The Indian Portrait

The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.

The ninth exhibition in the Indian Portrait series focuses on the introduction of Parsi portraiture in India and an insight on their art, culture and education etc. Paintings, photographs, CDVs, cabinet card albums, engravings, lithographs, prints & collectibles etc. are the different mediums that helped to preserve history. It contains over 170 portraits and was exhibited in December 2018.

A catalogue showcasing the artistic journey of portraits from miniature to modern art. It starts with the miniature paintings done by different schools like Pahadi, Rajasthani, Central Province, Deccan, Company period, Bengal, Colonial Influence and goes all the way up to modern art. The catalogue has 37 portraits which were exhibited in October 2010.

The seventh exhibition in the series, focuses on the development of portraiture after the coming of the camera to India. It fuelled the enthusiasm of the Indian artists and photographic studios mushroomed across the country. Artists started using photographs to enhance portrait paintings, they developed a new aesthetic that integrated aspects of painting and photography in one image.

One of this century's greatest surprises has been the economic and social revolution in India. A country long characterized by such adjectives as 'timeless', 'spiritual' and 'backward' is now viewed through a new set of clichés: 'hi-tech', 'materialistic', 'go-getting'. But what is the real nature of this rapid change, and what are its roots? Patrick French has spent much of his life engaged with India, and his landmark new book is filled with the qualities that have won his writing exceptional praise: his love of narrative, sympathy for the individual's experience, scepticism about official claims, and relish for the mayhem of political life. His account of Indian independence, Liberty or Death, is an acclaimed bestseller. Now he gives us an encompassing social, political and economic history of India from partition to the present day. Examining the cultural foundations that made India's accelerated transformation from socialist economy to capitalist powerhouse possible, French creates a vivid, surprising picture of what it is like to live at a time when millions have pulled themselves free of poverty - with fortunes made almost overnight - but where violence, corruption and caste prejudice have equally been given new outlets. He delves into Indian society and politics, including the personal story of one of the most powerful women in the world, Sonia Gandhi. And he travels the country's regions to show how Nehru's vision of a democratic, secular India has continued to attempt - in the face of conflict and setbacks - to hold this vast, implacably diverse nation together. French has spoken to everyone from the nation's political leadership to Maoist revolutionaries and mafia dons, from chained quarry workers to self-made billionaire entrepreneurs and technological innovators. The result is a richly detailed, wide-ranging and hugely rewarding portrait of India.

The tenth exhibition in the series will showcase classical paintings from all across India. The exhibition will cover 300 years and a vast geographic region from Jammu to Thanjavur, allowing viewers to compare how different patrons wished to be remembered and observe how historical events shaped India’s painting traditions.

A Compelling Work On The Cultural Character Of The Indian People&Both Provocative And Revealing -Shyam Benegal In Outlook A Remarkably Perceptive Analysis Of Indian Character -Khushwant Singh In This Bold, Illuminating And Superbly Readable Study, India S Foremost Psychoanalyst And Cultural Commentator Sudhir Kakar And Anthropologist Katharina Kakar Investigate The Nature Of Indian-Ness . What Makes An Indian Recognizably So To The Rest Of The World, And, More Importantly, To His Or Her Fellow Indians? For, As The Authors Point Out, Despite Ethnic Differences That Are Characteristic More Of Past Empires Than Modern Nation States, There Is An Underlying Unity In The Great Diversity Of India That Needs To Be Recognized. Looking At What Constitutes A Common Indian Identity, The Authors Examine In Detail The Predominance Of Family, Community And Caste In Our Everyday Lives, Our Attitudes To Sex And Marriage, Our Prejudices, Our Ideas Of The Other (Explored In A Brilliant Chapter On Hindu-Muslim Conflict), And Our Understanding Of Health, Right And Wrong, And Death. In The Final Chapter, They Provide Fascinating Insights Into The Indian Mind, Shaped Largely By The Culture S Dominant, Hindu World View. Drawing Upon Three Decades Of Original Research And Sources As Varied As The Mahabharata, The Kamasutra, The Writings Of Mahatma Gandhi, Bollywood Movies And Popular Folklore, Sudhir And Katharina Kakar Have Produced A Rich And Revealing Portrait Of The Indian People. An Important Book&A Readable And Carefully Considered Statement On The Issue Of Identity Pavan Varma In India Today