of the interior design of Buckingham Palace, home of Britain's royal family since 1837. An important representation of Regency, Victorian, and Edwardian styles, the palace is the work of such noted architects as John Nash and Sir Aston Webb. Hicks records the formal spaces with vibrancy, capturing the magnificent rooms furnished with treasures from the Royal Collection. Starting at the Grand Staircase, Hicks leads us through the state rooms, which include the White Drawing Room and the Blue Drawing Room that both overlook the palace gardens; the Ballroom, which is the setting for twenty investiture ceremonies each year; and the Throne Room, used by Queen Victoria for spectacular costume balls in the 1840s. The long, skylit Picture Gallery is hung with important works of art from the Royal Collection by Rembrandt van Rijn, Peter Paul Rubens, Nicolas Poussin, Anthony van Dyck, Johannes Vermeer, and Canaletto, among others. Decorative furnishings from George IV's exotic Brighton Pavilion lend a fanciful turn to many of the rooms.

The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.

A fresh look at the interiors of Renzo Mongiardino—considered one of the finest designers of the late twentieth century—that will both appeal to past devotees and introduce his work to a new generation of design enthusiasts. This book explores the sublime work of Renzo Mongiardino (1916–1998), reinforcing his place as a legend in the field. Mongiardino has a background as an acclaimed set designer for stage and film, which had an effect on his work—lush interiors with trompe l’oeil finishes, museum-quality antiques, sumptuous fabrics, and a bewitching theatricality. Clients included elite members of the worlds of fashion, art, and society: Agnelli, Rothschild, Peretti, Radziwill, and Onassis. Cabana, the au courant interiors magazine, investigates Mongiardino’s work with stunning new photography (many interiors are published here for the first time), thoughtful prose, and animated layouts. This is the most contemporary book on the creations of the modern master and will appeal to connoisseurs of beauty and interior design.