The Ingenious Gentleman And Poet Federico Garcia Lorca Ascends To Hell

Doomed to hell, Spanish poet Federico Garcia Lorca is confronted by two different versions of his former self.

DIV In Carlos Rojas’s imaginative novel, the Spanish poet Federico García Lorca, murdered by Francoist rebels in August 1936, finds himself in an inferno that somehow resembles Breughel’s Tower of Babel. He sits alone in a small theater in this private hell, viewing scenes from his own life performed over and over and over. Unexpectedly, two doppelgängers appear, one a middle-aged Lorca, the other an irascible octogenarian self, and the poet faces a nightmarish confusion of alternative identities and destinies. Carlos Rojas uses a fantastic premise—García Lorca in hell—to reexamine the poet’s life and speculate on alternatives to his tragic end. Rojas creates with a surrealist’s eye and a moral philosopher’s mind. He conjures a profoundly original world, and in so doing earns a place among such international peers as Gabriel García Márquez, Philip Roth, J. M. Coetzee, and José Saramago. /div

A reflection on Federico García Lorca’s life, his haunting death, and the fame that reinvigorated the marvelous in the modern world “A galaxy of critical insights into the cultural shock waves circling and crisscrossing Lorca’s execution and his unknown resting place, there is not a single book on Lorca like this one.”—Andrés Zamora, Vanderbilt University There is something fundamentally unfinished about the life and work of Federico García Lorca (1898–1936), and not simply because his life ended abruptly. Noël Valis reveals how this quality gives shape to the ways in which he has been continuously re-imagined since his death. Lorca’s execution at the start of the Spanish Civil War was not only horrific but transformative, setting in motion many of the poet’s afterlives. He is intimately tied to both an individual and a collective identity, as the people’s poet, a gay icon, and fabled member of a dead poets’ society. The specter of his violent death continues to haunt everything connected to Lorca, fueling the desire to fill in the gaps in the poet’s biography.

The children stumbled upon this orchard, where they saw the statue of the double-faced Roman deity Janus, father of the Olympus.

Publisher Description

Winner of Spain's prestigious Alfaguara Prize in Fiction, Caracol Beach is a gripping, kaleidoscopic novel about isolation, love, fear, and the collision of strangers' lives on one fateful night in a Florida town. On the outskirts of the quiet resort community of Caracol Beach, its unlikeliest--and perhaps most dangerous--resident plots his own demise. A Cuban veteran of the war in Angola, the sole survivor of an ambush that killed off the rest of his platoon, Beto Milanes has for eighteen years been racked with guilt and grief and tormented by terrible visions. Determined to end his suffering but unable to take his own life, he sets out to find someone who will do it for him. So begins a night of madness, violence, and, ultimately, redemption. Drawn into the soldier's nightmare world are an improbable group of men and women, whose lives will never again be the same: an aging police chief with a penchant for pizza; a foulmouthed prostitute; a transvestite with a killer judo chop; a beautiful student haunted by her own ghosts; and two ill-fated would-be heroes. With audacity, humor, and deep insight into the human condition, Eliseo Alberto explores the horror of war, the pain of exile, the power of forgiveness, and the inescapable, sometimes cruel toll of destiny. The story that unfolds is at once shocking and comic, surprising and poignant, evoking classic tragedy and the absurdity of modern life. Combining the narrative power of a master storyteller with the phantasmagoric vision of a filmmaker, Eliseo Alberto has created a literary tour de force.

"Rojas re-creates the nineteenth-century corridors of power and portrays the relationship between Goya and King Fernando VII, a despot bent on establishing a cruel regime after Spain’s War of Independence. Goya obliges the king’s request for a portrait, but his depiction not only fails to flatter but reflects a terrible darkness and grotesqueness. More than a century later, transcending conventional time, Goya observes Franco’s body lying in state and experiences again a dark and monstrous despair."--

Packed with photographs, composer biographies, analyses of major works, and essential information on every musical genre, style, form, instrument, and ensemble, DK's Complete Classical Music Guide is a portable encyclopedic guide to more than one thousand years of Western classical music. From Bach to Berlioz, Glinka to Gershwin, Stravinsky to Shostakovich, and everyone in between, the Complete Classical Music Guide contains more than three hundred composer profiles, and offers a clear definition of the particular styles and characteristics of seven key eras: Early Music (1000-1600); The Baroque Era (1600-1750); The Classical Era (1750-1820); The Romantic Era (1810-1920); Romantic Opera (1810-1920); National Schools (1830-1950); and Modern Music (1900-). The Complete Classical Music Guide also includes a timeline that charts the evolution of musical styles and forms, instruments, and provides explanations of the building blocks of music — melody, harmony, rhythm, texture, form, tempo, and dynamics. Previously published as Eyewitness Companion: Classical Music, this book has been reformatted and designed and now comes packaged in an exclusive presentation slipcase.