The Impact Of 9 11 On Politics And War

The Impact of 9/11 on Politics and War is the first volume of the six-volume series The Day that Changed Everything? edited by Matthew J. Morgan. The series brings together from a broad spectrum of disciplines the leading thinkers of our time to reflect on one of the most significant events of our time.

This volume re-examines 9/11's effect on North American security policy and international relations from a trilateral rather than a bilateral perspective.

When Canada committed forces to the military mission in Afghanistan after September 11, 2001, little did Canadians foresee that they would be involved in a war-riven country for over a decade. The Politics of War explores how and why Canada’s Afghanistan mission became so politicized. Through analysis of the public record and interviews with officials, Boucher and Nossal show how the Canadian government sought to frame the engagement in Afghanistan as a “mission” rather than what it was – a war. This book analyzes the impact of political elites, Parliament, and public opinion on the conflict and demonstrates how much of Canada’s involvement was shaped by the vagaries of domestic politics.

At first there were no words to describe the horror of September 11, only a national hush that expressed the sudden absence of so many innocent lives. Then the floodgates opened: eyewitness accounts, expert analyses, bitter denunciations, tributes to fallen heroes, patriotic exortations, eulogies.spin. Almost immediately, the Bush Administration and the media launched an unprecendented rhetorical campaign aimed at manufacturing support for the "War on Terror." A fascinating glimpse into the full impact of 9/11 on America's psyche, Warof Wordstakes a critical look at the strategic use of language to create a series of national transformations. A terrorist attack became an "act of war," requiring commensurate response. The President, until then the butt of national jokes, ascended to Commander in Chief, while the leader of the city we love to hate became "America's mayor." TV ads for cars and clothing featured flags and firemen, showing that consumerism is patriotism. With a keen ear for the hidden messages in our national stories, Sandra Silberstein unearths the dark side of this patriotic rhetoric, including the attacks on those who question U.S. policy and the denunciation of liberal intellectuals by the conservative American Council of Trustees and Alumni. Timely and penetrating, War of Wordsshows how the stories we told after the attacks fashioned a post-9/11 American identity and reinscribed our national beliefs.

In this timely work, a team of experts addresses the question of how a democracy faces the challenge of balancing legitimate homeland security concerns against the rights and freedoms of its citizens.

This book provides a multifaceted array of answers to the question, In the ten years since the 9/11 terrorist attacks, how has America responded? In a series of essays, RAND authors lend a farsighted perspective to the national dialogue on 9/11's legacy. The essays assess the military, political, fiscal, social, cultural, psychological, and even moral implications of U.S. policymaking since 9/11. Part One of the book addresses the lessons learned from America's accomplishments and mistakes in its responses to the 9/11 attacks and the ongoing terrorist threat. Part Two explores reactions to the extreme ideologies of the terrorists and to the fears they have generated. Part Three presents the dilemmas of asymmetrical warfare and suggests ways to resolve them. Part Four cautions against sacrificing a long-term strategy by imposing short-term solutions, particularly with respect to air passenger security and counterterrorism intelligence. Finally, Part Five looks at the effects of the terrorist attacks on the U.S. public health system, at the potential role of compensation policy for losses incurred by terrorism, and at the possible long-term effects of terrorism and counterterrorism on American values, laws, and society.--Publisher description.

This book offers a study of post-9/11 anti-war organizations in the United States and their role in domestic foreign policy debates. The moment of the 9/11 terrorist attacks has been much cited in political and cultural scholarship and much attention has been paid to the promotion of "War on Terror" policies. The social mechanisms behind the circumscription and regulation of national ideals attracted critical analyses from scholars across disciplines; yet the prevalence of scholarly concern with the negative political devices of the Bush Administration at times seemed to risk reproducing the hierarchies of power that underpinned the very issue of concern, and even the War on Terror itself. By contrast, this book celebrates the political acts of individuals committed to changing the dominant politics of the Bush era. Drawing on participant observation and interviews with the leaders of prominent anti-war organizations including Code Pink and Iraq Veterans Against the War, the book employs Performance Theory to evaluate the capacity of protest to effect lasting social change. In addition to highlighting an often overlooked aspect of foreign policy formation, this volume demonstrates that Performance Studies can be used as innovative approach to Politics and IR. This book will be of much interest to students of US politics and foreign policy, theatre studies, cultural studies, and critical security and international relations.

9/11, the War on Terror, and the Sociology of Mass Media explores the cultural and political impact of the terrorist attacks on September 11, 2001, with particular emphasis on the media's role in constructing meanings in the wake of the tragedy. The carefully selected readings within this anthology tell the story of how 9/11 was "created"--that is, how the story of the event was told, and how it was not told. In providing students with a comprehensive overview of the various narratives constructed in the aftermath of a defining moment in U.S. history, the book sheds light on how government and media can shape stories, and how those stories contribute to our social reality. The book begins with a selection of articles and chapters that offer students a thorough explanation of the attacks themselves, as well as the effects they had on politics and other official publics. The readings in Part 2 of the text explore society's reaction to 9/11 and the wars it produced, with emphasis on the response of popular culture. Part 3 provides an understanding of the social and historical reasons as to why the attacks happened, both from the perspective of U.S. foreign policy and the terrorists who enacted the attack. The anthology closes with a section that takes a look at the lasting effects of the attacks, exploring cultural impact and the changing landscape of terrorist threats. By encouraging students to rationally explore and ask questions about an event that many feel they've been unable to examine critically before, 9/11, the War on Terror, and the Sociology of Mass Media allows them to exercise their citizenship, nationally and globally. This anthology is well suited for intermediate courses in the sociology of mass media and mass communication, as well as courses in terrorism and cultural sociology. Nickie Michaud Wild is a visiting assistant professor/lecturer of sociology at Mount Holyoke College. She earned her master's and doctorate degrees in sociology from the University of Wisconsin at Milwaukee and the University at Albany, State University of New York, respectively. Dr. Michaud Wild is a faculty fellow at the Yale Center for Cultural Sociology. She has published articles about political humor in the American Journal of Cultural Sociology and the Journal of Broadcasting and Electronic Media, and is currently working on a writing project about how comedy has become an increasingly integral part of the United States' political discourse.