The Infernal

A fierce, searing response to the chaos of the war on terror—an utterly original and blackly comic debut In the early years of the Iraq War, a severely burned boy appears on a remote rock formation in the Akkad Valley. A shadowy, powerful group within the U.S. government speculates: Who is he? Where did he come from? And, crucially, what does he know? In pursuit of that information, an interrogator is summoned from his prison cell, and a hideous and forgotten apparatus of torture, which extracts "perfect confessions," is retrieved from the vaults. Over the course of four days, a cavalcade of voices rises up from the Akkad boy, each one striving to tell his or her own story. Some of these voices are familiar: Osama bin Laden, L. Paul Bremer, Condoleezza Rice, Mark Zuckerberg. Others are less so. But each one has a role in the world shaped by the war on terror. Each wants to tell us: This is the world as it exists in our innermost selves. This is what has been and what might be. This is The Infernal.

All three books in the #1 New York Times bestselling Infernal Devices trilogy are now together in one boxed set! Step back in time with the Shadowhunters with this eBook collection of the New York Times bestselling Infernal Devices trilogy. Passion. Power. Secrets. Enchantment. The Shadowhunters of the Victorian Age delve into all of these—in addition to darkness and danger—in the Infernal Devices trilogy, packaged in an eBook collection that includes Clockwork Angel, Clockwork Prince, and Clockwork Princess.

Today, political violence has become the scourge of our world and terrorism is routinely described as a uniquely modern evil. Yet however unprecedented in scope the new terrorist organizations might appear, Matthew Carr argues in this definitive history of terrorism that they are merely offshoots of a spectacular bombing in 1881: the assassination of Tsar Nicholas II by terrorists ...or were they freedom fighters? Thus begins a narrative of extraordinary sweep that Publishers Weekly called 'engrossing, unsettling' and the Boston Globe praised as 'brave and wise' and 'a book for the ages.' In The Infernal Machine, Carr unearths the complex realities of terrorist violence and its indelible impact on nations as different as Italy, Argentina, France, Algeria, Ireland, Russia, Japan, and the United States. Spanning over a century of world history, The Infernal Machine reveals stunning similarities in societies' responses to terrorism despite profound political and cultural differences. Carr demonstrates again and again that the true impact of terrorism has been felt in the overreactions of government and the media to acts of political violence. This encyclopedic and diagnostic primer for our frightening times allows us to see our current predicament against a background of striking historical parallels.

"The Infernal Marriage" and "Ixion In Heaven" by Earl of Beaconsfield Benjamin Disraeli offer readers a glimpse into the imaginative and thought-provoking world of speculative fiction. In "The Infernal Marriage," Disraeli weaves a tale of dark and supernatural forces, exploring the complexities of love, power, and otherworldly encounters. With his characteristic eloquence and wit, Disraeli takes readers on a captivating journey through a realm where the boundaries of reality and fantasy blur.

George Lukas and other leading filmmakers acknowledge their indebtedness to mythographic scholarship on archetypes. In his new study, author Rodney Farnsworth identifies a pattern of filmmakers' obsessions with archetypical rituals centered on sacrifice and the family in films made between 1977 and 1983, a period of political upheaval on both sides of the Atlantic. Combining a strong historical reading of the films in a sociopolitical context and utilizing Queer Theory as a framework for his arguments, Farnsworth offers a close examination of key films of the period, including works by Stanley Kubrick, Robert Altman, and Francis Ford Coppola, and provides a fascinating and timely glimpse of an important political and cinematic time. Marking the end of a more liberal era, the late seventies and early eighties witnessed the growth of reactionary conservative movements such as the New Religious Political Right. These were the years that gave birth to movies--from esoteric art-house pictures to blockbusters such as Star Wars--that seemed in many cases to be adaptations of primordial mythology, subverting liberal-to-moderate views into reactionary depictions of family life. Although filmmakers had turned to these myths to shape their works, Farnsworth observes, the unstable, volatile nature of the archetypes deconstructed their best social intentions into something rich, strange, and deadly. This thought-provoking work will be of interest to students of social history as well as film studies.

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