The Indian Captivity Narrative 1550 1900

Twaynes United States Authors Series presents concise critical introductions to great writers and their works. Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volumeaddresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading theAuthors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives.

The War in Words is the first book to study the captivity and confinement narratives generated by a single American war as it traces the development and variety of the captivity narrative genre. Kathryn Zabelle Derounian-Stodola examines the complex 1862 Dakota Conflict (also called the Dakota War) by focusing on twenty-four of the dozens of narratives that European Americans and Native Americans wrote about it. This six-week war was the deadliest confrontation between whites and Dakotas in Minnesota?s history. Conducted at the same time as the Civil War, it is sometimes called Minnesota?s Civil War because itøwas?and continues to be?so divisive. ø The Dakota Conflict aroused impassioned prose from participants and commentators as they disputed causes, events, identity, ethnicity, memory, and the all-important matter of the war?s legacy. Though the study targets one region, its ramifications reach far beyond Minnesota in its attention to war and memory. An ethnography of representative Dakota Conflict narratives and an analysis of the war?s historiography, The War in Words includes new archival information, historical data, and textual criticism.

An American literary form that flourished from the seventeenth through the nineteenth centuries, the Indian Captivity narrative has long fascinated readers on both sides of the Atlantic. These narratives - chronicling the unpredictable encounters between Native Americans and newcomers - number in the thousands. They encompass the factual as well as the fictional. And in their often negative portrayals of Native Americans, these narratives have aroused considerable controversy. Presenting a broad survey of these narratives and shedding much-needed light on their place in American culture and letters comes The Indian Captivity Narrative, 1550-1900, written by two scholars eminently well versed in their subject matter. In clear and straightforward writing, Kathryn Zabelle Derounian-Stodola and James Arthur Levernier argue that these texts played a vital role in American culture, forming the first truly American literary form and revealing, in their racist subtexts, much about white America's fear of "otherness". With a focus on both the literary and the historical features of the narratives, the authors take a New Historicist approach, extending the accepted chronology to encompass texts written in the 1500s through the 1900s and representing most regions of the continental United States. Here readers will find references to hundreds of primary texts and commentary on texts, as well as expert treatment of such topics as the mythology surrounding the form, the narratives' images of Native Americans and of women, and Mary Rowlandson's well-known 1682 account. A highly accessible work that nevertheless retains its subject's complexity, The Indian Captivity Narrative, 1550-1900 - complementedby nine important illustrations - provides an ideal resource for high school and college students, and for general audiences.

The fictionalized Los Angeles of television's Angel is a world filled with literature--from the all-important Shansu prophecy that predicts Angel's return to a state of humanity to the ever-present books dominating the characters' research sessions. This collection brings together essays that engage Angel as a text to be addressed within the wider fields of narrative and literature. It is divided into four distinct parts, each with its own internal governing themes and focus: archetypes, narrative and identity, theory and philosophy, and genre. Each provides opportunities for readers to examine a wide variety of characters, tropes, and literary nuances and influences throughout all five televised seasons of the series and in the current continuation of the series in comic book form.

The Captivity Narrative offers a collection of scholarly treatises that assess the phenomenon of captivity and the nuanced methods captives have used to express their psychological duress and the manner in which they coped with bondage and its aftermath. The essays reflect a multidisciplinary interest in the subject by offering historical, literary, and philosophical analyses. Topics include 17th-century captivity in Spanish Texas and Puritan New England, 19th-century slavery, Indian captivity in works of fiction, and the poetry, literature, and narratives of prisoners in the United States and England from the 19th to 21st century. The studies originated in a conference hosted in San Antonio, Texas (2011) by the Southwest/Texas Popular Culture and American Culture Association. Contributors include Anne Babson, Jennifer Oakes Curtis, Lanta Davis, Steven Gambrel, Anne Matthews, Alan Smith and Elisabeth Ziemba.

The Native Americans of mixed ancestry in 1830 and why Andrew Jackson implemented a law to remove them.

This edition of A Thrilling Narrative of Indian Captivity rescues from obscurity a crucially important work about the bitterly contested U.S.-Dakota War of 1862. Written by Mary Butler Renville, an Anglo woman, with the assistance of her Dakota husband, John Baptiste Renville, A Thrilling Narrative was printed only once as a book in 1863 and has not been republished since. The work details the Renvilles’ experiences as “captives” among their Dakota kin in the Upper Camp and chronicles the story of the Dakota Peace Party. Their sympathetic portrayal of those who opposed the war in 1862 combats the stereotypical view that most Dakotas supported it and illumines the injustice of their exile from Dakota homelands. From the authors’ unique perspective as an interracial couple, they paint a complex picture of race, gender, and class relations on successive midwestern frontiers. As the state of Minnesota commemorates the 150th anniversary of the Dakota War, this narrative provides fresh insights into the most controversial event in the region’s history. This annotated edition includes groundbreaking historical and literary contexts for the text and a first-time collection of extant Dakota correspondence with authorities during the war.